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AI art "一期一振 - スプレーマム" featuring #Touken Ranbu, #Ichigo Hitofuri and #Anything Goes Contest
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一期一振 - スプレーマム

Contest Entry
Anything Goes Casual Posting Festival!
#Touken Ranbu#Ichigo Hitofuri
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みずは

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character: ichigo_hitofuri 1boy, solo, adult male, ichigo_hitofuri, around 25 years old, short aquamarine hair, neat side-swept bangs, porcelain-pale cool-toned skin, smooth even complexion, elegant slender adult male build, realistic adult male proportions, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, almond-shaped eyes, horizontally elongated eyes, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, short natural eyelashes, restrained upper eyelashes, neat straight softly arched eyebrows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, refined small nose tip, small mouth, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), pleased smile, lips gently parted, attentive brows raised toward middle, looking at flower, torso angled toward flowers, shoulders lowered, charcoal-gray washed-cotton shirt, folded pointed collar, top button open, cream undershirt neckline, pale oatmeal linen florist apron, broad cloth neck strap, waist ties, narrow stitched pocket at right hip, sleeves rolled below elbows, rolled cuffs, bare wrists, left palm supporting chrysanthemum stem, right hand steadying vase, low rounded off-white ceramic vase, weighted flat base, water-filled vase, wooden work counter, white spray chrysanthemums, round green central disks, slim white ray florets, green unopened buds, dark green serrated leaves, contemporary Japanese florist workroom, late autumn, rectangular side window, short timber shelf, two empty ceramic vessels, pale wall, soft late-afternoon light from upper left, warm counter reflection, small overlapping flower shadows, square 1:1, three-quarter composition, front-right angle, from above, cowboy shot, detailed lighting, detailed background, detailed flowers, detailed illustration, masterpiece, best quality The composition is square 1:1 and three-quarter, the camera lifted just above the vase rim and turned toward Ichigo Hitofuri's front-right side. He stands on the right, cropped from the top of his head to his upper thighs; the low, rounded off-white ceramic vase and its branching white spray chrysanthemums rise at the left front of the wooden counter, their blooms held below and beside his face so his expression stays fully visible. His torso angles toward the flowers and his shoulders sit naturally low. His brows lift attentively toward the middle, both mouth corners curve into a pleased smile with the lips gently parted, and his gaze settles on the white flower head nearest his left hand. His left palm supports one branching green stem just above the vase mouth, letting the stem's lower end stand in the water; his right hand braces the vase's outer shoulder, leaving the mouth open and unobstructed. The vessel's weighted flat base presses firmly on the countertop. The two forearms come in from different heights, each path from rolled sleeve to bare wrist to fingers kept clear. He is an elegant adult man of about twenty-five with realistic adult male proportions, restrained shoulder breadth and a slight natural shoulder slope. His short aquamarine hair falls into neat side-swept bangs above porcelain-pale, cool-toned skin and a smooth even complexion. He wears a charcoal-gray washed-cotton shirt beneath a pale oatmeal linen florist's apron. The folded pointed collar is open at the top button to show only the narrow cream undershirt neckline; the front placket buttons straight to the waist. Both sleeves are rolled twice below the elbows, exposing the pale inner cuff and leaving his wrists bare. The apron bib covers the shirt front below the chest, held by a broad cloth neck strap, tied at the natural waist, with one narrow stitched pocket near his right hip. The linen stays coarse and matte against the smoother cotton, gathering small folds under the strap and around his bending waist while the rolled cuffs compress at his elbows. His face is slender and oval, slightly longer than wide, with a narrow lower face, smooth cheek line, slim midface, softly tapered jawline, and gently pointed chin; the cheekbones stay slim and low-profile. His eyes are almond-shaped and horizontally elongated at medium size, with a refined upper-lid crease, thin clean lid line, and short natural lashes restrained along the upper lid; the (golden outer iris:1.25) gives the gaze a clear warm ring. Neat straight brows of moderate thickness arch softly with a clear brow-to-eye distance, the nose bridge is narrow and straight with a small refined tip and subtle projection, and the mouth stays small, the upper lip thin and the lower lip slightly fuller, with restrained lip volume. Refined Japanese adult male features keep the face elegant, delicate and non-westernized, with a clean subtle eye area. Each white spray chrysanthemum carries a round green center disk surrounded by many slim white ray florets; the branches also hold several green unopened buds and dark green leaves with cut, serrated edges. Open heads vary a little in size and stay smaller than his palm at the same depth. The stems branch naturally above the vase neck and converge inside the vessel. The off-white glaze reflects softly, unlike the fine petals and crisp foliage. Only a rectangular side window beside his left shoulder, a short timber shelf against the pale wall behind his right elbow with two empty ceramic vessels, and the wooden work counter remain visible of the late-autumn contemporary Japanese florist's workroom. Soft late-afternoon light enters from the upper left through the window; the pale countertop throws a weaker warm reflection upward, and the blooms cast small overlapping shadows onto the vase and apron. The green centers keep their color against the white petals, and cloth and ceramic answer the same light differently in one coherent setup. Detailed illustration.
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Original Prompt
A square 1:1 three-quarter composition inside a contemporary Japanese florist's workroom in late autumn. Ichigo Hitofuri is positioned on the right, shown from the top of his head to his upper thighs, while an arrangement of white spray chrysanthemums rises from a low ceramic vase at the left front of the workbench. The camera is slightly above the vase rim and faces his front-right side, allowing both hands, the branching flower heads, his expression and the vase support to remain visible. The flowers stand below and beside his face rather than hiding it. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). His brows are attentive and raised a little toward the middle. Both corners of his mouth rise into a visibly pleased smile with lips gently parted. He looks at the white flower head nearest his left hand, enjoying the branching balance of the arrangement. His torso angles toward the flowers, with shoulders naturally lowered. The delight is visible in his engaged smile and in how carefully his hands hold the flowers steady. He wears a charcoal-gray washed-cotton shirt under a pale oatmeal linen florist's apron. The shirt has a folded pointed collar with the top button open, exposing only the narrow neck of a cream undershirt. The remaining front buttons close in a straight placket to the waist. Both sleeves are rolled twice below the elbows, revealing the pale inner face of the cuffs and leaving the wrists free. The apron bib covers the central shirt front below the chest and attaches with a broad cloth neck strap; its ties wrap the natural waist over the shirt. One narrow stitched pocket sits on the apron near his right hip. The linen is coarse and matte compared with the smoother washed cotton. Small folds gather beneath the strap and around his bending waist; the rolled cuffs compress at the elbows. His left palm supports one branching green spray-mum stem just above the vase mouth, allowing its lower end to stand inside the water-filled vase. His right hand rests against the outside of the vase near its broad lower shoulder, steadying the vessel without covering its opening. The low rounded vase has a weighted flat base firmly touching the wooden counter. The two forearms approach the arrangement from different heights, with uninterrupted paths from sleeve to wrist to fingers. Each chosen white spray chrysanthemum has a round green central disk surrounded by many slim white ray florets, on a branch bearing several flowers and unopened green buds. Dark green leaves have cut, serrated edges. Individual open heads are roughly three to six centimeters across, smaller than his palm at the same depth, and the blooms differ slightly in size. The stems branch naturally above the vase neck, while the lower stems converge inside the vessel. The off-white ceramic surface is softly reflective, unlike the fine petals and crisp leaves. Only a rectangular side window beside his left shoulder, a short timber shelf with two empty ceramic vessels behind his right elbow and the wooden counter remain visible of the workroom. The shelf is connected to a pale wall and stays clear of his face. Soft late-afternoon light enters from the upper left through the window. The pale countertop returns a weaker warm reflection upward, and the flowers cast small overlapping shadows onto the vase and apron. The green centers retain their color beside the white petals; the cloth and ceramic respond differently to the same light. single coherent lighting setup. masterpiece, best quality, detailed illustration
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

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