Nov 2, 2026

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2026年：ラブライブニセコイ19周年

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Love Live! School Idol Project #Nisekoi #Nozomi Tojo #Eli Ayase #Honoka Kousaka #Yazawa Nico #Nishikino Maki #Sonoda Umi #Minami Kotori #Koizumi Hanayo #Hoshizora Rin #Love Live!#Amana Osaki #Tenka Osaki

Published on Nov 2, 2026

Ivana Aurelia

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character: tojo_nozomi, ayase_eli, sonoda_umi, osaki_amana, nishikino_maki, koizumi_hanayo, yazawa_nico, kosaka_honoka, hoshizora_rin, osaki_tenka, minami_kotori 11 girls, kimono, japanese living room, tatami floor, shoji screens, low wooden table, zabuton cushions, full group composition, wide shot, eye-level, slight from above, seated and kneeling, warm interior, daytime sun through paper screens, group photo arrangement Eleven young women in kimono fill a Japanese living room, arranged in a loose crescent on the tatami around a low dark-wood table, the whole group seen in a wide shot at a slight downward angle so the tatami mats, the table and every kneeling figure read at once. On the left flank a short-haired girl with bright orange hair and blue eyes kneels with one knee raised, torso twisted toward the center, both hands braced on the mats; beside her a tall blonde in a high ponytail with blue eyes sits properly on her heels, one hand resting flat on her thigh, chin turned toward the group. Front-center-left a long light-brown-haired girl with warm ochre eyes sits cross-legged and leans forward with her elbows on the table edge. Behind her a purple-haired girl with long twin tails and green eyes kneels upright, one arm lifted halfway as if about to speak. A long dark-blue-haired girl with yellow eyes and a strand falling between her eyes kneels dead center, spine straight, both hands folded in her lap. At the right of the table a short brown-haired girl with purple eyes clutches the edge of her sleeve near her collarbone, shoulders drawn in. Beside her an orange-haired short-haired girl with yellow-green eyes perches on her toes, weight tipping forward, one hand lifted in a quick gesture. A red-haired short-haired girl with purple eyes sits to the right rear with her arms loosely crossed, head tilted a fraction away. At the far right a black-haired girl in long twintails with crimson eyes kneels with her chin up, both palms flat on her thighs. In the near right corner two long-haired sisters lean together — the elder with swept red-brown bangs and amber eyes sitting with one hand on the floor, the younger with straight brown hair and yellow eyes half-turned toward her, hip to hip. Every kimono is distinct: the orange-haired girl in a persimmon ground with cream blossoms, the blonde in deep navy with silver stripes, the light-brown-haired one in pale coral with sprigs of plum, the purple twin-tailed girl in violet with gold wave patterns, the blue-haired girl in indigo with white cranes, the short brown-haired one in soft moss green with tiny flowers, the orange short-haired one in bright turquoise with white dots, the red-haired one in wine red with a white geometric print, the black-twin-tailed girl in black with red peonies, and the two sisters in pale pink and warm ivory with contrasting obi — each obi a different solid colour knotted at the back, wide sleeves pooling on the tatami where the arms rest. Contact is specific: knees pressed into mat weave, obi bands cinching at the natural waist, sleeve hems flattening against the floor, one cushion compressed under the blonde's shins, haar and skin offset by the fabric of every raised arm. Gaze is distributed rather than uniform — the center blue-haired girl looks level across the table, the two sisters toward each other, the red-haired girl off toward the shoji, the orange-haired front girl down at the tabletop, the black-twin-tailed girl out at the viewer, and several pairs of eyes angled toward whoever is mid-gesture at the moment. Light comes entirely from the sun outside the right-hand shoji screens, raking in low and warm through the paper: the screens glow cream-white, long soft parallelogram patches of light spill across the tatami and across the right side of the table, faces on the right catch a warm rim while the left side of the room sits in gentle reflected warmth, and the shadows of the figures fall long and soft toward the left. Beyond the composition the paper panels, a low alcove with a hanging scroll and a single flower arrangement in a ceramic vase, and a plain plaster wall close the room. Palette: warm honeyed light, bleached straw tatami, off-white paper, and the eleven saturated kimono colours as the only strong chroma against the quiet ground. The single physical landmark: where the sun's patch crosses the table's edge, the lacquer catches a brittle line of reflection only on the lit face and darkens fully in the shade. Serene, celebratory.

2026年：ラブライブニセコイ19周年

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