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GOG & minimaw

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GOG & minimaw

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three-part vertical split panel layout, 3girls, multiple views, comic, same character in all three panels, black hair, red eyes, long hair, princess, black dress, black ballgown, satin, lace, assassin girl, black clothes, cloak, blade held in mouth, dark magic, reporter girl, newsboy hat, old camera, triptych, left to right reading order, full colour illustration, from side, profile, looking at viewer, standing, leaning A single vertical illustration split into three equal vertical strips by clean hard gutters, one woman rendered three ways as the same person — same long black hair, same red eyes, same narrow face — reading left to right as before, later, after. Panel 1, leftmost strip: she stands in near-profile turned slightly toward the viewer, chin lifted, back straight, both hands folded flat over her diaphragm just below the collarbone, elbows in. Her voluminous black satin ballgown fills the strip, the bodice tight and boned, the skirt heavy and falling in deep folds past the bottom edge of the crop, a lace yoke edging the neckline and lace cuffs at both wrists. The satin catches a hard pale light so the lit folds read silver-white and the shadowed folds fall to true black; no other hue anywhere in the panel but the red of her irises. Behind her, a vertical field of near-black with a single faint cold glow at the upper left, as if a window stood far away. Her eyes are open and steady and her mouth is a level closed line. Panel 2, middle strip: the same woman now leans forward off her front foot, shoulders low, weight shifted onto the left leg with the right knee bent and trailing. A polished straight blade is clamped crosswise between her teeth, its edge glinting, her jaw set around it; the cloak rises off her shoulders and bellies backward behind her, its hem pulled out of frame, and a hood lies bunched at her neck rather than covering her head. Her black clothes are close-fitting and matte. Dark magic curls around her right hand and forearm as a violet-black smoke drawn into tight spirals with fine bright edges along the lit side, loose threads of it trailing toward the gutter; the same smoke is the only light in the strip, so it lights her fingers from below and throws a soft upward glow along the underside of her jaw while the back of her head and the cloak behind her stay in heavy shadow. Her red eyes cut sideways toward the viewer, narrow, brow drawn in. Panel 3, rightmost strip: the same woman stands more relaxed, hip cocked to one side, one shoulder dropped, a tweed newsboy hat worn slightly askew with the brim low over the brow. She lifts an old boxy leather-and-metal camera in both hands to chest height, one hand cupped under the lens barrel, the strap crossing her black shirt, a fingertip resting on the shutter. Cool grey-dominant palette with warm brown in the hat tweed and the camera's leather, and the same red eyes above the lens. She looks straight into the lens of the camera she holds, not at the viewer, mouth pulled into a small lopsided half-smile. A flat soft light from the front-right models her face and leaves a shadow of the hat brim across the upper part of her eyes. Each of the three strips frames her from roughly the thigh up, the same scale in all three so the silhouette lines up across the gutters; the hair silhouette and the jawline are identical from strip to strip. Heavy black gutters run the full height between them. Quiet, cool, deliberate.
Show Parameters
Original Prompt
1.left_half: black hair,red eyes, princess, black dress, before. 2.median_half: same_character,assassin girl,black hair,red eyes, black clothes,cloak,With a Blade on mouth, dark magic,later,. 3.right_half: same_character,black hair,red eyes,Reporter girl, Newsboy hat, old camera, after.
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1824 x 1104
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.70k

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1girl, solo, triptych, three vertical panels, split image, multiple views, black hair, long black hair, red eyes, princess, black dress, satin, lace, high collar, puffed sleeves, assassin girl, black clothes, cloak, hooded cloak, blade held in mouth, dagger in mouth, dark magic, black smoke, floating runes, reporter girl, newsboy hat, flat cap, old camera, vintage camera, camera strap, from above, from below, from side, close-up, upper body, cowboy shot, looking at viewer, serious, half-closed eyes, parted lips, windblown hair, flowing cloak, monochrome, screentone, hatching, spotting blacks, panel borders, ink, full-color illustration wearing manga effects, dark fantasy, cinematic lighting A full-colour illustration wearing manga effects, divided by crisp black inked panel borders into three equal vertical panels read left to right, the same single girl appearing once in each, unmistakably one person across all three: the same long straight black hair with a sharp centre part, the same narrow red eyes, the same small mouth, the same pale skin and the same fine-boned build. Only her age, her bearing and what she carries change from panel to panel. Panel 1, LEFT. The far view, from below, so the girl looms over the camera in a medium shot cropped at the waist. Her black satin-and-lace ballgown is voluminous, its high lace collar closed to the jaw, the puffed sleeves gathering at the shoulder and tapering to the wrist. She stands on the lowest step of a marble stair, both hands folded one over the other at her midriff, fingertips resting on the satin. Her chin is lifted and her red eyes look down the stair past the lens, toward something out of frame. Cool white daylight comes from high on the right, skimming the crown of her black hair and the ridge of the lace collar; the folds of the skirt fall into deep satin shadows. Behind her, pale marble and a thin veil of dust. Panel 2, MIDDLE. An over-shoulder-ish low angle from her front three-quarter, framed as an upper-body close-up. The ballgown is gone; she now wears black assassin's clothes, a fitted sleeveless black tunic, black trousers, wrapped forearms, and a heavy black cloak whose hood is thrown back so her black hair spills free over her shoulders. She has a long dagger clenched horizontally between her teeth, the flat of the blade biting the corner of her lips, her jaw set. Her right hand is raised low at her hip with fingers curled, and black magic pours up off her palm in drawn black smoke and curling dark ribbons that hang in the air around her before coiling into the darkness. Her red eyes cut sideways and slightly up, tracking something beyond the panel's right border. Cold dim light from the left, heavy blacks, screentone shadowing the underside of the cloak, hatched texture on the smoke, her body caught mid-turn. Panel 3, RIGHT. A from-above view, close-up. She is a reporter now, black hair tucked loosely behind one ear and swinging forward, a grey-dark newsboy hat pulled low, an old boxy film camera held at chest height in both hands, her right fingers wrapped across the lens barrel and her thumb steadying the body so the leather strap pulls tight down her black clothes toward her hip. Her chin is dropped, one eye squinted shut as she looks down through the viewfinder toward something just below the frame. Warm light streetlight falls from the upper left, glinting off the camera's metal trim and rimming the newsboy hat's flat cap; a soft pool sits on her cheekbones while the rest sinks into shadow. The dark tilt of the hat's brim across her brow. All three panels share a taut, shadowy palette, black hair, red eyes and black garments anchoring each, with quiet marble grey in the left, smoke-and-dark darkness in the middle, and light warmth entering only on the right; panels joined by inked borders and a single character read across a before, later, after arc. Quiet, ominous resolve.
GOG & minimaw
AI artwork
gm
1girl, solo, triptych, three vertical panels, split image, multiple views, black hair, long black hair, red eyes, princess, black dress, satin, lace, high collar, puffed sleeves, assassin girl, black clothes, cloak, hooded cloak, blade held in mouth, dagger in mouth, dark magic, black smoke, floating runes, reporter girl, newsboy hat, flat cap, old camera, vintage camera, camera strap, from above, from below, from side, close-up, upper body, cowboy shot, looking at viewer, serious, half-closed eyes, parted lips, windblown hair, flowing cloak, monochrome, screentone, hatching, spotting blacks, panel borders, ink, full-color illustration wearing manga effects, dark fantasy, cinematic lighting A full-colour illustration wearing manga effects, divided by crisp black inked panel borders into three equal vertical panels read left to right, the same single girl appearing once in each, unmistakably one person across all three: the same long straight black hair with a sharp centre part, the same narrow red eyes, the same small mouth, the same pale skin and the same fine-boned build. Only her age, her bearing and what she carries change from panel to panel. Panel 1, LEFT. The far view, from below, so the girl looms over the camera in a medium shot cropped at the waist. Her black satin-and-lace ballgown is voluminous, its high lace collar closed to the jaw, the puffed sleeves gathering at the shoulder and tapering to the wrist. She stands on the lowest step of a marble stair, both hands folded one over the other at her midriff, fingertips resting on the satin. Her chin is lifted and her red eyes look down the stair past the lens, toward something out of frame. Cool white daylight comes from high on the right, skimming the crown of her black hair and the ridge of the lace collar; the folds of the skirt fall into deep satin shadows. Behind her, pale marble and a thin veil of dust. Panel 2, MIDDLE. An over-shoulder-ish low angle from her front three-quarter, framed as an upper-body close-up. The ballgown is gone; she now wears black assassin's clothes, a fitted sleeveless black tunic, black trousers, wrapped forearms, and a heavy black cloak whose hood is thrown back so her black hair spills free over her shoulders. She has a long dagger clenched horizontally between her teeth, the flat of the blade biting the corner of her lips, her jaw set. Her right hand is raised low at her hip with fingers curled, and black magic pours up off her palm in drawn black smoke and curling dark ribbons that hang in the air around her before coiling into the darkness. Her red eyes cut sideways and slightly up, tracking something beyond the panel's right border. Cold dim light from the left, heavy blacks, screentone shadowing the underside of the cloak, hatched texture on the smoke, her body caught mid-turn. Panel 3, RIGHT. A from-above view, close-up. She is a reporter now, black hair tucked loosely behind one ear and swinging forward, a grey-dark newsboy hat pulled low, an old boxy film camera held at chest height in both hands, her right fingers wrapped across the lens barrel and her thumb steadying the body so the leather strap pulls tight down her black clothes toward her hip. Her chin is dropped, one eye squinted shut as she looks down through the viewfinder toward something just below the frame. Warm light streetlight falls from the upper left, glinting off the camera's metal trim and rimming the newsboy hat's flat cap; a soft pool sits on her cheekbones while the rest sinks into shadow. The dark tilt of the hat's brim across her brow. All three panels share a taut, shadowy palette, black hair, red eyes and black garments anchoring each, with quiet marble grey in the left, smoke-and-dark darkness in the middle, and light warmth entering only on the right; panels joined by inked borders and a single character read across a before, later, after arc. Quiet, ominous resolve.
GOG & minimaw
AI artwork
gm
1girl, solo, triptych, three vertical panels, split image, multiple views, black hair, long black hair, red eyes, princess, black dress, satin, lace, high collar, puffed sleeves, assassin girl, black clothes, cloak, hooded cloak, blade held in mouth, dagger in mouth, dark magic, black smoke, floating runes, reporter girl, newsboy hat, flat cap, old camera, vintage camera, camera strap, from above, from below, from side, close-up, upper body, cowboy shot, looking at viewer, serious, half-closed eyes, parted lips, windblown hair, flowing cloak, monochrome, screentone, hatching, spotting blacks, panel borders, ink, full-color illustration wearing manga effects, dark fantasy, cinematic lighting A full-colour illustration wearing manga effects, divided by crisp black inked panel borders into three equal vertical panels read left to right, the same single girl appearing once in each, unmistakably one person across all three: the same long straight black hair with a sharp centre part, the same narrow red eyes, the same small mouth, the same pale skin and the same fine-boned build. Only her age, her bearing and what she carries change from panel to panel. Panel 1, LEFT. The far view, from below, so the girl looms over the camera in a medium shot cropped at the waist. Her black satin-and-lace ballgown is voluminous, its high lace collar closed to the jaw, the puffed sleeves gathering at the shoulder and tapering to the wrist. She stands on the lowest step of a marble stair, both hands folded one over the other at her midriff, fingertips resting on the satin. Her chin is lifted and her red eyes look down the stair past the lens, toward something out of frame. Cool white daylight comes from high on the right, skimming the crown of her black hair and the ridge of the lace collar; the folds of the skirt fall into deep satin shadows. Behind her, pale marble and a thin veil of dust. Panel 2, MIDDLE. An over-shoulder-ish low angle from her front three-quarter, framed as an upper-body close-up. The ballgown is gone; she now wears black assassin's clothes, a fitted sleeveless black tunic, black trousers, wrapped forearms, and a heavy black cloak whose hood is thrown back so her black hair spills free over her shoulders. She has a long dagger clenched horizontally between her teeth, the flat of the blade biting the corner of her lips, her jaw set. Her right hand is raised low at her hip with fingers curled, and black magic pours up off her palm in drawn black smoke and curling dark ribbons that hang in the air around her before coiling into the darkness. Her red eyes cut sideways and slightly up, tracking something beyond the panel's right border. Cold dim light from the left, heavy blacks, screentone shadowing the underside of the cloak, hatched texture on the smoke, her body caught mid-turn. Panel 3, RIGHT. A from-above view, close-up. She is a reporter now, black hair tucked loosely behind one ear and swinging forward, a grey-dark newsboy hat pulled low, an old boxy film camera held at chest height in both hands, her right fingers wrapped across the lens barrel and her thumb steadying the body so the leather strap pulls tight down her black clothes toward her hip. Her chin is dropped, one eye squinted shut as she looks down through the viewfinder toward something just below the frame. Warm light streetlight falls from the upper left, glinting off the camera's metal trim and rimming the newsboy hat's flat cap; a soft pool sits on her cheekbones while the rest sinks into shadow. The dark tilt of the hat's brim across her brow. All three panels share a taut, shadowy palette, black hair, red eyes and black garments anchoring each, with quiet marble grey in the left, smoke-and-dark darkness in the middle, and light warmth entering only on the right; panels joined by inked borders and a single character read across a before, later, after arc. Quiet, ominous resolve.
GOG & minimaw
AI artwork
gm
1girl, solo, triptych, three vertical panels, split image, multiple views, black hair, long black hair, red eyes, princess, black dress, satin, lace, high collar, puffed sleeves, assassin girl, black clothes, cloak, hooded cloak, blade held in mouth, dagger in mouth, dark magic, black smoke, floating runes, reporter girl, newsboy hat, flat cap, old camera, vintage camera, camera strap, from above, from below, from side, close-up, upper body, cowboy shot, looking at viewer, serious, half-closed eyes, parted lips, windblown hair, flowing cloak, monochrome, screentone, hatching, spotting blacks, panel borders, ink, full-color illustration wearing manga effects, dark fantasy, cinematic lighting A full-colour illustration wearing manga effects, divided by crisp black inked panel borders into three equal vertical panels read left to right, the same single girl appearing once in each, unmistakably one person across all three: the same long straight black hair with a sharp centre part, the same narrow red eyes, the same small mouth, the same pale skin and the same fine-boned build. Only her age, her bearing and what she carries change from panel to panel. Panel 1, LEFT. The far view, from below, so the girl looms over the camera in a medium shot cropped at the waist. Her black satin-and-lace ballgown is voluminous, its high lace collar closed to the jaw, the puffed sleeves gathering at the shoulder and tapering to the wrist. She stands on the lowest step of a marble stair, both hands folded one over the other at her midriff, fingertips resting on the satin. Her chin is lifted and her red eyes look down the stair past the lens, toward something out of frame. Cool white daylight comes from high on the right, skimming the crown of her black hair and the ridge of the lace collar; the folds of the skirt fall into deep satin shadows. Behind her, pale marble and a thin veil of dust. Panel 2, MIDDLE. An over-shoulder-ish low angle from her front three-quarter, framed as an upper-body close-up. The ballgown is gone; she now wears black assassin's clothes, a fitted sleeveless black tunic, black trousers, wrapped forearms, and a heavy black cloak whose hood is thrown back so her black hair spills free over her shoulders. She has a long dagger clenched horizontally between her teeth, the flat of the blade biting the corner of her lips, her jaw set. Her right hand is raised low at her hip with fingers curled, and black magic pours up off her palm in drawn black smoke and curling dark ribbons that hang in the air around her before coiling into the darkness. Her red eyes cut sideways and slightly up, tracking something beyond the panel's right border. Cold dim light from the left, heavy blacks, screentone shadowing the underside of the cloak, hatched texture on the smoke, her body caught mid-turn. Panel 3, RIGHT. A from-above view, close-up. She is a reporter now, black hair tucked loosely behind one ear and swinging forward, a grey-dark newsboy hat pulled low, an old boxy film camera held at chest height in both hands, her right fingers wrapped across the lens barrel and her thumb steadying the body so the leather strap pulls tight down her black clothes toward her hip. Her chin is dropped, one eye squinted shut as she looks down through the viewfinder toward something just below the frame. Warm light streetlight falls from the upper left, glinting off the camera's metal trim and rimming the newsboy hat's flat cap; a soft pool sits on her cheekbones while the rest sinks into shadow. The dark tilt of the hat's brim across her brow. All three panels share a taut, shadowy palette, black hair, red eyes and black garments anchoring each, with quiet marble grey in the left, smoke-and-dark darkness in the middle, and light warmth entering only on the right; panels joined by inked borders and a single character read across a before, later, after arc. Quiet, ominous resolve.
GOG & minimaw

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