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AI art "Girl Car Breasts"
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Girl Car Breasts

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Madis&Tõnis Tuulik

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character: annytf Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny stands at the front fender of the black BMW, seen in three-quarter front view at eye level, weight on one hip with one clean white sneaker forward and the toe turned out, back arched, chest lifted, chin raised. Across the windscreen behind her, a huge black X has been drawn — two bold, thick strokes crossing the full width and height of the glass, the lines heavy and slightly uneven where the marker has passed. Her black hair with bold purple stripes is in its sleek low ponytail, the tail falling behind her shoulder. She has striking sapphire-blue eyes, looking directly at the camera with a slow, heavy-lidded, unrepentant gaze, one brow arched, lips curved in a satisfied smirk. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen, a faint flush on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest at her throat. She wears the purple bikini bra and matching purple thong bikini bottoms, fully covering her, and clean white sneakers. The black glass marker is held loosely in her right hand, hanging at her side, the tip capped or resting against her thigh. Her left hand is on her hip, elbow flared. Details to hold: the bold black X across the clean glass, the marker hanging loose at her thigh, the flared elbow, the proud set of her shoulders, her chin lifted, the sharp white sneakers, the silver crest, the silver ring. The black old BMW is otherwise immaculate: deep glossy black paint with a mirror-clean finish, straight panels, bright polished chrome trim, clean alloy wheels — the only mark being the X on the glass. Setting: open concrete bay, pale bare floor, cinder-block walls, cool daylight from the open roller door lighting the black strokes on the glass. Warm tungsten pendant bulb overhead. Camera: three-quarter front angle at eye level, full-body shot, shallow depth of field with Anny sharp, the X readable on the glass behind her. Visual focus is her unrepentant satisfaction and the defaced windscreen. Subtle film grain.
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Original Prompt
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny stands at the front fender of the black BMW, seen in three-quarter front view at eye level, weight on one hip with one clean white sneaker forward and the toe turned out, back arched, chest lifted, chin raised. Across the windscreen behind her, a huge black X has been drawn — two bold, thick strokes crossing the full width and height of the glass, the lines heavy and slightly uneven where the marker has passed. Her black hair with bold purple stripes is in its sleek low ponytail, the tail falling behind her shoulder. She has striking sapphire-blue eyes, looking directly at the camera with a slow, heavy-lidded, unrepentant gaze, one brow arched, lips curved in a satisfied smirk. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen, a faint flush on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest at her throat. She wears the purple bikini bra and matching purple thong bikini bottoms, fully covering her, and clean white sneakers. The black glass marker is held loosely in her right hand, hanging at her side, the tip capped or resting against her thigh. Her left hand is on her hip, elbow flared. Details to hold: the bold black X across the clean glass, the marker hanging loose at her thigh, the flared elbow, the proud set of her shoulders, her chin lifted, the sharp white sneakers, the silver crest, the silver ring. The black old BMW is otherwise immaculate: deep glossy black paint with a mirror-clean finish, straight panels, bright polished chrome trim, clean alloy wheels — the only mark being the X on the glass. Setting: open concrete bay, pale bare floor, cinder-block walls, cool daylight from the open roller door lighting the black strokes on the glass. Warm tungsten pendant bulb overhead. Camera: three-quarter front angle at eye level, full-body shot, shallow depth of field with Anny sharp, the X readable on the glass behind her. Visual focus is her unrepentant satisfaction and the defaced windscreen. Subtle film grain.
Mode
ultra
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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