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なまずかわいい

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なまずかわいい

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2 animals, giant panda, red panda, eating, eating house, bamboo forest, bamboo grove, ink wash painting, suibokuga, sumi ink, monochrome with ink washes, no humans, empty of people, two subjects only, from side, low angle, wide shot, full body, both animals on the ground, side by side, panda biting into a house, red panda beside it, bushy striped tail, black ink silhouettes, paper texture, negative space, mist between bamboo stalks, faint wash gradients A low, wide side-on view across the forest floor: on the left, a giant panda sits back on its haunches with its hind legs splayed and its belly resting between them, head lowered and jaw clamped onto the corner of a small wooden house, teeth sunk into the roof beam and one forepaw braced flat against the wall; the little house tilts toward the panda, its near corner already bitten away in a jagged concave notch, splintered plank ends standing up along the break, and a thin curl of sawdust and wood shaving falls from the panda's chin to the ground. To the right of the house, a red panda stands on all fours on a raised root, hind feet planted and shoulders hunched forward, muzzle lifted toward the panda's face, forepaws gripping the wood, and its bushy ringed tail arcs out behind it in a heavy S curve, one band catching the light. The red panda's gaze goes up and sideways to the panda's working jaw; the panda's eyes are half-lidded and fixed on the wood between its teeth, and its round ear swivels toward the smaller animal. The two animals are the only living things in the frame. Behind and around them, tall bamboo stalks rise in staggered verticals, thick and ink-black in the near layer, thinning to grey and then to the barest wet-brush ghosts in the far layer, with narrow lance-shaped leaves clustered in the upper corners; a horizontal band of unpainted paper stands in for mist between the near stalks and the far grove, and the ground is a single broad wash of pale grey with darker pooled edges where the ink settled. The single light source comes from the upper left, so the panda's left flank and the roof of the house take the lightest wash, the undersides of both animals and the interior of the bitten notch sink to near-black, and the long shadows of the animals and the house fall to the lower right and dissolve into the wet ground wash without a hard edge. Palette: bone-white paper, black sumi, and a range of grey washes only, the sole colour the red panda's warm rust-brown fur, laid in as a soft translucent tint against the monochrome. Ink texture: dry-brush scumble on the bamboo trunks and the splintered wood, wet bleeding edges on the mist band and the ground, visible paper tooth throughout. Quiet, unhurried, faintly absurd.
Show Parameters
Original Prompt
他家を食べてるパンダとレッサーパンダ、背景は竹林、水墨画、人間はいない
Mode
pro
Quality Tag
(masterpiece:1.3), (best_quality:1.3), (absurdres),(hyper detailed),(intricate details),(highly detailed face),(detailed eyes), ﹝Prompts﹞, (anime_style:1.3),(anime_coloring:1.3)
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.65k

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AI artwork
Avatar image of なまずかわいい
2 animals, giant panda, red panda, eating, eating house, bamboo forest, bamboo grove, ink wash painting, suibokuga, sumi ink, monochrome with ink washes, no humans, empty of people, two subjects only, from side, low angle, wide shot, full body, both animals on the ground, side by side, panda biting into a house, red panda beside it, bushy striped tail, black ink silhouettes, paper texture, negative space, mist between bamboo stalks, faint wash gradients A low, wide side-on view across the forest floor: on the left, a giant panda sits back on its haunches with its hind legs splayed and its belly resting between them, head lowered and jaw clamped onto the corner of a small wooden house, teeth sunk into the roof beam and one forepaw braced flat against the wall; the little house tilts toward the panda, its near corner already bitten away in a jagged concave notch, splintered plank ends standing up along the break, and a thin curl of sawdust and wood shaving falls from the panda's chin to the ground. To the right of the house, a red panda stands on all fours on a raised root, hind feet planted and shoulders hunched forward, muzzle lifted toward the panda's face, forepaws gripping the wood, and its bushy ringed tail arcs out behind it in a heavy S curve, one band catching the light. The red panda's gaze goes up and sideways to the panda's working jaw; the panda's eyes are half-lidded and fixed on the wood between its teeth, and its round ear swivels toward the smaller animal. The two animals are the only living things in the frame. Behind and around them, tall bamboo stalks rise in staggered verticals, thick and ink-black in the near layer, thinning to grey and then to the barest wet-brush ghosts in the far layer, with narrow lance-shaped leaves clustered in the upper corners; a horizontal band of unpainted paper stands in for mist between the near stalks and the far grove, and the ground is a single broad wash of pale grey with darker pooled edges where the ink settled. The single light source comes from the upper left, so the panda's left flank and the roof of the house take the lightest wash, the undersides of both animals and the interior of the bitten notch sink to near-black, and the long shadows of the animals and the house fall to the lower right and dissolve into the wet ground wash without a hard edge. Palette: bone-white paper, black sumi, and a range of grey washes only, the sole colour the red panda's warm rust-brown fur, laid in as a soft translucent tint against the monochrome. Ink texture: dry-brush scumble on the bamboo trunks and the splintered wood, wet bleeding edges on the mist band and the ground, visible paper tooth throughout. Quiet, unhurried, faintly absurd.
なまずかわいい
AI artwork
Avatar image of なまずかわいい
2 animals, giant panda, red panda, eating, eating house, bamboo forest, bamboo grove, ink wash painting, suibokuga, sumi ink, monochrome with ink washes, no humans, empty of people, two subjects only, from side, low angle, wide shot, full body, both animals on the ground, side by side, panda biting into a house, red panda beside it, bushy striped tail, black ink silhouettes, paper texture, negative space, mist between bamboo stalks, faint wash gradients A low, wide side-on view across the forest floor: on the left, a giant panda sits back on its haunches with its hind legs splayed and its belly resting between them, head lowered and jaw clamped onto the corner of a small wooden house, teeth sunk into the roof beam and one forepaw braced flat against the wall; the little house tilts toward the panda, its near corner already bitten away in a jagged concave notch, splintered plank ends standing up along the break, and a thin curl of sawdust and wood shaving falls from the panda's chin to the ground. To the right of the house, a red panda stands on all fours on a raised root, hind feet planted and shoulders hunched forward, muzzle lifted toward the panda's face, forepaws gripping the wood, and its bushy ringed tail arcs out behind it in a heavy S curve, one band catching the light. The red panda's gaze goes up and sideways to the panda's working jaw; the panda's eyes are half-lidded and fixed on the wood between its teeth, and its round ear swivels toward the smaller animal. The two animals are the only living things in the frame. Behind and around them, tall bamboo stalks rise in staggered verticals, thick and ink-black in the near layer, thinning to grey and then to the barest wet-brush ghosts in the far layer, with narrow lance-shaped leaves clustered in the upper corners; a horizontal band of unpainted paper stands in for mist between the near stalks and the far grove, and the ground is a single broad wash of pale grey with darker pooled edges where the ink settled. The single light source comes from the upper left, so the panda's left flank and the roof of the house take the lightest wash, the undersides of both animals and the interior of the bitten notch sink to near-black, and the long shadows of the animals and the house fall to the lower right and dissolve into the wet ground wash without a hard edge. Palette: bone-white paper, black sumi, and a range of grey washes only, the sole colour the red panda's warm rust-brown fur, laid in as a soft translucent tint against the monochrome. Ink texture: dry-brush scumble on the bamboo trunks and the splintered wood, wet bleeding edges on the mist band and the ground, visible paper tooth throughout. Quiet, unhurried, faintly absurd.
なまずかわいい
AI artwork
Avatar image of なまずかわいい
2 animals, giant panda, red panda, no humans, eating, bamboo forest, ink wash painting, suibokuga, sumi-e, monochrome ink with a faint warm wash, sitting, from side, low angle, bamboo grove background, round porcelain pot, food scattered, chopsticks, steam, tongue out, half-closed eyes, fluffy, from below, wide shot Low-angle wide shot, camera set near the ground and tilted slightly up, so the bamboo culms rise past the top edge and the two animals sit large against the pale paper field. Left of frame: a giant panda seated on its haunches on the mossy ground, weight sunk back on its hips, hind legs splayed, black forepaws wrapped around a shallow blue-grey glazed pot clamped between its feet, the pot's lip smeared with sauce; a bamboo shoot lies half-eaten across its knee. Its head is tipped down and turned in profile toward the pot, one eye squinted shut in contentment, tongue curled out over the rim, a strand of noodles caught on its lower lip. Right of frame, closer to the lens and slightly overlapping the panda's flank: a red panda standing on its hind legs with its forepaws braced on the panda's shoulder, its ringed bushy tail sweeping back and up behind it in a long curve, its white face thrust forward and down toward the same pot, ears swiveled forward, a grain of rice stuck to its whiskers, one paw already hooked over the rim to steal a strip of food. Its gaze is fixed on the food in the pot; the panda's gaze flicks up sideways at the thief, brows raised, cheeks bulging. Contact points are exact: the red panda's paws sink into the panda's shoulder fur, the panda's claws dent the pot's clay lip, the red panda's hind feet press flat on the earth leaving a small scuffed print. The pot is the only vessel; around it a broken shoot, two spilled bamboo leaves and a fallen chopstick rest on the ground, tipped aside. Bamboo culms crowd the background in layered washes, dark and dense at the right, thinning to pale mist-bleached strokes at the left, with jointed nodes and slender leaves brushed in quick tapered strokes; a few culms pass in front of the far edge of the pot in the foreground. Light comes soft and diffuse from the upper left, a damp overcast quality: the panda's white fur glows while the black limbs and ears go deep, the red panda's fur carries a faint warm russet wash that is the only colour admitted besides the pot's cool blue-grey and the green-black ink of the leaves; the moss and shadows pool dark under both animals, and the far bamboo dissolves into unpainted paper white. Bamboo culms cast thin slanted shadows across the moss toward the lower right. Where the steam from the pot rises it thins into an unpainted gap in the ink, and the pale mist sits only between the far culms, never on the animals. Wet ink blooms softly at the edges of the fur, dry brush teeth on the bamboo leaves, paper texture visible in the empty sky. Greedy, companionable
なまずかわいい

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