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C.C., Code Geass: Lelouch of the Rebellion
Contest Entry
Racing Circuit Festival#Racing Circuit
Show Parameters
- Original Prompt
- (masterpiece, best quality, highres:1.2),(pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(c.c. (code geass):1.5), (mature female, long light green hair, golden eyes, beautiful face),(eating pizza, relaxed, half-closed eyes:1.4),(1girl, solo focus:1.5), (sitting on a metal toolbox:1.4), (legs crossed:1.3),(custom racing team uniform:1.4), (zipper unzipped halfway:1.5), (exposing collarbone and slight cleavage:1.4),(holding a slice of pizza:1.5), (grease on fingers:1.1),(busy pit garage background, mechanics silhouettes working, tires and tools:1.4), (dramatic lighting:1.3),(perfect hands, delicate fingers:1.3)
- Mode
- flash
- Size
- 864 x 1152
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Model & LoRA used
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k1
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (mature female:1.2), long light green hair, very long hair, golden eyes, beautiful face, (1girl, solo focus:1.5), (eating pizza, relaxed, half-closed eyes:1.4), (sitting on a metal toolbox:1.4), (legs crossed:1.3), (custom racing team uniform:1.4), (zipper unzipped halfway:1.5), (exposing collarbone and slight cleavage:1.4), (holding a slice of pizza:1.5), (grease on fingers:1.1), (perfect hands, delicate fingers:1.3), (busy pit garage background, mechanics silhouettes working, tires and tools:1.4), (dramatic lighting:1.3), from side, cowboy shot, head tilt, leaning back, looking to the side, faint closed-lip smile, one eyebrow slightly raised, long sleeves
A cowboy-shot side view, camera slightly below her knee line and close in: she sits on a squat rectangular metal toolbox, its lid bowed a little under her weight, painted in scuffed flat red with bare silver scratches along the folded lip and a hasp hanging loose at the front corner.
Her weight rests on her left hip on the lid; her right leg is folded over her left knee, calves crossed and hanging free, right ankle swinging slightly. Her torso turns a quarter toward the viewer out of that side view, shoulders dropped and easy. Both hands are raised in front of her chest: the right pinches a wedge of pizza by the crust, a long thin mozzarella strand still connecting it to the open box she balances on her left palm, and her left fingers curl loosely around the box's near edge, fingertips glossy with grease so the flat colour catches one hard highlight on each nail. Her chin tips toward her right shoulder, lashes lowered to half over the golden irises, gaze sliding off to the side toward the pit lane rather than into the lens, one corner of her mouth pulled up in a small closed smile, a single brow arched above it.
The racing team uniform is a slim long-sleeved zip-up suit in that same flat red with a white stripe running down the outside of each sleeve and a small champion-style patch at the chest; the zipper pull sits exactly halfway down the track, and the two open panels fall apart to frame the long bare line of her collarbone and a narrow wedge of chest, the open V of the fabric casting no shadow because there is no shading. Her light green hair is very long, spilling over the near shoulder and hanging straight past the toolbox edge in a heavy flat sheet, one strand caught under the collar of the suit.
Behind her the pit garage spreads in flat overlapping shapes: a wheel gun and a torque wrench laid on the concrete, three stacked slick tyres with chalky white lettering on the sidewalls, a rolling cart of sockets, and two mechanics in dark coveralls bent over a low chassis at the left edge, rendered only as solid silhouettes with no interior detail, their backs to her. Lines of the ceiling truss and the floor seams run diagonally through the frame and converge past her shoulder toward deep background.
Light is single and hard, a low work lamp from the upper right: it strikes the lit plane of her cheek, the lit edge of the collarbone and the near sleeve, and lays crisp flat pools on the floor, with the darkness beyond the lamp's reach held as even black in the rafters and open doorway. No gradient, no soft falloff โ every area of colour is one unbroken tone. Warm red and white of the uniform, cold green of the hair, flat gold of the eyes, silver and black of the garage.
Composedly unbothered, quietly charismatic.
ki11 yukii
k1
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (mature female:1.2), long light green hair, very long hair, golden eyes, beautiful face, (1girl, solo focus:1.5), (eating pizza, relaxed, half-closed eyes:1.4), (sitting on a metal toolbox:1.4), (legs crossed:1.3), (custom racing team uniform:1.4), (zipper unzipped halfway:1.5), (exposing collarbone and slight cleavage:1.4), (holding a slice of pizza:1.5), (grease on fingers:1.1), (perfect hands, delicate fingers:1.3), (busy pit garage background, mechanics silhouettes working, tires and tools:1.4), (dramatic lighting:1.3), from side, cowboy shot, head tilt, leaning back, looking to the side, faint closed-lip smile, one eyebrow slightly raised, long sleeves
A cowboy-shot side view, camera slightly below her knee line and close in: she sits on a squat rectangular metal toolbox, its lid bowed a little under her weight, painted in scuffed flat red with bare silver scratches along the folded lip and a hasp hanging loose at the front corner.
Her weight rests on her left hip on the lid; her right leg is folded over her left knee, calves crossed and hanging free, right ankle swinging slightly. Her torso turns a quarter toward the viewer out of that side view, shoulders dropped and easy. Both hands are raised in front of her chest: the right pinches a wedge of pizza by the crust, a long thin mozzarella strand still connecting it to the open box she balances on her left palm, and her left fingers curl loosely around the box's near edge, fingertips glossy with grease so the flat colour catches one hard highlight on each nail. Her chin tips toward her right shoulder, lashes lowered to half over the golden irises, gaze sliding off to the side toward the pit lane rather than into the lens, one corner of her mouth pulled up in a small closed smile, a single brow arched above it.
The racing team uniform is a slim long-sleeved zip-up suit in that same flat red with a white stripe running down the outside of each sleeve and a small champion-style patch at the chest; the zipper pull sits exactly halfway down the track, and the two open panels fall apart to frame the long bare line of her collarbone and a narrow wedge of chest, the open V of the fabric casting no shadow because there is no shading. Her light green hair is very long, spilling over the near shoulder and hanging straight past the toolbox edge in a heavy flat sheet, one strand caught under the collar of the suit.
Behind her the pit garage spreads in flat overlapping shapes: a wheel gun and a torque wrench laid on the concrete, three stacked slick tyres with chalky white lettering on the sidewalls, a rolling cart of sockets, and two mechanics in dark coveralls bent over a low chassis at the left edge, rendered only as solid silhouettes with no interior detail, their backs to her. Lines of the ceiling truss and the floor seams run diagonally through the frame and converge past her shoulder toward deep background.
Light is single and hard, a low work lamp from the upper right: it strikes the lit plane of her cheek, the lit edge of the collarbone and the near sleeve, and lays crisp flat pools on the floor, with the darkness beyond the lamp's reach held as even black in the rafters and open doorway. No gradient, no soft falloff โ every area of colour is one unbroken tone. Warm red and white of the uniform, cold green of the hair, flat gold of the eyes, silver and black of the garage.
Composedly unbothered, quietly charismatic.
ki11 yukii
k1
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (mature female:1.2), long light green hair, very long hair, golden eyes, beautiful face, (1girl, solo focus:1.5), (eating pizza, relaxed, half-closed eyes:1.4), (sitting on a metal toolbox:1.4), (legs crossed:1.3), (custom racing team uniform:1.4), (zipper unzipped halfway:1.5), (exposing collarbone and slight cleavage:1.4), (holding a slice of pizza:1.5), (grease on fingers:1.1), (perfect hands, delicate fingers:1.3), (busy pit garage background, mechanics silhouettes working, tires and tools:1.4), (dramatic lighting:1.3), from side, cowboy shot, head tilt, leaning back, looking to the side, faint closed-lip smile, one eyebrow slightly raised, long sleeves
A cowboy-shot side view, camera slightly below her knee line and close in: she sits on a squat rectangular metal toolbox, its lid bowed a little under her weight, painted in scuffed flat red with bare silver scratches along the folded lip and a hasp hanging loose at the front corner.
Her weight rests on her left hip on the lid; her right leg is folded over her left knee, calves crossed and hanging free, right ankle swinging slightly. Her torso turns a quarter toward the viewer out of that side view, shoulders dropped and easy. Both hands are raised in front of her chest: the right pinches a wedge of pizza by the crust, a long thin mozzarella strand still connecting it to the open box she balances on her left palm, and her left fingers curl loosely around the box's near edge, fingertips glossy with grease so the flat colour catches one hard highlight on each nail. Her chin tips toward her right shoulder, lashes lowered to half over the golden irises, gaze sliding off to the side toward the pit lane rather than into the lens, one corner of her mouth pulled up in a small closed smile, a single brow arched above it.
The racing team uniform is a slim long-sleeved zip-up suit in that same flat red with a white stripe running down the outside of each sleeve and a small champion-style patch at the chest; the zipper pull sits exactly halfway down the track, and the two open panels fall apart to frame the long bare line of her collarbone and a narrow wedge of chest, the open V of the fabric casting no shadow because there is no shading. Her light green hair is very long, spilling over the near shoulder and hanging straight past the toolbox edge in a heavy flat sheet, one strand caught under the collar of the suit.
Behind her the pit garage spreads in flat overlapping shapes: a wheel gun and a torque wrench laid on the concrete, three stacked slick tyres with chalky white lettering on the sidewalls, a rolling cart of sockets, and two mechanics in dark coveralls bent over a low chassis at the left edge, rendered only as solid silhouettes with no interior detail, their backs to her. Lines of the ceiling truss and the floor seams run diagonally through the frame and converge past her shoulder toward deep background.
Light is single and hard, a low work lamp from the upper right: it strikes the lit plane of her cheek, the lit edge of the collarbone and the near sleeve, and lays crisp flat pools on the floor, with the darkness beyond the lamp's reach held as even black in the rafters and open doorway. No gradient, no soft falloff โ every area of colour is one unbroken tone. Warm red and white of the uniform, cold green of the hair, flat gold of the eyes, silver and black of the garage.
Composedly unbothered, quietly charismatic.
ki11 yukii
C.C
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