Nov 2, 2026

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2026年：ラブライブニセコイ19周年

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Love Live! School Idol Project #Nisekoi #Nozomi Tojo #Eli Ayase #Honoka Kousaka #Yazawa Nico #Nishikino Maki #Sonoda Umi #Minami Kotori #Koizumi Hanayo #Hoshizora Rin #Love Live!#Amana Osaki #Tenka Osaki

Published on Nov 2, 2026

Grace Caroline Bancin

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character: tojo_nozomi, koizumi_hanayo, ayase_eli, sonoda_umi, kosaka_honoka, yazawa_nico, nishikino_maki, hoshizora_rin, minami_kotori, osaki_amana, osaki_tenka 11 girls, group shot, kimono, japanese house, kosaka honoka, orange hair, short hair, hair between eyes, blue eyes, ayase eli, blonde hair, long hair, ponytail, hair between eyes, blue eyes, minami kotori, brown hair, long hair, yellow eyes, tojo nozomi, purple hair, long hair, twintails, green eyes, sonoda umi, blue hair, long hair, hair between eyes, yellow eyes, koizumi hanayo, brown hair, short hair, hair between eyes, purple eyes, hoshizora rin, orange hair, short hair, yellow eyes, nishikino maki, red hair, short hair, purple eyes, yazawa nico, black hair, long hair, twintails, red eyes, osaki amana, red hair, long hair, swept bangs, yellow eyes, osaki tenka, brown hair, long hair, hair between eyes, yellow eyes, wide shot, from above, slight dutch angle, tatami room, shoji screens, veranda, engawa, garden beyond, hydrangea, summer afternoon, warm light, long shadows falling across tatami, sitting and kneeling, leaning, looking at another, light smile, open mouth, grin, one eye closed, laughter, hands on sleeves, folded hands, hand on another's shoulder, seated on zabuton, shoulder-to-shoulder line, no earrings, ears bare, hair unadorned apart from each girl's own tied ribbon The camera looks down from a high corner of the room into a wide Japanese house interior: an old tatami room with a dark polished wooden ceiling beam cutting the top of the frame and a deep veranda opening onto a sunlit garden, so the eleven girls are seen from above and slightly behind their line, faces lifted toward the veranda light. They are seated in a loose chequer down the tatami in two staggered rows — six nearer the shoji screens, five nearer the veranda edge — so that no face is fully hidden and each kimono reads as its own block of colour against the straw-green mats. From left to right in the front row: a girl with short orange hair pinned with a small blue ribbon sits with her legs folded under her, leaning forward onto both palms on the tatami, head tipped up and mouth open in a laugh toward the girl on her right; beside her a blonde with a long high ponytail secured by a dark blue ribbon kneels upright, back straight, one hand resting on the other girl's shoulder, chin turned toward the veranda; next a girl with long brown hair tied in a soft side bow sits sideways with her knees drawn to one side, both hands cupped in her lap and a faint closed-lip smile as she watches the girl to her left; then a girl with long purple hair in low twintails tied with white ribbons kneels with one hand raised, palm out, mid-gesture, her shoulder tipped toward her neighbour; and a girl with long blue hair and a straight fringe between her eyes sits very upright, hands folded precisely on her thighs, eyes lowered to her own hands. Behind them, partly occluded: a girl with short brown hair and a wide white bow sits cross-legged with a tea cup held in both hands near her chin, blowing on it; a girl with short orange hair and a green ribbon crouches on her toes rather than kneeling, one hand braced on the tatami, grinning sideways at the girl next to her; a girl with short red hair and a deep red hair ribbon sits with her back against a low wooden pillar, one knee up, arms folded loosely, looking off toward the garden; a girl with long black hair in two high twintails with red ribbons perches on the veranda step with her legs hanging down to the garden, twisting back over her shoulder to say something into the room; and at the far right a girl with long red-brown hair and swept bangs and her slightly taller companion with long brown hair and a fringe between her eyes kneel close together, the taller one's hand raised to shield her eyes from the light as both look out over the hydrangeas. Every kimono is a different fabric: pale blue with a wave pattern, deep indigo with white morning glories, cream with scattered small flowers, lavender with a fine geometric print, navy with a pale stripe, dusty rose with a sparrow motif, spring green with clover, crimson with gold thread, black with a red obi, terracotta with maple leaves, and soft grey-green with dew-damp grass. Wide obi are tied at each waist and spread behind the seated girls onto the mats. Their hair is free of extra ornaments beyond the ribbons they themselves wear, and no earrings flash at any earlobe; the only gleam is from obi silk and the lacquer of the veranda boards. Light comes exclusively from the open veranda: low warm late-afternoon sun raking in from the garden and striking the sunward cheeks, forearms and obi of the front row, casting long soft shadows of eleven bodies and the shoji lattice diagonally across the tatami, while the ceiling corner and the far interior go dim brown. Summer air moves the shoji paper slightly and stirs the loose strands of each girl's hair toward the room. The garden beyond holds wet-leafed blue hydrangeas, their petals still carrying droplets from an earlier shower, and a stone basin where the water's surface reflects the veranda edge darker and softer than the boards themselves. The palette is tatami green, warm wood brown and the eleven kimono colours against the cool blue of the garden, with warm gold in the slanted light. Loud, easy, golden-hour summer afternoon.

2026年：ラブライブニセコイ19周年

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