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AI artwork featuring #Date A Live and #Tohka Yatogami
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Tohka Yatogami, Date A Live

#Date A Live#Tohka Yatogami
u1

usermio1375

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character: yatogami_tohka, copyright: date_a_live 1girl, solo, yatogami_tohka, long_hair, purple_hair, very_long_hair, hair_between_eyes, hair_bow, bow, ponytail, purple_eyes, hair_down, hair_flowing_in_wind, black_thighhighs, blue_skirt, ribbon, dress, frills, raizen_high_school_uniform, school_uniform, from below, low_angle, dutch_angle, cowboy_shot, standing, leaning_forward, head_tilt, looking_at_viewer, half-closed_eyes, light_smile, open_mouth, wind, floating_hair, traditional_cel_shading, soft_cinematic_lighting, retro_japanese_ova_aesthetic, Shot from a low dutch angle in a vertical cowboy crop that cuts her at mid-thigh, the girl with very long purple hair and purple eyes stands on an empty stretch of pale concrete, caught mid-step with her weight planted hard on her left leg while her right knee bends loosely forward, her toes just grazing the ground. She leans her upper body forward a few degrees toward the lens, chin dipped, head tilted so her purple gaze comes up through half-lowered lashes at the viewer, one side of her mouth curling into a small, faint closed-lip smile while the other corner opens a sliver — a lopsided, unhurried look half-challenging, half-inviting. Her shoulders are loose and asymmetrical: the left shoulder dropped, the right lifted, her arms hanging relaxed and slightly apart from her body, hands loose, fingers lightly curled, close to the frilled blue skirt that flares at the hem and rides up on her right hip with the dynamic step. The white-collared uniform blouse sits a little askew at the neckline, its ribbon slightly untucked and swinging off-center, the bodice point coming down over the blue skirt and black thighhighs hugging her legs. Her very long hair is not falling straight but drifting in a slow crosswind from the left of frame: long strands sweeping across the gaps of her sleeves and around her left shoulder, the long ponytail trailing off her head and curling off into the drifting rim, the hair that falls between her eyes flicked aside in a loose fringe. One broad hair bow rides at the side of her head. The light is cool and dusk-shifted Blue Hour ambient — a broad, low, soft key from the right and high in frame, filtered through a thin film of haze that kills hard edges on the side of her face and shoulders. A warm residual glow from the left of frame gives a faint pink stray-edge along the left profile, on the crown of the hair, and across the tops of the skirt folds, just enough to separate her from the background; the shadow side of her body loses its detail but not its shape. Underneath her, a long flat shadow falls to the right of frame, stretched by the low angle of the diegetic light and broken up at its terminus by the texture of her hair cast in it, and the split in the concrete holds a thin line of pooled shadow running past her feet. In the negative space around her the concrete fills the lower half of the frame, a pale grey, featureless sweep reaching out into a soft haze; the top third of the frame is a blue-white gradient that closes in behind her shoulders and head. Palette sits at clean, high-key cel tones — the purple of her hair as the dominant saturated accent, the deep blue of the skirt gathering in the lower third, the stark white of the uniform blouse and her collar as the brightest point in the frame, the black of the thighhighs sinking in to anchor — everything else held to cool greys and pale blues. The rendering delivers a traditional cel-shaded look: flat two-to-three tone fills, a hard, crisp shadow edge running down the left side of her face, neck and skirt folds, and fine, even linework that stays clean at the edges. The lighting is laid over that as a soft, semi-transparent cinema glow — a hazy bloom that just touches the lit highlights of her right shoulder, cheek, and hair ribbon, and a faint, warm bleed wrapping her left edge — a hand-painted 1990s TV anime finish in tone, with gentle paper-grain in the color fields rather than digital noise. The retro OVA aesthetic lives in the slightly desaturated, film-lit palette, the delicate, consistent linework, and the natural, fan-folder finish, not in artificial artifacts. Quiet, electric.
Show Parameters
Original Prompt
约会大作战女角色十香Traditional Cel Shading + Soft Cinematic Lighting + Retro Japanese OVA Aesthetic
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1824 x 1104
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.79k

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AI artwork
u8
character: yatogami_tohka, copyright: date_a_live 1girl, solo, yatogami_tohka, long purple hair, very long hair, purple eyes, hair between eyes, hair bow, ponytail, blue skirt, ribbon, school uniform, black thighhighs, beautiful adult female character, refined facial proportions, detailed eyes, detailed eyelashes, smooth skin shading, vibrant colors, delicate line art, cinematic lighting, 2010s japanese anime style, polished digital anime illustration, high quality 2d anime artwork, from below, close-up, head tilt, wind, looking at viewer, light smile, half-closed eyes, arms behind back, standing, dutch angle, A low three-quarter close-up from below, tilted a few degrees off vertical: a young woman with very long purple hair and a high ponytail held by a bow, loose strands falling between her eyes, faces slightly past the lens with her chin lifted. Her eyes are deep violet, irises built from layered radial gradients with crisp catchlights and a darker limbal ring, lashes drawn as fine individual strokes with a heavier upper fringe; her brows are thin and softly tapered, and one lifts a fraction higher than the other. Her skin is shaded in smooth airbrushed gradients with a single soft terminator along the cheekbone and a faint warm bounce under the jaw, no hard cel steps. Her lips are closed in a light, lopsided smile, the corner on the shadow side tucked in. Her head tilts toward her right shoulder and her weight settles onto her left leg, right knee bent, both hands clasped behind her back so her shoulders draw back and her chest lifts toward the light. The uniform collar sits open at her throat, a ribbon knotted at the front, and the blue skirt swings slightly away from her leg with the drift of air; her ponytail lifts and streams off-frame behind her, individual strands separating against the sky. Wind moves from the lower left of frame: the loose hair between her eyes sweeps across her brow rather than hanging straight, and the skirt hem ripples in one continuous wave. The camera sits low so the pale sky fills the upper two-thirds of the frame, a soft gradient from warm cream at the horizon to clear blue overhead, and her silhouette cuts into it. Key light comes from the upper right and slightly behind her, rimming the outer edge of her hair and the top of her shoulder in a thin warm line while her face falls into gentle ambient shadow, lit only by soft skylight; the strongest highlights sit on her lower lip, the tip of her nose and the crown of her head, and a cool reflected fill lifts the underside of her chin. Palette: violet and indigo in hair and eyes, warm peach skin, clean white and navy in the uniform, the blue-to-cream sky behind, and nothing else admitted -- no stray accent colour anywhere in the frame. Delicate line art in a fine dark brown-violet, uniform in weight at the face and thinning into the hair ends; the far edges of her hair go slightly out of focus while her eyes stay tack-sharp. Where the wind pushes the ponytail against the sky, a few strands catch the key light and glow brighter than the mass behind them, a single judgeable note of backlight through thinning hair. Effortlessly luminous, tender.
usermio8367
#Date A Live#Tohka Yatogami
AI artwork
u8
character: yatogami_tohka, copyright: date_a_live 1girl, solo, yatogami tohka, very long purple hair, ponytail, hair bow, bow, hair between eyes, purple eyes, glossy anime eyes, large expressive eyes, beautiful anime girl, raizen high school uniform, white blouse, blue pleated skirt, frilled ribbon at the collar, black thighhighs, from below, dutch angle, cowboy shot, leaning forward, head tilt, one eye closed, lopsided grin, open mouth, arm support, hand on own hip, looking at viewer. The view is a low, tilted three-quarter angle from below, the frame rotated a few degrees so the horizon runs off the upper right corner: she leans down toward the lens from that raised vantage, catching her weight on her right hand braced against a plain steel guardrail that cuts across the lower foreground, right arm locked straight, elbow turned out; her left hand rests knuckled on her own hip, thumb hooked at the skirt waistband. Her chin tips down and slightly left, head tilt mild, so the sideways glance comes up through her lashes -- one eye closed in a wink, the other wide and glossy and aimed straight at the viewer, the lopsided grin opening on the left side of the mouth to show a single canine tooth. Her very long purple hair is gathered into a high ponytail that swings forward over her right shoulder toward the camera under the lean, the tip curling in the air behind the rail; the bow sits at the back of her head, mostly hidden by the turn of her skull, its tails fluttering past her right ear, kept in the tag run as the identity anchor, and separate fine strands escape at the temple and across the cheek where the tilt pulls them loose, each one drawn as a discrete line against the bright background. The school uniform: white blouse unbuttoned at the top with the collar turned slightly up on the left, blue pleated skirt pushing out where the hip hand bunches the fabric, the frilled ribbon at the collar catching the light, black thighhighs up to mid-thigh. Legs below the rail: her feet are out of frame, her left knee bends forward so the skirt hem lifts on that side; the rail is the only thing she touches, no ground contact is depicted. The scene is a flat exterior school walkway at mid-afternoon, no other people, no lockers or props in the shot: the guardrail and the pale concrete parapet are the entire midground, a soft band of out-of-focus sky and the tops of green trees sit far behind in three tones only, blown to near-white at the upper right. Sunlight comes from behind and above her left shoulder, so the sky itself rim-lights the top of her ponytail and the crown of her head with a thin white line, while her face is filled from the front by soft reflected bounce off the pale concrete below -- no harsh shadow on her face, but a hard-edged shadow of the rail lies across the front of her skirt and thigh where the bar crosses it, and a soft shadow of her own ponytail sweeps down the blouse across her right chest. The single-variable physics: where her fine hair strands cross the rim light at her skull, each separate strand's silhouette glows brighter than the hair mass around it, while the same strands against her pale cheek read as dark lines -- the same strand is a highlight in one direction and a shadow in the other. Palette: purple in the hair and eyes, white and blue in the uniform, cool concrete grey and desaturated green in the far background, one warm skin tone, nothing else admitted. Rendering: hand-drawn cel animation for a 2000s Japanese OVA -- thin, clean outlines of even weight, early digital anime colouring with smooth gradient shading rather than painterly blending, glossy catchlights and multiple small specular dots in the irises, and the hair drawn as many individual tapered strands rather than one glossy mass. Sunny and teasing.
usermio8367
AI artwork
u8
character: yatogami_tohka, copyright: date_a_live 1girl, solo, yatogami tohka, very long purple hair, long ponytail, hair bow, bow, hair between eyes, purple eyes, sparkling eyes, mature female, raizen high school uniform, white blouse, blue skirt, ribbon at collar, black thighhighs, key visual, from below, low angle, dutch angle, looking at viewer, one eye closed, wink, lopsided grin, head tilt, windblown hair, arms behind back, leaning forward, cinematic lighting, light particles, soft gradient shading, highly detailed hair, ultra detailed, dramatic rim light, dark violet and cyan palette, starry night sky, Low-angle dutch-tilt key visual of a single girl, seen from below and just off her left shoulder line so her head tips toward the upper-left corner of the frame and the night sky yaws behind her. Her very long purple hair streams out to the right, its ponytail bound high at the back of her head with the large bow, the tail of the bow whipping to the opposite side of the hair mass, a few loose strands crossing her cheek between her eyes and catching the light. Seen from this low angle her face lengthens into fine, adult proportions: a strong narrow jaw, a long straight nose bridge, full-lidded eyes whose purple irises hold bright specular sparkles at their upper arcs, one eye dropped closed in a wink while the open eye looks straight into the lens, one brow arched above it, and a lopsided grin pulled higher on the side away from the closed eye. She leans forward over the camera, shoulders rolled in, both arms folded behind her back with her wrists crossed and her hands hidden from this angle; her weight rides on her back foot with the front knee bent and the front toe just breaking contact with the ground, so the blue skirt swings forward and flares at the hem toward the lens while her blouse pulls taut across the shoulder blades. The collar ribbon lifts and twists; the black thighhighs draw a hard dark column up the leg nearest the camera, foreshortened so the knee reads larger than the ankle. Her chin lifts slightly with the wink, throat exposed. The light is one cool key from high camera-right, the moon behind her hair, throwing a bright cyan rim along the outer edge of the ponytail, the shoulder line and the jaw, while her face stays in soft violet half-light; behind her the sky is deep indigo grading to teal at the horizon, scattered with stars that bloom only where the sky is darkest. Wind is the revealer: it runs from left to right through the frame, bending the hair and the ribbon and the skirt hem all in the same direction, and the loose strands nearest the lens blur slightly against the sharp face. Palette strictly purple, indigo, cyan and black with the white of the blouse, nothing else. Cinematic, airy, effortlessly striking.
usermio8367

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