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AI art "一期一振 - ヒューズH-4ハーキュリーズの初飛行" featuring #Touken Ranbu and #Ichigo Hitofuri
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一期一振 - ヒューズH-4ハーキュリーズの初飛行

一期一振 - ヒューズH-4ハーキュリーズの初飛行 AI art by みずは on PixAI. Tags: Ichigo Hitofuri, Touken Ranbu. Made with Tsubaki.3.

#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri A square 1:1 wide illustration of the giant Hughes H-4 Hercules flying boat just above the water during its one and only flight over Long Beach Harbor, California, on 2 November 1947. Ichigo Hitofuri is an imagined solitary witness on the shore, not Howard Hughes or a documented participant in the historical flight. The first visual entrance is the extraordinarily broad aircraft spanning the open middle of the image. Ichigo stands in the lower-right foreground as a small but distinctive full-length adult figure, occupying roughly one third of the image height; his whole head and both shoes remain visible. The viewer looks across the pier from about waist height, with the aircraft to the left of the figure and slightly farther out over the water. A continuous pier deck connects his feet to the harbor edge. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, porcelain-pale cool-toned skin, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope. His full body turns toward the great aircraft on the left. The head tilts sharply up and the chest opens toward it, while the bend of his right elbow raises his right hand above the brow to shade his eyes from the bright sky, leaving his short hair visible. His left hand rests on a weathered wooden guardrail at hip height. The shoulders are lifted by genuine astonishment, and the slight forward rise through the torso conveys an impulse to follow the machine with his whole attention. His facial features are too small for delicate eye or lip details; his wonder is expressed by the clear upward angle of his face and body. He wears a 1940s sand-beige gabardine belted overcoat over a dark navy shirt and slate-gray straight trousers. The broad turned-down collar opens in a short V at the throat, revealing the navy shirt. Below that opening, two front panels overlap over his chest and close with a column of matte horn buttons. A plain fabric belt passes through sewn loops and buckles around both closed coat panels at his natural waist. The panels stay overlapped from the belt toward the knees, with a modest opening only at the moving hem. The long sleeves end in narrow adjustable cuff straps. The dry, tightly woven gabardine contrasts with the shirt's softer cloth and the smooth leather of his shoes. The right sleeve creases toward the raised elbow, and the lower coat edges pull gently toward the windward side. Brown leather low shoes rest separately on the wooden boards, one foot slightly ahead of the other. The H-4 Hercules is an enormous silver-gray wooden flying boat with a deep boat-shaped hull, a high straight wing of extraordinary span, four rounded radial-engine nacelles on each wing, eight propellers, a tall tail fin and a small stabilizing float under the outer section of either wing. Its aircraft identity must remain clear: a single continuous fuselage, one connected high wing, and engines firmly attached along the wing. The laminated birch construction shows as smooth silver-gray skin rather than exposed raw planks. The hull is airborne a short distance above the water with a broad fading wake beneath its route and a natural gap between its keel and the rippled sea. It is far larger than the small imagined spectator, but not enlarged into a fantastic machine; its very long wings fit across the middle of the square through perspective and the open harbor. The near pier has long wooden planks running diagonally toward the left waterline, supported by dark vertical posts. The handrail connects to the same pier structure behind Ichigo. Beyond the low wake lie the muted silhouettes of Long Beach industrial waterfront buildings and cranes, kept small against the sky. Bright late-morning coastal sun strikes the upper-left side of the wing and the man's coat. Cooler reflections rise from the sea under the fuselage; shadows under the wings, along the wooden rail and within the coat folds remain directional and coherent. The generous sky above the airplane preserves the astonishing breadth of this real historical aircraft. single coherent lighting setup. masterpiece, aesthetic light, color correction, dramatic shadows, deep shadows, smooth color gradients, subtle atmospheric haze, cinematic lighting, dramatic angle, best quality, masterpiece, super detailed, edited art, light focus, visible lines, shine, glow, detailed environment, jj_summer_manhwa, warm sunlight, golden hour, soft painterly rendering, korean illustration style, clean lineart, soft color blending, natural lighting, dreamy atmosphere, lush green background, sparkling water, high detail
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Original Prompt
A square 1:1 wide illustration of the giant Hughes H-4 Hercules flying boat just above the water during its one and only flight over Long Beach Harbor, California, on 2 November 1947. Ichigo Hitofuri is an imagined solitary witness on the shore, not Howard Hughes or a documented participant in the historical flight. The first visual entrance is the extraordinarily broad aircraft spanning the open middle of the image. Ichigo stands in the lower-right foreground as a small but distinctive full-length adult figure, occupying roughly one third of the image height; his whole head and both shoes remain visible. The viewer looks across the pier from about waist height, with the aircraft to the left of the figure and slightly farther out over the water. A continuous pier deck connects his feet to the harbor edge. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, porcelain-pale cool-toned skin, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope. His full body turns toward the great aircraft on the left. The head tilts sharply up and the chest opens toward it, while the bend of his right elbow raises his right hand above the brow to shade his eyes from the bright sky, leaving his short hair visible. His left hand rests on a weathered wooden guardrail at hip height. The shoulders are lifted by genuine astonishment, and the slight forward rise through the torso conveys an impulse to follow the machine with his whole attention. His facial features are too small for delicate eye or lip details; his wonder is expressed by the clear upward angle of his face and body. He wears a 1940s sand-beige gabardine belted overcoat over a dark navy shirt and slate-gray straight trousers. The broad turned-down collar opens in a short V at the throat, revealing the navy shirt. Below that opening, two front panels overlap over his chest and close with a column of matte horn buttons. A plain fabric belt passes through sewn loops and buckles around both closed coat panels at his natural waist. The panels stay overlapped from the belt toward the knees, with a modest opening only at the moving hem. The long sleeves end in narrow adjustable cuff straps. The dry, tightly woven gabardine contrasts with the shirt's softer cloth and the smooth leather of his shoes. The right sleeve creases toward the raised elbow, and the lower coat edges pull gently toward the windward side. Brown leather low shoes rest separately on the wooden boards, one foot slightly ahead of the other. The H-4 Hercules is an enormous silver-gray wooden flying boat with a deep boat-shaped hull, a high straight wing of extraordinary span, four rounded radial-engine nacelles on each wing, eight propellers, a tall tail fin and a small stabilizing float under the outer section of either wing. Its aircraft identity must remain clear: a single continuous fuselage, one connected high wing, and engines firmly attached along the wing. The laminated birch construction shows as smooth silver-gray skin rather than exposed raw planks. The hull is airborne a short distance above the water with a broad fading wake beneath its route and a natural gap between its keel and the rippled sea. It is far larger than the small imagined spectator, but not enlarged into a fantastic machine; its very long wings fit across the middle of the square through perspective and the open harbor. The near pier has long wooden planks running diagonally toward the left waterline, supported by dark vertical posts. The handrail connects to the same pier structure behind Ichigo. Beyond the low wake lie the muted silhouettes of Long Beach industrial waterfront buildings and cranes, kept small against the sky. Bright late-morning coastal sun strikes the upper-left side of the wing and the man's coat. Cooler reflections rise from the sea under the fuselage; shadows under the wings, along the wooden rail and within the coat folds remain directional and coherent. The generous sky above the airplane preserves the astonishing breadth of this real historical aircraft. single coherent lighting setup. masterpiece, aesthetic light, color correction, dramatic shadows, deep shadows, smooth color gradients, subtle atmospheric haze, cinematic lighting, dramatic angle, best quality, masterpiece, super detailed, edited art, light focus, visible lines, shine, glow, detailed environment, jj_summer_manhwa, warm sunlight, golden hour, soft painterly rendering, korean illustration style, clean lineart, soft color blending, natural lighting, dreamy atmosphere, lush green background, sparkling water, high detail
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lowres, worst quality, low quality, bad anatomy, explicit
Style: Semi-Real
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