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東西南北で言うと右
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- Original Prompt
- 1boy, male focus, solo, full body, (androgynous boy, handsome facial features, very slender build, thin torso, broad shoulders, flat chest, high waist, long legs, slim legs, thin thighs:1.3), (expressionless, blank stare, cold emotionless face:1.4), (piercing gaze, unamused expression:1.3), (dark-rimmed round glasses:1.5), (very high ponytail, high-set ponytail, long flowing ponytail, hair air intake, sharp feathered bangs, long spiky asymmetrical bangs, sharp hair ends, one eye covered by hair, hair covering viewer-left eye, only one eye visible:1.4), (deep crimson visible eye:1.3), (deep purple roots, dark violet roots, gradient from purple roots to black tips, black hair ends, hair darkening toward the ends, consistent hair gradient, matching ponytail color:1.3), pale skin, eyebags, しゃがんでいる。 vintage Eastern European military-inspired outfit, faded olive-gray long military overcoat, long heavy overcoat, slightly oversized coat, wide notched lapels, double-breasted front, dark buttons, long coat tails, worn fabric, dark charcoal high-collar military tunic underneath, buttoned high-neck tunic, standing collar, single-breasted front, small dark buttons, tunic tucked into trousers, simple black leather belt, square metal belt buckle, dark slim military trousers, straight tapered pants, trousers tucked into boots, black leather lace-up combat boots, mid-calf boots, thick soles, low heels, minimal decoration, no medals, no ceremonial ornaments, no elaborate insignia, utilitarian military clothing, holding a large bouquet of red spider lilies (Lycoris radiata), distinctive long curved petals and extended curling stamens, standing in an expansive cemetery, rows of traditional earth burial graves arranged in a strict regular pattern, numerous low earthen burial mounds extending into the distance, symmetrical graveyard layout, distant horizon, full body composition, character facing the viewer, quiet solemn expression, the character is illuminated by an intense monochromatic yellow light, strong saturated golden yellow illumination covering the entire character, hair, skin, clothing and flowers almost completely losing their original local colors, nearly monochromatic yellow appearance, yellow-tinted grayscale shading, grayscale value structure blended over a uniform yellow color base, deep ochre shadows, pale yellow highlights, strong yellow light washing out the character’s natural colors, consistent yellow illumination across the entire figure, the cemetery and distant landscape are entirely colored in monochromatic deep crimson red, dark scarlet sky, crimson red ground, red burial mounds, red distant scenery, deep burgundy shadows, muted vermilion highlights, red atmospheric depth, background completely separated from the yellow-lit character, strong two-color visual separation, almost exclusively golden yellow and deep crimson red, sharply contrasting color zones, no natural green vegetation, no neutral white lighting, no mixed lighting between subject and background, strict color separation, isolated yellow illumination on the subject only Colourful, multiple colours, high contrast, Painterly Brushwork
- Mode
- pro
- Size
- 1888 x 1056
- Negative
- multiple people, extra person, chibi, standing pose, missing pennant, rectangular flag, square flag, long banner, ribbon banner, unreadable text, wrong text, misspelled Thanks, misspelled Hit 100 followers!, flat text only, no 3D letters, tiny letters, background text replacing physical letters, neon palette, rainbow palette, pastel candy colors, cropped body
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彼岸花
†
umauma1129
水
1boy, solo, androgynous, bishounen, beautiful face, fragile, ethereal, melancholy, 17 years old, waist-length hair, long straight hair, dark pale blue hair, muted desaturated pale blue hair, flat matte hair, no highlights, bangs covering right eye, hair over one eye, pale blue eyes, no shine in eyes, white blouse, frilled cuffs, black slacks, elegant clothing, both hands on own chest, hands clutching chest, crying, tears, crying while smiling, pained smile, despair, anguished expression, open mouth smile, furrowed brows, tears streaming down cheeks, standing, upper body, cowboy shot, from below, slight low angle, dutch angle, looking to the side, red background, medieval graveyard, gravestones, stone crosses, three pale blue higanbana, pale blue spider lily flowers, floating flowers, flower heads only, no stems, flowers circling him, protective arrangement, manga style, monochrome inking, screentone shading, dramatic lighting
The view is a slightly low, tilted cowboy shot from below, so the figure rises into the frame and the graveyard sinks behind his shoulders; his chin is lifted a touch by the angle, and his gaze drifts down-left away from the lens, past the flowers, nowhere in particular. He stands just off-center to the right of the frame, weight settled on his back foot, one hip carrying a slight list that pulls the white blouse taut across the chest where both hands are pressed flat — fingers of the left hand spread over the sternum, the right hand gripping a fold of the blouse fabric just above the heart, knuckles blanched. His shoulders draw inward and slightly up, as if bracing against a blow that has already landed. His waist-length hair is a flat, matte, dark pale blue with no highlight streaks at all — a single unbroken tone, cut by hard manga shadow shapes rather than shine — falling straight behind his shoulders and hanging in a long quiet curtain on the far side of his chest; the bangs hang heavy and low over the right eye, the left pale blue eye visible and glassy, lashes stuck together with tears. His mouth is open in a smile that is unmistakably a smile and unmistakably the wrong one, the corners pulled up while the brows knit hard above it; tears run in two clean lines down the left cheek and along the jaw, a drop hanging at the chin. The blouse is white with frilled cuffs at both wrists, the ruffles crumpled where the cuffs brush his forearms; the black slacks read as a simple dark column below. Three pale blue higanbana float around him in a loose ring — one at upper left near his shoulder, one low at his right hip, one behind his head half-hidden by the hair — flower heads only, no stems, no leaves, petals curled back in long spider-leg arcs, tilted at three different angles so the ring reads as a living orbit rather than a pattern; the ring holds him in, closer than the graveyard. Behind and around him the world is a saturated blood-red field: a medieval graveyard of leaning slab gravestones, tipped crosses and a low broken stone wall rendered in flat red silhouette with black ink shadow shapes and screentone gradients, the near stones cut larger and the far ones simplified to dark shapes, no readable lettering on any stone. The light comes from high and slightly behind him, so the red field is intense and even, his hair and blouse take a thin rim of red along the top edges, and the hollow of his chest and the undersides of the frills fall into black ink shadow; his cast shadow falls forward on the ground toward the viewer, its head stretched long by the low angle. The petals of the near-left flower flatten and blur where they pass closest to the camera plane; the far one stays crisp against the red. The palette is only red, white, black and that one washed pale blue — the flowers and the hair sharing a single muted blue note — with manga ink edges, flat fills and halftone screentone on the skin and stone. A despair so complete it has come out the other side as a smile.
水流水花
水
1boy, solo, androgynous male, 17 years old, bishounen, delicate fragile beauty, waist-length hair, long straight hair, white hair, pale dark-blue hair color, flat matte hair, no highlight, dull hair, long bangs, hair over one eye, bangs covering right eye, pale skin, crying, tears, teary eyes, streaming tears, smile, forced smile, pained smile, agonized expression, despair, suffering, open mouth, both hands on own chest, hands pressed to chest, clutching chest, trembling fingers, white blouse, frilled cuffs, lace cuffs, black slacks, elegant clothes, medieval graveyard, graveyard, tombstones, crosses, dead trees, red background, black background, red-black palette, floating flowers, three pale blue flowers, pale blue lycoris, spider lily blossoms only, no stems, no leaves, flowers surrounding him, protective composition, manga style, monochrome linework with limited palette, cel shading, cowboy shot, from above, dutch angle
The camera looks down from a high, slightly tilted angle: a slender androgynous youth of about seventeen stands alone among the headstones of an old medieval graveyard, seen from above and a little to his left, framed from mid-thigh up, so the tilt of his shoulders and the droop of his head both read against the ground. His hair is the first thing the picture gives away — a straight, heavy curtain of white falling unbroken to his waist, the strands flat and matte, each lock the same dead pale tone with no gleam, no sheen, no highlight band anywhere along its length; it is dyed a low, dim water-blue, and the long bangs hang straight down over the right side of his face, hiding his right eye completely. From this height the left eye is visible under the fringe, dark and wet, and he is weeping: clear tears run down his cheek in a continuous line, gathering at the jaw and dropping off. His mouth is pulled wide open in a laugh that is really a sob — the corners lifted, the teeth showing, the brows crushed together and the eyes still spilling — the whole face caught between grinning and breaking.
Both of his hands are pressed flat against his chest, one crossing over the other above the heart, the fingers curled in and the knuckles pale, the frilled cuffs of his white blouse bunched and crushed under his wrists where they meet the fabric. The blouse is clean and elegantly cut, a high collar, a soft fall of cloth over the shoulders, the black slacks below it slim and sharp; the only disturbance in the whole elegant silhouette is the grip of those two hands and the hunch he has folded into around them. His shoulders round forward, his weight sinks onto his left leg while the right knee bends, and behind his back the long hair slides over one shoulder and hangs free, its tips swinging slightly as if he had just stopped swaying.
The graveyard is old and cramped: leaning slabs, weathered crosses, a broken iron railing, all rendered in the deep dull reds and blacks of the background, the graves themselves little more than dark shapes against a red sky that has no sun in it. There is no light source in the sky, but a cold pale directionless glow picks out his white blouse and his white hair and leaves the rest of the world in shadow, so that he looks lit from within rather than from anywhere behind the stones. Three pale blue spider lily blossoms — blooms only, no stems and no leaves — float in the air around him in a loose ring, one above his left shoulder, one low near his right hip, one at his chest, each turned slightly toward him as though the flowers were standing guard; their petals are the same dim water-blue as his hair and they are the only cool, luminous color admitted into the red and black. Their faint inward light falls on his cheek and on the frill of his cuffs, and the tears on his face catch it as small bright beads. The palette is red, black and pale blue with his white figure at the center, and the mood is agonized grief held inside a smile.
水流水花
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