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AI art "お兄様と　いずれ" featuring #Uma Musume Pretty Derby, #Rice Shower and #Trainer
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お兄様と　いずれ

#Uma Musume Pretty Derby#Rice Shower#Trainer
Avatar image of 零式

零式

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character: rice_shower_(umamusume), copyright: umamusume horse ears, horse tail, long brown hair, hair over one eye, flipped hair, purple eyes, 2girls, rice shower, envious gaze, yearning, longing look, wistful admiration, wedding, church wedding, bride in white wedding dress, bouquet, rice shower, guests throwing rice, looking from behind a pew, over-shoulder composition, from behind, partially turned head, profile, close-up, depth of field, warm candlelight, stained glass, longing, left out, tender ache, The camera sits just behind Rice Shower's left shoulder in a church nave, close over-shoulder framing so the back of her head and one edge of her cheek fill the near-lower left corner while the altar opens beyond her; she is seen mostly from behind, her long brown hair falling straight down her back with the flipped lock at her crown, one strand hanging loose over her near cheek so only a sliver of her profile — the curve of her cheek, the line of one lowered lash, and one purple eye glistening — is visible in the foreground. Her horse ears, poking up through that brown hair, are angled forward and slightly drooped at the tips, both trained on the altar; her long horse tail hangs and trails near the hem of her dress behind her. Between her and the altar, at midground, a bride in a full white wedding dress with a veil and a bouquet stands before the lit altar rail, turned three-quarter toward a groom figure at her side; the bride's white-gloved hand lifts the bouquet, her veil catching the light. Guests in the pews and around the couple toss a shower of rice that hangs in the warm air, and grains of rice catch the candle flames on their upward faces and fall dark-edged elsewhere, one or two scattered on the shoulder of Rice Shower's dress. Her hands are clasped in front of her chest, fingers laced tight, knuckles pressed pale against her dress; her weight rests on her left foot, her right foot turned slightly inward. Her gaze is fixed across the pew tops on the bride, held still — the envious, yearning look carried in the wet shine of that one visible eye, the tightened corner of her mouth drawn down, and the way her throat works as she swallows. Warm low candlelight from the altar is the key, falling on the bride's dress and the floating rice and only catching the far rim of Rice Shower's cheek and ear, leaving the near side of her head and back in soft shadow; tall nave columns and one tall stained-glass window glow beyond the altar. Palette of deep browns, ivory whites, warm golden candlelight and a muted note of purple in her eye and dress accent. Quiet, tender ache.
Show Parameters
Original Prompt
ウマ娘 ライスシャワー 教会の結婚式のライスシャワーの様子を　羨望の眼差しで見つめている
Mode
pro
Quality Tag
﹝Prompts﹞
Size
912 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.66k

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AI artwork
Avatar image of ねふたねん
character: mejiro_dober_(umamusume), copyright: umamusume 1girl, solo, mejiro dober \(umamusume\), horse girl, horse ears, animal ears, long brown hair, purple eyes, hair bow, horse tail, wedding dress, bride, white wedding gown, strapless bodice, lace overlay, long train, veil, bridal gloves, church interior, stained glass window, wooden pews, arched ceiling, from below, dutch angle, looking at viewer, light smile, blush, hands clasped at chest, standing on tiptoe, veil lifting, backlight, sunbeam, dust motes, full body, wide shot The camera looks up from low near the nave floor, tilted slightly off level so the aisle and the columns lean, and the girl in white stands at the center of the aisle facing the lens, her body angled a step to her left while her face turns back toward the viewer. She rises onto the toes of her right foot, left heel lifted only slightly, weight carried on the right leg with the left knee eased forward, and both gloved hands are clasped together at the base of her sternum, fingers laced, elbows drawn in. Above, the vaulted ceiling rises away from the lens in dark ribs; behind her a tall stained-glass window fills the apse, its leaded panels glowing deep blue, crimson and gold, and rows of empty wooden pews recede on both sides along the aisle, their polished tops catching pale highlights. Sunlight comes in low through that window behind her, so her veil and the edges of her hair are rimmed in warm light while her face stays softly lit by the blue-and-amber bounce off the stone floor, and a long pale cast shadow of her train stretches toward the bottom of the frame across the flagstones. Her long brown hair falls past her shoulders, a bow pinned above one ear, and her horse ears stand up through the lace of the veil where it drapes back over her head; the veil lifts and streams a little to one side on a faint draft, and the wide train of the gown spreads behind her with its lace hem curling where it meets the floor. Her purple eyes are fixed on the viewer with a small closed-lip smile, one brow slightly raised, a faint blush high on her cheeks. The wedding gown is white satin with a fitted strapless bodice, lace overlay across the chest and shoulders, a full skirt falling in deep folds and a long lace-edged train; her gloves are short and white. Dust motes drift and brighten as they cross the shafts of window light, and the stone floor around her feet is scuffed pale where the train has swept it. Palette restricted to white and ivory, deep church shadow brown, and the saturated blue-red-gold of the glass. Serene, luminous.
ねふたねん

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