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AI art "Deal with the Devil"
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Deal with the Devil

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A photograph: a cowboy shot framed from mid-thigh up, seen from a low angle, the viewer looking up at her, in a symmetrical composition, of a woman in her twenties, a demon, the clan boss on her rounds. The whole image has a dangerous yakuza energy of charcoal and burgundy suits, full-colour irezumi, sake cups and katana, and black cars with wet windows, and the mood is cool, cocky and flirtatious. She is cool and very attractive, a woman with a lithe, willowy build: tall, with narrow, sloping shoulders, long, slender arms and very long, slender legs, a slim, lightly toned body, a small waist, narrow hips and slim thighs, and medium, rounded breasts. Her skin is a deep wine red, real and smooth with a velvety sheen, and her face is cool and beautiful, narrow with sharp red-gold eyes, a fine nose and a full, dark mouth. Two long, straight black horns sweep back from her temples, her pointed ears are lined with small gold rings, and her lips part over small, sharp fangs. A long wine-red tail with a black spade tip curls from the base of her spine. Full-colour irezumi of black-and-gold koi, red peonies and blue waves cover her arms and spill across her shoulders and thighs. Her expression is cocky and cool, a slow smile. Her shoulder-length chocolate-brown hair is sleek. She wears a tiny cropped black silk top ending high on her ribs, low-slung charcoal suit shorts cut very short and black heels, a charcoal suit jacket slung off her shoulders to her elbows, so that her shoulders, her tattooed arms, her midriff, her slim stomach, her hips above the waistband and her long thighs are bare. Her lip is a burgundy. The setting is a narrow lane of old wooden houses on a snowy morning, a long black car with its rear door open, men in black suits with umbrellas waiting by the wall, snow on the tiled eaves and a lit noodle shop window, layered and softly blurred. She stands at the open rear door of the black car facing the viewer, centred and symmetrical, one hand on the top of the door and the other holding a pair of black sunglasses, her tail curling round one ankle. Overcast daylight from the side: the flat grey snowy light from the open end of the lane falls along one side of her body and her tattooed arm, while the other side falls into the shadow of the car. Photorealistic style: a photorealistic photograph rather than an illustration, with natural skin texture and fine pores, individual hair strands and true silk, wool suiting, car paint and snow textures with accurate reflections, and no outlines or cel shading. Her horns show real ridged keratin and her deep wine skin is real skin with natural pores and sheen. Shot on a 50mm lens at f/2.2 with a shallow depth of field that keeps the background soft but readable, cool snowy grey with burgundy colour grading and sharp focus on her eyes.
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standard
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960 x 1280

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