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- (masterpiece, best quality, highres:1.2),(pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(1girl, original character, mature female, long light green hair, messy hair, golden eyes, beautiful face), (bored expression, condescending gaze, half-closed eyes:1.4),(1girl, solo focus:1.5), (standing in the pit lane:1.5), (leaning against a stack of racing tires:1.4),(racing suit tied around waist:1.6), (tight black sponsor t-shirt underneath:1.4), (hugging body, visible curves, sweat on skin:1.3),(holding a racing helmet under one arm:1.4), (holding a digital tablet:1.2),(race track background, checkered flag silhouettes, blurred race cars:1.4), (dramatic lighting:1.2),(perfect hands, delicate fingers:1.3)
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- flash
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- 864 x 1152
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(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo focus:1.5), original character, mature female, long light green hair, messy hair, golden eyes, beautiful face, (bored expression, condescending gaze, half-closed eyes:1.4), (standing in the pit lane:1.5), (leaning against a stack of racing tires:1.4), (racing suit tied around waist:1.6), (tight black sponsor t-shirt underneath:1.4), (hugging body, visible curves, sweat on skin:1.3), (holding a racing helmet under one arm:1.4), (holding a digital tablet:1.2), (race track background, checkered flag silhouettes, blurred race cars:1.4), (dramatic lighting:1.2), (perfect hands, delicate fingers:1.3), cowboy shot, from side, three-quarter view, looking down at viewer, weight on one hip, arm across waist, forearm under helmet, tablet in opposite hand, tire stack at her shoulder, pit lane concrete, asphalt heat haze, deep blue sky band, single hard overhead sun,
a three-quarter view from her right side, framed as a cowboy shot with the crop at mid-thigh. A tall woman stands at an angle in the open pit lane, her back and right shoulder pressed against a hip-high stack of black racing tires, the top tire compressed slightly under her shoulder blade. Her weight rests on her left leg, the right knee slack, hip cocked out to the left; her chest and shoulders turn a quarter toward the camera while her chin tilts down, so her half-lidded golden eyes look at the viewer from under heavy lids with cool, bored contempt, one brow barely lifted, mouth set in a flat closed line.
Her left arm folds across her midriff, forearm pressing the black t-shirt flat against her ribcage and waist, fingers curled loosely around her own hip in a self-hugging hold. The right arm hangs close, the crook of her elbow clamping a white racing helmet with a red stripe against her side, hard shell denting the soft fabric of the shirt. In her left hand she holds a thin digital tablet upright, screen tilted away from the camera, its edge resting against her forearm, delicate fingers spread across the back of the casing.
The racing suit is peeled down to her hips and tied off in a knot at the front of her waist, the sleeves hanging loose down the back of her thighs, its glossy blue-and-white paneling catching hard highlights. Above the waist, the tight black t-shirt stretches across her chest and shoulders, sweat sheening at her collarbones and trickling down her neck. Her long light green hair is a mess of loose strands and flyaway ends, a few sticking to her damp temple and cheek. Overhead, one hard sun carves crisp shadows straight down under her chin, under the helmet, and along the tire stack, thrown flat on the pale gray concrete. Behind her the pit lane stretches back, blurred race cars smearing past as red and silver shapes with their checkered flag silhouettes rising on tall poles above the wall. Everything is flat color with no gradients, the whole palette drawn tight to green, gold, black, and the muted gray of the track, lit with a single high sun and hard, absolute shadow.
HASSEN E
he
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo focus:1.5), original character, mature female, long light green hair, messy hair, golden eyes, beautiful face, (bored expression, condescending gaze, half-closed eyes:1.4), (standing in the pit lane:1.5), (leaning against a stack of racing tires:1.4), (racing suit tied around waist:1.6), (tight black sponsor t-shirt underneath:1.4), (hugging body, visible curves, sweat on skin:1.3), (holding a racing helmet under one arm:1.4), (holding a digital tablet:1.2), (race track background, checkered flag silhouettes, blurred race cars:1.4), (dramatic lighting:1.2), (perfect hands, delicate fingers:1.3), cowboy shot, from side, three-quarter view, looking down at viewer, weight on one hip, arm across waist, forearm under helmet, tablet in opposite hand, tire stack at her shoulder, pit lane concrete, asphalt heat haze, deep blue sky band, single hard overhead sun,
a three-quarter view from her right side, framed as a cowboy shot with the crop at mid-thigh. A tall woman stands at an angle in the open pit lane, her back and right shoulder pressed against a hip-high stack of black racing tires, the top tire compressed slightly under her shoulder blade. Her weight rests on her left leg, the right knee slack, hip cocked out to the left; her chest and shoulders turn a quarter toward the camera while her chin tilts down, so her half-lidded golden eyes look at the viewer from under heavy lids with cool, bored contempt, one brow barely lifted, mouth set in a flat closed line.
Her left arm folds across her midriff, forearm pressing the black t-shirt flat against her ribcage and waist, fingers curled loosely around her own hip in a self-hugging hold. The right arm hangs close, the crook of her elbow clamping a white racing helmet with a red stripe against her side, hard shell denting the soft fabric of the shirt. In her left hand she holds a thin digital tablet upright, screen tilted away from the camera, its edge resting against her forearm, delicate fingers spread across the back of the casing.
The racing suit is peeled down to her hips and tied off in a knot at the front of her waist, the sleeves hanging loose down the back of her thighs, its glossy blue-and-white paneling catching hard highlights. Above the waist, the tight black t-shirt stretches across her chest and shoulders, sweat sheening at her collarbones and trickling down her neck. Her long light green hair is a mess of loose strands and flyaway ends, a few sticking to her damp temple and cheek. Overhead, one hard sun carves crisp shadows straight down under her chin, under the helmet, and along the tire stack, thrown flat on the pale gray concrete. Behind her the pit lane stretches back, blurred race cars smearing past as red and silver shapes with their checkered flag silhouettes rising on tall poles above the wall. Everything is flat color with no gradients, the whole palette drawn tight to green, gold, black, and the muted gray of the track, lit with a single high sun and hard, absolute shadow.
HASSEN E
he
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo focus:1.5), original character, mature female, long light green hair, messy hair, golden eyes, beautiful face, (bored expression, condescending gaze, half-closed eyes:1.4), (standing in the pit lane:1.5), (leaning against a stack of racing tires:1.4), (racing suit tied around waist:1.6), (tight black sponsor t-shirt underneath:1.4), (hugging body, visible curves, sweat on skin:1.3), (holding a racing helmet under one arm:1.4), (holding a digital tablet:1.2), (race track background, checkered flag silhouettes, blurred race cars:1.4), (dramatic lighting:1.2), (perfect hands, delicate fingers:1.3), cowboy shot, from side, three-quarter view, looking down at viewer, weight on one hip, arm across waist, forearm under helmet, tablet in opposite hand, tire stack at her shoulder, pit lane concrete, asphalt heat haze, deep blue sky band, single hard overhead sun,
a three-quarter view from her right side, framed as a cowboy shot with the crop at mid-thigh. A tall woman stands at an angle in the open pit lane, her back and right shoulder pressed against a hip-high stack of black racing tires, the top tire compressed slightly under her shoulder blade. Her weight rests on her left leg, the right knee slack, hip cocked out to the left; her chest and shoulders turn a quarter toward the camera while her chin tilts down, so her half-lidded golden eyes look at the viewer from under heavy lids with cool, bored contempt, one brow barely lifted, mouth set in a flat closed line.
Her left arm folds across her midriff, forearm pressing the black t-shirt flat against her ribcage and waist, fingers curled loosely around her own hip in a self-hugging hold. The right arm hangs close, the crook of her elbow clamping a white racing helmet with a red stripe against her side, hard shell denting the soft fabric of the shirt. In her left hand she holds a thin digital tablet upright, screen tilted away from the camera, its edge resting against her forearm, delicate fingers spread across the back of the casing.
The racing suit is peeled down to her hips and tied off in a knot at the front of her waist, the sleeves hanging loose down the back of her thighs, its glossy blue-and-white paneling catching hard highlights. Above the waist, the tight black t-shirt stretches across her chest and shoulders, sweat sheening at her collarbones and trickling down her neck. Her long light green hair is a mess of loose strands and flyaway ends, a few sticking to her damp temple and cheek. Overhead, one hard sun carves crisp shadows straight down under her chin, under the helmet, and along the tire stack, thrown flat on the pale gray concrete. Behind her the pit lane stretches back, blurred race cars smearing past as red and silver shapes with their checkered flag silhouettes rising on tall poles above the wall. Everything is flat color with no gradients, the whole palette drawn tight to green, gold, black, and the muted gray of the track, lit with a single high sun and hard, absolute shadow.
HASSEN E
k1
character: c.c., copyright: code_geass
1girl, solo, (1girl, solo focus:1.5), mature female, long light green hair, very long hair, messy hair, golden eyes, beautiful face, (lazy expression, exhausted, half-closed eyes, panting slightly, sweat on face and neck:1.5), sweat on skin, (visible cleavage, sweat on skin:1.4), black tight tank top, (black tight tank top underneath, wet clothes clinging to body:1.5), racing suit half removed, racing suit tied around waist, (racing suit half removed, tied around waist:1.6), (sitting on a tire barrier:1.4), sitting, legs crossed at the knee, (POV looking up at her:1.3), from below, foreshortening, looking down at viewer, (wiping sweat with a white towel:1.3), white towel, holding towel to cheek, (holding a racing helmet on her lap:1.4), racing helmet, black helmet, gloved-less bare hands, (perfect hands, delicate fingers:1.3), (race track background, pit lane, blurred racing car, checkered flag silhouettes:1.4), pit lane, race track, blurred racing car, checkered flag, (sunset lighting:1.2), orange sky, (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (masterpiece, best quality, highres:1.2),
The camera sits at knee height just off the nose of the tire barrier, tilted a few degrees up, so the barrier's stacked black rubber looms across the bottom of the frame and the woman above it is foreshortened — her thigh and the helmet's curved crown nearest the lens, her tired face at the top of the composition against a broad band of flat orange sunset sky, her torso turning away from camera in a lazy contrapposto with her weight sunk onto her left hip and her right thigh crossed over the left knee. She is a mature woman with a full curvy adult build, very long light green hair tumbling in loose messy strands past her shoulders and sticking in damp wisps to her temple and neck, golden eyes half-hooded, one brow faintly lifted, lips parted an inch mid-breath, a slow pant lifting her chest, a sheen of sweat standing on her cheeks, jaw, throat and collarbones and running in a thin line down her sternum. The racing suit is peeled off her shoulders and arms and knotted in a heavy bundle at her waist, sleeves hanging down over the rubber; the black tank top beneath is soaked through, its fabric clinging to her chest and ribs in stretched flat patches, wicking darker where it pulls, exposing her cleavage and the damp hollow of her throat. Her elbows rest close to her body: the left forearm lifted so the white towel is pressed flat against her cheek and jaw, her fingers curled delicately in the terry loop, wrist bent; the right forearm lies across the black shell of the racing helmet cradled on her lap, her hand curved over the visor rim, fingertips resting light and articulate against the chin bar. Her half-closed golden eyes travel down the lens line to the viewer, chin tipped down, lids heavy with an exhausted, unimpressed softness, no smile. Behind her the pit lane recedes in flat overlapping shapes: white-and-black garage gantry edges, a blur of a racing car smeared into a single red-and-white streak low in the frame, rectangular checkered flag silhouettes standing stiff against the orange sky, all rendered in the same clean unshaded planes. Light comes only from the low sunset behind her right shoulder, but it is pure flat lighting — the sky a solid orange sheet, no gradients, no cast shadow on her skin, the rim of the helmet and the towel's fold picked out in narrative black outline rather than tone, the whole figure and background filled with solid unbroken colour separated by crisp black lines. Flat and weary, sun-baked and easy.
ki11 yukii
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