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Agnes Tachyon, Uma Musume Pretty Derby
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Kemonomimi#Barefoot#standing#Dress#Armpits#Short Hair#Hair ornament#solo#brown hair#Armpit-showing pose#Mask#Smile#Flower#Halloween#Pumpkin#brown eyes#Oversized sleeves#Hair flower#Long sleeves#Looking at viewer#Girl#Indoors#Horse ears#Medium Breasts#Feet out of frame#Sleeves Past Fingers#Uma Musume Pretty Derby#Agnes Tachyon#Horse girl#Horse tail
Show Parameters
- Original Prompt
- Agnes tachion (Uma musume pretty derby), night dress, flower decoration, flower on hair, exposed legs, exposed shoulders, long sleeves, catrina's costume, dia de los muertos, catrina's outfit. Background with the "Dia de los muertos" topic.
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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p9
character: gold_ship_(umamusume)
1girl, solo, gold_ship_(umamusume), long hair, grey hair, blunt bangs, horse ears, animal ears, purple eyes, horse tail, black dress, catrina costume, long sleeves, bare shoulders, exposed shoulders, bare legs, exposed legs, sleeveless dress, floral skull makeup, calavera makeup, sugar skull face paint, low angle, from below, full body, standing on one leg, leaning forward, head tilt, one eye closed, tongue out, :p, arm up, outstretched arm, looking at viewer, dia de los muertos, cempasuchil, marigold petals, papel picado, candles, ofrenda, night, dramatic lighting
From a low angle, the tall grey-haired horse-eared girl stands balanced on her right leg with her left knee lifted and her left ankle crossed behind it, her long grey tail sweeping out to the right behind her hip, the tip lifted off the ground. She wears a black catrina gown: a long-sleeved sheath of black fabric, the sleeves tight to the wrist, a wide flared skirt hem that stops well above the knee so both bare legs and calves are fully uncovered, and a neckline that leaves both bare shoulders openly exposed above the fabric's edge, collarbones unobstructed. On her face, a white sugar-skull makeup ground covers her cheeks and chin with black-rimmed eye sockets and a stitched mouth line, and a small cluster of orange marigold petals is set at one temple; her blunt grey bangs hang to her brows, and her purple eyes are bright, the left eye squeezed shut, her tongue peeking out past a cheeky open grin at the viewer. Her right arm swings outward and up over her head, fingers spread and wrist loose; her left hand presses flat to the black sleeve at her elbow. Behind her the night background is a standing ofrenda: a three-tier altar with candles whose flames are the warm key light, a scatter of marigold petals and a small sugar skull on the cloth, papel picado banners strung overhead, and a bold banner across the altar's top edge that reads "Dia de los muertos" in hand-cut black lettering, the cloth gently bowed between its pegs. The candlelight strikes the warm side of her face from below left, rimming the tip of her lifted tail, while the altar's rounded candle flames throw perfect small discs of light on it; black fabric burns away into the dark at her silhouette's far edge. Palette locked to black, warm candle gold, marigold orange and bone white. Festive, sly and glowing.
player94
me
1girl, solo, medium hair, dark-blonde hair, bedhead, heart ahoge, brown eyes, star-shaped pupils, :3, glasses, black choker, brass heart pendant, thicc, massive breasts, exaggerated hourglass figure, thick thighs, wide hips, creamy skin, thick lips, puffy lips, mole on nose, sugar skull face paint, long eyelashes, marigold hair ornament, colorful Mexican dress, long ruffled skirt, dancing, mid-twirl, arms up, from below, dutch angle, looking at viewer, night, candlelight, dia de los muertos festival background, backlighting, soft light, cinematic lighting, depth of field, long exposure, vibrant colors, intricate colors, high contrast, detailed skin, photorealism, surrealism,
Shot from a low dutch angle, tilted a few degrees off plumb so the whole frame leans with her spin: a single girl caught mid-twirl in a night street transformed for the Day of the Dead, the camera low enough that the candlelit festival rises behind her shoulders and she towers over the lens. Her weight rides on the ball of her left foot, right leg swept across and lifted slightly off the ground, the long ruffled skirt flaring out in a bell so the hem lifts and the layered ruffles catch the light one tier at a time; both arms are flung up and outward, wrists loose, the movement carrying through her shoulders. Her back arches and her exaggerated hourglass silhouette twists, wide hips leading the turn, massive breasts straining the embroidered bodice of the colorful Mexican dress so the neckline pulls and the fabric gathers and gaps at the front; thick thighs and creamy skin visible through the skirt's swirl, the dress dense with pink, magenta, orange and turquoise floral embroidery and bone-white stitching. Her head tilts to the viewer with a playful open :3 mouth, thick puffy lips puckered into the shape, the mole on her nose catching the light; long eyelashes frame brown eyes whose star-shaped pupils gleam, half-lidded in a teasing look straight at the lens. Sugar skull face paint sits crisp over her skin: white base, black stitched seams, a violet eye socket flourish, small marigold-orange petal dabs on the brow and cheeks, teeth lines traced across the lips. The glasses ride slightly low on her nose from the twirl; the marigold hair ornament blooms at one temple, its ruffled petals half-buried in her dark-blonde medium-length bedhead, strands lifting and swinging outward with the spin, and at her crown the heart-shaped ahoge whips to one side. The black choker hugs her throat, the brass heart pendant swung out on its short chain by the rotation, its polished face throwing a tiny hot glint.
Behind her the festival street recedes into bokeh: strings of cut-paper banners overhead, altars of stacked marigolds, tall votive candles clustered on steps and ledges, warm flames multiplying into small soft orbs of out-of-focus light. Every candle flame is a real source, backlighting her: warm amber rim light outlines her hair, shoulders, the flare of the skirt and the raised edge of each arm, while her front falls into rich, softly lifted shadow lit only by the bounce from the street and the candle pool below her. Long-exposure light trails smear between the candles behind her, thin warm arcs and ghosting where the crowd's movement and the swaying lanterns blur; shallow depth of field keeps her face, glasses, pendant and the face paint crisp while everything behind softens into color. Palette: candle amber, marigold orange, hot pink and turquoise embroidery, deep indigo-black night, creamy skin, with the paint's white and violet as the only cool accents on her face. The skirt is the revealer: each ruffle tier brightens as it swings out of shadow and dims as it drops back, so the spin itself is visible in the changing bands of light. Cute, carnival-warm, quietly enchanting.
Mister E
Eishin Flash
Alberto Cruz
me
1girl, solo, medium hair, dark-blonde hair, bedhead, heart ahoge, brown eyes, star-shaped pupils, :3, glasses, black choker, brass heart pendant, thicc, massive breasts, exaggerated hourglass figure, thick thighs, wide hips, creamy skin, thick lips, puffy lips, mole on nose, sugar skull face paint, long eyelashes, marigold hair ornament, colorful Mexican dress, long ruffled skirt, dancing, mid-twirl, arms up, from below, dutch angle, looking at viewer, night, candlelight, dia de los muertos festival background, backlighting, soft light, cinematic lighting, depth of field, long exposure, vibrant colors, intricate colors, high contrast, detailed skin, photorealism, surrealism,
Shot from a low dutch angle, tilted a few degrees off plumb so the whole frame leans with her spin: a single girl caught mid-twirl in a night street transformed for the Day of the Dead, the camera low enough that the candlelit festival rises behind her shoulders and she towers over the lens. Her weight rides on the ball of her left foot, right leg swept across and lifted slightly off the ground, the long ruffled skirt flaring out in a bell so the hem lifts and the layered ruffles catch the light one tier at a time; both arms are flung up and outward, wrists loose, the movement carrying through her shoulders. Her back arches and her exaggerated hourglass silhouette twists, wide hips leading the turn, massive breasts straining the embroidered bodice of the colorful Mexican dress so the neckline pulls and the fabric gathers and gaps at the front; thick thighs and creamy skin visible through the skirt's swirl, the dress dense with pink, magenta, orange and turquoise floral embroidery and bone-white stitching. Her head tilts to the viewer with a playful open :3 mouth, thick puffy lips puckered into the shape, the mole on her nose catching the light; long eyelashes frame brown eyes whose star-shaped pupils gleam, half-lidded in a teasing look straight at the lens. Sugar skull face paint sits crisp over her skin: white base, black stitched seams, a violet eye socket flourish, small marigold-orange petal dabs on the brow and cheeks, teeth lines traced across the lips. The glasses ride slightly low on her nose from the twirl; the marigold hair ornament blooms at one temple, its ruffled petals half-buried in her dark-blonde medium-length bedhead, strands lifting and swinging outward with the spin, and at her crown the heart-shaped ahoge whips to one side. The black choker hugs her throat, the brass heart pendant swung out on its short chain by the rotation, its polished face throwing a tiny hot glint.
Behind her the festival street recedes into bokeh: strings of cut-paper banners overhead, altars of stacked marigolds, tall votive candles clustered on steps and ledges, warm flames multiplying into small soft orbs of out-of-focus light. Every candle flame is a real source, backlighting her: warm amber rim light outlines her hair, shoulders, the flare of the skirt and the raised edge of each arm, while her front falls into rich, softly lifted shadow lit only by the bounce from the street and the candle pool below her. Long-exposure light trails smear between the candles behind her, thin warm arcs and ghosting where the crowd's movement and the swaying lanterns blur; shallow depth of field keeps her face, glasses, pendant and the face paint crisp while everything behind softens into color. Palette: candle amber, marigold orange, hot pink and turquoise embroidery, deep indigo-black night, creamy skin, with the paint's white and violet as the only cool accents on her face. The skirt is the revealer: each ruffle tier brightens as it swings out of shadow and dims as it drops back, so the spin itself is visible in the changing bands of light. Cute, carnival-warm, quietly enchanting.
Mister E
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