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- Original Prompt
- (masterpiece, best quality, highres:1.2),(pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(1girl, original character, mature female, long white hair, elegant wavy hair, red eyes, beautiful face), (condescending gaze, seductive smirk, looking down at viewer:1.5),(1girl, solo focus:1.5), (standing in the VIP lounge:1.4), (holding a champagne bottle:1.4),(black tailored blazer:1.4), (white dress shirt, unbuttoned, heavy cleavage:1.5), (black pencil skirt, high slit:1.4), (black pantyhose, long legs:1.4), (black fingerless gloves:1.3),(race track background, glass window, blurred cars racing below:1.4),(perfect hands, delicate fingers:1.3)
- Mode
- flash
- Size
- 864 x 1152
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k1
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo focus:1.5), original character, mature female, long white hair, elegant wavy hair, red eyes, beautiful face, (condescending gaze, seductive smirk, looking down at viewer:1.5), (standing in the VIP lounge:1.4), (holding a champagne bottle:1.4), (black tailored blazer:1.4), (white dress shirt, unbuttoned, heavy cleavage:1.5), (black pencil skirt, high slit:1.4), (black pantyhose, long legs:1.4), (black fingerless gloves:1.3), (race track background, glass window, blurred cars racing below:1.4), (perfect hands, delicate fingers:1.3), from below, high angle on viewer POV, cowboy shot, tall narrow pose, weight on one hip, head tilted down, chin lowered, half-lidded eyes, one brow slightly raised, one lip corner curled up, bottle by the neck, other arm slack at her side, looking down at viewer, curved lounge floor, champagne bucket out of reach.
From below, the camera sits at chest height of the viewer and tilts up: she occupies the centre-left third in a cowboy shot cropped just under the knee, standing tall in the VIP lounge with her weight settled on her left leg, right hip pushed out, right knee eased forward and slightly bent, skirt hem following the lean; her feet are planted on the polished flat-coloured lounge floor whose leading line of skirting runs away to the right edge. Her chin is lowered toward the lens, and the look she gives the viewer is a level, wholly unimpressed one -- half-lidded red eyes steady, one brow faintly raised, one lip corner curled up in a closed-mouth smirk -- the condescending, seductive scan of someone appraising who exactly was allowed up here. Her long, wavy white hair falls in flat pale ribbons over her shoulders and down her back, the ends turned out where the bob of her head off the glass line stirs them.
Her right hand, black-gloved, delicate fingers wrapped around the neck of a dark green champagne bottle, holds it upright and angled a little across her body at hip level, the bottle's mouth tilted away from her; her left hand hangs loosely at her side, gloved fingers slightly curled and relaxed. Her costume reads in flat blocks: black tailored blazer unbuttoned and squared at the shoulders, its lapels framing a white dress shirt open down the sternum, the shirt's placket showing the heavy line of her cleavage; a black pencil skirt hugs the hips and drops with a high slit that opens over the black pantyhose on her long leg down to the pointed black shoes.
Behind her, the lounge's full-height glass window fills the upper right two-thirds of frame as a flat pale-blue sheet with a single hard highlight stripe; through it the race track and blurring cars streak past below the level of the room, rendered as flat horizontal bars of heat-haze and motion across the low sky and asphalt rather than legible vehicles. The light is a single flat source from the window, lighting the left side of her face and the front of the white shirt in one unbroken tone with no gradient, and the room's interior points in the same flat black and cool grey; the only shadow is a hard, single-tone cast on the floor at her feet, offset toward the lounge interior. The palette stays in black, white, pale window blues and the deep green of the bottle with her red eyes and the champagne gold of the bucket's cooler as the only warm accents.
The bottle's tilted mouth catches the window stripe as a thin, unbroken white line, and its long shadow slants across the floor to the door. Calm, quietly imperious.
ki11yukii
k1
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo focus:1.5), original character, mature female, long white hair, elegant wavy hair, red eyes, beautiful face, (condescending gaze, seductive smirk, looking down at viewer:1.5), (standing in the VIP lounge:1.4), (holding a champagne bottle:1.4), (black tailored blazer:1.4), (white dress shirt, unbuttoned, heavy cleavage:1.5), (black pencil skirt, high slit:1.4), (black pantyhose, long legs:1.4), (black fingerless gloves:1.3), (race track background, glass window, blurred cars racing below:1.4), (perfect hands, delicate fingers:1.3), from below, high angle on viewer POV, cowboy shot, tall narrow pose, weight on one hip, head tilted down, chin lowered, half-lidded eyes, one brow slightly raised, one lip corner curled up, bottle by the neck, other arm slack at her side, looking down at viewer, curved lounge floor, champagne bucket out of reach.
From below, the camera sits at chest height of the viewer and tilts up: she occupies the centre-left third in a cowboy shot cropped just under the knee, standing tall in the VIP lounge with her weight settled on her left leg, right hip pushed out, right knee eased forward and slightly bent, skirt hem following the lean; her feet are planted on the polished flat-coloured lounge floor whose leading line of skirting runs away to the right edge. Her chin is lowered toward the lens, and the look she gives the viewer is a level, wholly unimpressed one -- half-lidded red eyes steady, one brow faintly raised, one lip corner curled up in a closed-mouth smirk -- the condescending, seductive scan of someone appraising who exactly was allowed up here. Her long, wavy white hair falls in flat pale ribbons over her shoulders and down her back, the ends turned out where the bob of her head off the glass line stirs them.
Her right hand, black-gloved, delicate fingers wrapped around the neck of a dark green champagne bottle, holds it upright and angled a little across her body at hip level, the bottle's mouth tilted away from her; her left hand hangs loosely at her side, gloved fingers slightly curled and relaxed. Her costume reads in flat blocks: black tailored blazer unbuttoned and squared at the shoulders, its lapels framing a white dress shirt open down the sternum, the shirt's placket showing the heavy line of her cleavage; a black pencil skirt hugs the hips and drops with a high slit that opens over the black pantyhose on her long leg down to the pointed black shoes.
Behind her, the lounge's full-height glass window fills the upper right two-thirds of frame as a flat pale-blue sheet with a single hard highlight stripe; through it the race track and blurring cars streak past below the level of the room, rendered as flat horizontal bars of heat-haze and motion across the low sky and asphalt rather than legible vehicles. The light is a single flat source from the window, lighting the left side of her face and the front of the white shirt in one unbroken tone with no gradient, and the room's interior points in the same flat black and cool grey; the only shadow is a hard, single-tone cast on the floor at her feet, offset toward the lounge interior. The palette stays in black, white, pale window blues and the deep green of the bottle with her red eyes and the champagne gold of the bucket's cooler as the only warm accents.
The bottle's tilted mouth catches the window stripe as a thin, unbroken white line, and its long shadow slants across the floor to the door. Calm, quietly imperious.
ki11yukii
k1
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo focus:1.5), original character, mature female, long white hair, elegant wavy hair, red eyes, beautiful face, (condescending gaze, seductive smirk, looking down at viewer:1.5), (standing in the VIP lounge:1.4), (holding a champagne bottle:1.4), (black tailored blazer:1.4), (white dress shirt, unbuttoned, heavy cleavage:1.5), (black pencil skirt, high slit:1.4), (black pantyhose, long legs:1.4), (black fingerless gloves:1.3), (race track background, glass window, blurred cars racing below:1.4), (perfect hands, delicate fingers:1.3), from below, high angle on viewer POV, cowboy shot, tall narrow pose, weight on one hip, head tilted down, chin lowered, half-lidded eyes, one brow slightly raised, one lip corner curled up, bottle by the neck, other arm slack at her side, looking down at viewer, curved lounge floor, champagne bucket out of reach.
From below, the camera sits at chest height of the viewer and tilts up: she occupies the centre-left third in a cowboy shot cropped just under the knee, standing tall in the VIP lounge with her weight settled on her left leg, right hip pushed out, right knee eased forward and slightly bent, skirt hem following the lean; her feet are planted on the polished flat-coloured lounge floor whose leading line of skirting runs away to the right edge. Her chin is lowered toward the lens, and the look she gives the viewer is a level, wholly unimpressed one -- half-lidded red eyes steady, one brow faintly raised, one lip corner curled up in a closed-mouth smirk -- the condescending, seductive scan of someone appraising who exactly was allowed up here. Her long, wavy white hair falls in flat pale ribbons over her shoulders and down her back, the ends turned out where the bob of her head off the glass line stirs them.
Her right hand, black-gloved, delicate fingers wrapped around the neck of a dark green champagne bottle, holds it upright and angled a little across her body at hip level, the bottle's mouth tilted away from her; her left hand hangs loosely at her side, gloved fingers slightly curled and relaxed. Her costume reads in flat blocks: black tailored blazer unbuttoned and squared at the shoulders, its lapels framing a white dress shirt open down the sternum, the shirt's placket showing the heavy line of her cleavage; a black pencil skirt hugs the hips and drops with a high slit that opens over the black pantyhose on her long leg down to the pointed black shoes.
Behind her, the lounge's full-height glass window fills the upper right two-thirds of frame as a flat pale-blue sheet with a single hard highlight stripe; through it the race track and blurring cars streak past below the level of the room, rendered as flat horizontal bars of heat-haze and motion across the low sky and asphalt rather than legible vehicles. The light is a single flat source from the window, lighting the left side of her face and the front of the white shirt in one unbroken tone with no gradient, and the room's interior points in the same flat black and cool grey; the only shadow is a hard, single-tone cast on the floor at her feet, offset toward the lounge interior. The palette stays in black, white, pale window blues and the deep green of the bottle with her red eyes and the champagne gold of the bucket's cooler as the only warm accents.
The bottle's tilted mouth catches the window stripe as a thin, unbroken white line, and its long shadow slants across the floor to the door. Calm, quietly imperious.
ki11yukii
Hoshiko
1
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