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- Original Prompt
- 紅葉した木々が綺麗に映える参道。和服を着た黒髪の美少女がこちらに微笑んでいる。番傘を開いてさしている。
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- ﹝Prompts﹞
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- 1104 x 1824
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- Euler
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- lowres, worst quality, low quality, bad anatomy, explicit
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IR
1girl, solo, black hair, long straight black hair, hime cut, fair skin, dark brown eyes, kimono, deep red silk kimono, white floral pattern, wide sleeves, obi sash, traditional japanese clothing, holding umbrella, open wagasa, paper umbrella, red oil-paper canopy, bamboo ribs, holding umbrella over head, smile, closed-mouth smile, gentle smile, looking at viewer, head tilt, standing on one leg slightly, tiptoes, autumn leaves, red maple leaves, yellow ginkgo, momiji, shrine approach, sando, stone steps, stone lanterns, torii gate, from below, low angle, wide shot, depth of field, warm sunlight, dappled light, fallen leaves on stones, shallow depth of field, soft focus background, cinematic lighting
The camera sits low on the stone steps, tilted up: the shrine approach runs away from the lens between two rows of maple and ginkgo, trunks dark and wet-looking, the canopy above burning red and gold, and against that corridor of colour the girl stands just off the path's centre, one geta toe resting on the step's edge, her weight carried on the back leg, the front knee slightly bent so the hem of the deep red silk kimono swings forward and the white floral pattern breaks across the fold. Her long straight black hair falls past her shoulders, a few strands lifted by the breeze and crossing her cheek. She has raised the open wagasa with both hands — the right hand wrapped around the bamboo shaft just below the canopy, the left fingers spread against the ribs at the rim — and the red oil-paper disc of it tilts back over her head, its lacquered ribs casting a grid of thin shadow lines across her forehead and the bridge of her nose. Her chin is tipped down toward the viewer and she smiles at the lens: lips together, corners softly lifted, eyes open and warm, a faint crease at the outer corners, one brow a hair higher than the other, the head tilted slightly to her right. The umbrella shades her face from the sun, so her features sit in a warm bounced pool of light thrown up off the pale stone while the maple behind her is struck direct. Late-afternoon sun comes from the upper left, behind and above the trees; it rims the umbrella's canopy so the paper glows translucent orange at its edge, punches coins of light through the leaves onto the steps, and leaves the far end of the approach in blue-grey shade. Fallen momiji lie scattered and overlap on the stone, and where a leaf has settled on the flat of an upward-facing step it is dry and crisp, while the ones in the seams between stones are darker and pressed flat. Palette: deep crimson and vermilion in the canopy and the kimono, gold and ochre in the ginkgo and the light, cool grey-green in the stone and the shaded path, and the black of her hair as the darkest note. Quiet, glowing, auspicious.
IR
IR
1girl, solo, black hair, long straight black hair, hime cut, fair skin, dark brown eyes, kimono, deep red silk kimono, white floral pattern, wide sleeves, obi sash, traditional japanese clothing, holding umbrella, open wagasa, paper umbrella, red oil-paper canopy, bamboo ribs, holding umbrella over head, smile, closed-mouth smile, gentle smile, looking at viewer, head tilt, standing on one leg slightly, tiptoes, autumn leaves, red maple leaves, yellow ginkgo, momiji, shrine approach, sando, stone steps, stone lanterns, torii gate, from below, low angle, wide shot, depth of field, warm sunlight, dappled light, fallen leaves on stones, shallow depth of field, soft focus background, cinematic lighting
The camera sits low on the stone steps, tilted up: the shrine approach runs away from the lens between two rows of maple and ginkgo, trunks dark and wet-looking, the canopy above burning red and gold, and against that corridor of colour the girl stands just off the path's centre, one geta toe resting on the step's edge, her weight carried on the back leg, the front knee slightly bent so the hem of the deep red silk kimono swings forward and the white floral pattern breaks across the fold. Her long straight black hair falls past her shoulders, a few strands lifted by the breeze and crossing her cheek. She has raised the open wagasa with both hands — the right hand wrapped around the bamboo shaft just below the canopy, the left fingers spread against the ribs at the rim — and the red oil-paper disc of it tilts back over her head, its lacquered ribs casting a grid of thin shadow lines across her forehead and the bridge of her nose. Her chin is tipped down toward the viewer and she smiles at the lens: lips together, corners softly lifted, eyes open and warm, a faint crease at the outer corners, one brow a hair higher than the other, the head tilted slightly to her right. The umbrella shades her face from the sun, so her features sit in a warm bounced pool of light thrown up off the pale stone while the maple behind her is struck direct. Late-afternoon sun comes from the upper left, behind and above the trees; it rims the umbrella's canopy so the paper glows translucent orange at its edge, punches coins of light through the leaves onto the steps, and leaves the far end of the approach in blue-grey shade. Fallen momiji lie scattered and overlap on the stone, and where a leaf has settled on the flat of an upward-facing step it is dry and crisp, while the ones in the seams between stones are darker and pressed flat. Palette: deep crimson and vermilion in the canopy and the kimono, gold and ochre in the ginkgo and the light, cool grey-green in the stone and the shaded path, and the black of her hair as the darkest note. Quiet, glowing, auspicious.
IR
IR
1girl, solo, black hair, long straight black hair, hime cut, fair skin, dark brown eyes, kimono, deep red silk kimono, white floral pattern, wide sleeves, obi sash, traditional japanese clothing, holding umbrella, open wagasa, paper umbrella, red oil-paper canopy, bamboo ribs, holding umbrella over head, smile, closed-mouth smile, gentle smile, looking at viewer, head tilt, standing on one leg slightly, tiptoes, autumn leaves, red maple leaves, yellow ginkgo, momiji, shrine approach, sando, stone steps, stone lanterns, torii gate, from below, low angle, wide shot, depth of field, warm sunlight, dappled light, fallen leaves on stones, shallow depth of field, soft focus background, cinematic lighting
The camera sits low on the stone steps, tilted up: the shrine approach runs away from the lens between two rows of maple and ginkgo, trunks dark and wet-looking, the canopy above burning red and gold, and against that corridor of colour the girl stands just off the path's centre, one geta toe resting on the step's edge, her weight carried on the back leg, the front knee slightly bent so the hem of the deep red silk kimono swings forward and the white floral pattern breaks across the fold. Her long straight black hair falls past her shoulders, a few strands lifted by the breeze and crossing her cheek. She has raised the open wagasa with both hands — the right hand wrapped around the bamboo shaft just below the canopy, the left fingers spread against the ribs at the rim — and the red oil-paper disc of it tilts back over her head, its lacquered ribs casting a grid of thin shadow lines across her forehead and the bridge of her nose. Her chin is tipped down toward the viewer and she smiles at the lens: lips together, corners softly lifted, eyes open and warm, a faint crease at the outer corners, one brow a hair higher than the other, the head tilted slightly to her right. The umbrella shades her face from the sun, so her features sit in a warm bounced pool of light thrown up off the pale stone while the maple behind her is struck direct. Late-afternoon sun comes from the upper left, behind and above the trees; it rims the umbrella's canopy so the paper glows translucent orange at its edge, punches coins of light through the leaves onto the steps, and leaves the far end of the approach in blue-grey shade. Fallen momiji lie scattered and overlap on the stone, and where a leaf has settled on the flat of an upward-facing step it is dry and crisp, while the ones in the seams between stones are darker and pressed flat. Palette: deep crimson and vermilion in the canopy and the kimono, gold and ochre in the ginkgo and the light, cool grey-green in the stone and the shaded path, and the black of her hair as the darkest note. Quiet, glowing, auspicious.
IR
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