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Elizabeth
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- Original Prompt
- 1girl, solo, long hair, simple background, black hair, dress, hair between eyes, very long hair, green eyes, red eyes, short sleeves, shoes, frills, comic, bowtie, frilled dress, pink dress, white background, jitome, closed mouth,
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
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1girl, solo, very long hair, black hair, hair between eyes, heterochromia, one green eye, one red eye, jitome, flat upper eyelid line, half-lidded eyes, scornful stare, closed mouth, dress, pink dress, frilled dress, short sleeves, frills, bowtie, shoes, simple background, white background, comic, upper body, from below, looking down at viewer, arms crossed, head tilt, dutch angle
A comic-styled single figure on a pure white background, the page reduced to one subject and empty paper. The camera sits low and slightly tilted, looking up at her from below chest height, so her chin is raised and she stares down the length of her nose at the viewer: the upper contour of each eye drawn as one flat horizontal line, the lids half lowered, the sclera cool and unimpressed, brows level, mouth a single sealed line with no parting and no teeth. One green iris on the left of the frame, one red iris on the right, both catching the same flat white light. Her black hair is very long, falling well past her waist in a heavy unbroken mass behind her shoulders, and a few strands drop forward between her eyes, splitting the pale forehead and crossing the bridge of her nose. She stands with her weight sunk into one hip, torso turned a quarter away from square, both arms folded under her chest with each forearm clamped over the other and her fingers tucked flat against her upper arm, shoulders drawn back, chin lifted one more degree. She wears a pink dress with short sleeves that end mid-upper-arm, the skirt and sleeve hems edged in dense white frills that flare and overlap in two stacked rows, and a small white bowtie knotted snug at the collar with its two loops slightly uneven. Matching pink shoes are visible at the bottom edge of the frame, toes angled apart, one heel lifted a fraction off the ground. The white background is seamless and absolute, with no floor line, no horizon and no cast environment; only a soft grey shadow pools under the lifted heel and the hem of the skirt to anchor her to the paper. Light comes evenly from the front-above, flattening the frills into crisp stacked ellipses and leaving one thin core shadow under the jaw and behind the forward hair strands. The palette admits only three colours -- the pink of the dress and shoes, the black of her hair and the linework, and the white of paper, frills, bowtie and sclera -- with the green and red irises as the two small exceptions the composition is built around. Comic inking: clean even contour lines, flat fills, hatching held back to the shadow under the chin and inside the hair mass, no screentone gradient. Effortlessly scornful.
Elizabeth
e
1girl, solo, very long hair, black hair, hair between eyes, heterochromia, one green eye, one red eye, jitome, flat upper eyelid line, half-lidded eyes, scornful stare, closed mouth, dress, pink dress, frilled dress, short sleeves, frills, bowtie, shoes, simple background, white background, comic, upper body, from below, looking down at viewer, arms crossed, head tilt, dutch angle
A comic-styled single figure on a pure white background, the page reduced to one subject and empty paper. The camera sits low and slightly tilted, looking up at her from below chest height, so her chin is raised and she stares down the length of her nose at the viewer: the upper contour of each eye drawn as one flat horizontal line, the lids half lowered, the sclera cool and unimpressed, brows level, mouth a single sealed line with no parting and no teeth. One green iris on the left of the frame, one red iris on the right, both catching the same flat white light. Her black hair is very long, falling well past her waist in a heavy unbroken mass behind her shoulders, and a few strands drop forward between her eyes, splitting the pale forehead and crossing the bridge of her nose. She stands with her weight sunk into one hip, torso turned a quarter away from square, both arms folded under her chest with each forearm clamped over the other and her fingers tucked flat against her upper arm, shoulders drawn back, chin lifted one more degree. She wears a pink dress with short sleeves that end mid-upper-arm, the skirt and sleeve hems edged in dense white frills that flare and overlap in two stacked rows, and a small white bowtie knotted snug at the collar with its two loops slightly uneven. Matching pink shoes are visible at the bottom edge of the frame, toes angled apart, one heel lifted a fraction off the ground. The white background is seamless and absolute, with no floor line, no horizon and no cast environment; only a soft grey shadow pools under the lifted heel and the hem of the skirt to anchor her to the paper. Light comes evenly from the front-above, flattening the frills into crisp stacked ellipses and leaving one thin core shadow under the jaw and behind the forward hair strands. The palette admits only three colours -- the pink of the dress and shoes, the black of her hair and the linework, and the white of paper, frills, bowtie and sclera -- with the green and red irises as the two small exceptions the composition is built around. Comic inking: clean even contour lines, flat fills, hatching held back to the shadow under the chin and inside the hair mass, no screentone gradient. Effortlessly scornful.
Elizabeth
e
1girl, solo, very long hair, black hair, hair between eyes, heterochromia, one green eye, one red eye, jitome, flat upper eyelid line, half-lidded eyes, scornful stare, closed mouth, dress, pink dress, frilled dress, short sleeves, frills, bowtie, shoes, simple background, white background, comic, upper body, from below, looking down at viewer, arms crossed, head tilt, dutch angle
A comic-styled single figure on a pure white background, the page reduced to one subject and empty paper. The camera sits low and slightly tilted, looking up at her from below chest height, so her chin is raised and she stares down the length of her nose at the viewer: the upper contour of each eye drawn as one flat horizontal line, the lids half lowered, the sclera cool and unimpressed, brows level, mouth a single sealed line with no parting and no teeth. One green iris on the left of the frame, one red iris on the right, both catching the same flat white light. Her black hair is very long, falling well past her waist in a heavy unbroken mass behind her shoulders, and a few strands drop forward between her eyes, splitting the pale forehead and crossing the bridge of her nose. She stands with her weight sunk into one hip, torso turned a quarter away from square, both arms folded under her chest with each forearm clamped over the other and her fingers tucked flat against her upper arm, shoulders drawn back, chin lifted one more degree. She wears a pink dress with short sleeves that end mid-upper-arm, the skirt and sleeve hems edged in dense white frills that flare and overlap in two stacked rows, and a small white bowtie knotted snug at the collar with its two loops slightly uneven. Matching pink shoes are visible at the bottom edge of the frame, toes angled apart, one heel lifted a fraction off the ground. The white background is seamless and absolute, with no floor line, no horizon and no cast environment; only a soft grey shadow pools under the lifted heel and the hem of the skirt to anchor her to the paper. Light comes evenly from the front-above, flattening the frills into crisp stacked ellipses and leaving one thin core shadow under the jaw and behind the forward hair strands. The palette admits only three colours -- the pink of the dress and shoes, the black of her hair and the linework, and the white of paper, frills, bowtie and sclera -- with the green and red irises as the two small exceptions the composition is built around. Comic inking: clean even contour lines, flat fills, hatching held back to the shadow under the chin and inside the hair mass, no screentone gradient. Effortlessly scornful.
Elizabeth
t
Tomoko Kuroki
Tomoko
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