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Kaulder Bennett

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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character: prism_(dispatch) 1girl, solo, dark skin, dark-skinned female, chin-length bob haircut, short hair, perfectly split-dyed hair, two-tone hair, half turquoise blue hair, half hot pink hair, blunt bangs, black futuristic visor sunglasses, tinted eyewear, cyan lipstick, brown eyes, curvy athletic build, wide hips, thick thighs, narrow waist, sleeveless black high-neck bodysuit, gold vertical zipper, gold circular collar ring, asymmetrical long gloves, cyan left glove, pink right glove, gold upper-arm bands, cyan thigh-high boots, gold boot accents, high heels, bare shoulders, from below, cowboy shot, dutch angle, standing, weight on one leg, hand on hip, head tilted down, looking at viewer, smug, one eyebrow raised, lopsided grin, parted lips, city night, neon signage, film grain, shallow depth of field From a low dutch angle, a single dark-skinned woman holds the lower-right third of the frame in a cowboy shot cut at mid-thigh, the camera looking steeply up along the front of her body so that her hips and thighs read widest and her shoulders taper back and away. She stands with her weight sunk into her right leg, that hip pushed out and slightly toward the lens, her left knee bent and the left cyan boot's toe set forward and turned out; her left hand rests flat on that jutting hip, four fingers pressing into the black fabric of the bodysuit, thumb hooked back, while her right arm hangs loose with the pink-gloved fingers half-curled. Her chin is down and her head is tilted toward her left shoulder, the opaque black visor sitting across her eyes and shutting out whatever the visor hides, her mouth pulled into a lopsided grin that lifts the left corner higher, cyan lipstick catching a wet highlight on the lower lip, one eyebrow arched above the visor's top edge. She looks straight down the lens through the dark shield. Her hair is cut to the jaw in a blunt bob, the bangs sliced level and straight across her forehead just below the visor's frame, and the colour splits down the exact centre parting: hot pink fills the left half and turquoise blue the right, the pink side swept slightly behind her cheek and the blue side falling forward so the tips graze the gold ring at her throat. The bodysuit climbs to a high neck sealed by the gold circular collar ring, and the gold vertical zipper runs from that ring straight down the centre of her chest, its teeth catching light in one continuous line that widens over the curve of her bust and narrows at the waist. Sleeveless, the suit leaves both shoulders bare from the ring out to the deltoid, and the long gloves start high on the upper arms beneath the two gold bands — banded gold on the left above the cyan glove, banded gold on the right above the pink one — the glove fabric hugging tight to the elbow and continuing down over the back of each hand. The cyan boots rise past the knee to mid-thigh, leaving a bare strip of dark skin between boot top and the hem of nothing at all, and a gold accent band and a gold heel brace trim each boot. Behind her the environment is a rain-slick night street compressed by the low lens into two receding walls of light: a hot pink tube sign glows at the far left above a dark doorway, a turquoise neon strip runs along the right wall, and both wet colours bleed into the film-grain haze behind her shoulders, their lettering blurred past reading. The key light is a single cyan-white source high and slightly behind her right shoulder, so its light rims the turquoise half of her bob and the top of the visor while throwing the front of her face and the far side of the bodysuit into deep shadow, and the pink neon fills the shadows on her left cheek and left glove as a cool reflected wash. On the wet pavement at the bottom edge, a hard-edged puddle holds her reflection — darker, softer and compressed by the low angle — and the gold of her zipper appears there as a broken, downward-drawn thread. Her shadow stretches away up the wall behind her rather than along the ground, because the light sits above and behind her. Cool neon noir palette: black, hot pink, turquoise, and gold as the only warm metal. Confident, effortlessly stylish.
shawn Bennett

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