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AI art "八重神子"
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八重神子

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
#Kemonomimi#Autumn Leaves#Alternate Costume#Earrings#Blurry#Girl#Fox ears#Closed mouth#Genshin Impact#Blurry Background#Yae Miko#Hair Between Eyes
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character: yae_miko cute, kawaii, anime illustration style, crisp lineart, glossy hair, sharp highlights, clean cel shading, soft skin shading, cool-toned shadows, delicate eyelashes, vibrant colors, clean black outlines, fine inner linework, cel shading, Yae Miko, fox girl, fox ears, miko, holding a red traditional Japanese umbrella, autumn, falling autumn leaves, "excellent: 1.3," "top quality: 1.3," "ultra high resolution: 1.3," "beautiful line art," "high-definition character design," "beautiful hair: 1.2," "beautiful eyes: 1.2," anime-style illustration, excellent quality, top quality.
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Original Prompt
Yae Miko, fox girl, fox ears, miko, holding a red traditional Japanese umbrella, autumn, falling autumn leaves, "excellent: 1.3," "top quality: 1.3," "ultra high resolution: 1.3," "beautiful line art," "high-definition character design," "beautiful hair: 1.2," "beautiful eyes: 1.2," anime-style illustration, excellent quality, top quality.
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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AI artwork
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character: yae_miko 1girl, solo, yae_miko, pink hair, very long hair, long hair, hair between eyes, purple eyes, fox ears, drooping fox ears, animal ears, hair ornament, japanese clothes, shrine maiden, detached sleeves, wide sleeves, bare shoulders, earrings, jewelry, three-quarter view, from side, dutch angle, cowboy shot, looking at viewer, sly smile, smug, half-closed eyes, raised eyebrow, head tilt, one hand raised, sleeve hanging, cherry blossoms, falling petals, floating petals, petals on hair, petals on sleeves, depth of field, soft pink palette, elegant The camera holds an elegant three-quarter view from slightly below and a touch of dutch tilt, framing the shrine maiden in a cowboy shot so her hips and the fall of her sleeves stay inside the frame. She stands turned about three-quarters away from the lens, left shoulder nearer to the camera and right hip bearing her weight, right foot forward and pivoting on the ball; her left knee eases inward, giving the long body a slow curve rather than a straight line. Her chin dips toward her far shoulder and her eyes slide back along that turn to land almost sideways on the viewer, half-lidded under lowered upper lids, one brow arched higher than the other, one corner of her closed lips pulled up into a thin knowing smirk — the face of someone who has already worked out the answer and is enjoying the wait. Her right forearm lifts beside her collarbone, fingers loosely curled inward at chest height, the wide sleeve falling away from the wrist and hanging in a long fold downward; her left hand rests against her sash at the hip, fingers spread flat on the fabric. Her pink hair is enormous and unbounded — it pours from the crown past her waist, a heavy front lock falling between her eyes, strand ends lifting and drifting in the air as though a slow current moves through them. From the top of her head the two fox ears droop outward and down, tips hanging softly to the sides, fur catching the light along their upper edges, the inner surface shadowed. Bare shoulders rise clear above the kimono's collar, and the wide separated sleeves hang in deep rectangular panels off each arm, printed with pale pattern, the right panel swinging slightly outward as her forearm lifts. A small ornament sits where the hair is gathered at the back of her head; slim earrings hang at both earlobes and catch a tiny point of light. The ground is a shallow plane of dark polished wood, its surface receding softly out of focus beneath her, and beyond it a deep muted backdrop of dusky indigo and warm shadow with faint suggestions of lattice and hanging drapery kept deliberately soft, well behind her and entirely out of focus. Cherry blossom petals fall all around her and float on the still air: some drift in front of her sleeves, some catch on the crown of her hair and the blunt tips of her fox ears, some hover level with her face and a few lie already settled on her shoulders and on the down-hanging fabric of her sleeves, each one a small flat pale-pink chip tilted at its own angle. A true source of warm low light comes from the upper left, behind her near shoulder; it rims the upper edge of her left sleeve, the top of her hair and the upward-facing fur of her right ear with a warm line, and throws the underside of her chin, the inner folds of both sleeves and the side of her neck into soft shadow, so the unlit petals read darker and duller than the lit ones. The palette is nearly closed: pink from the palest petal to the deep rose of her hair, warm cream and faint pattern in the silks, warm skin, and everywhere else a cool indigo-to-aubergine darkness that swallows the backdrop, admitting only a small glint of gold from the earrings. The petals that gather along the upward folds of her sleeves and the ear tips make the rising air visible, drifting against the downward pull of the hanging silk. Elegant and quietly sly.
Hg En

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