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three animals, anatomical study, flayed musculature, no skin, muscle fibers exposed, red striated muscle over bone, pale tendon sheaths, Chinese xigou sighthound anatomy, slender sighthound build, deep narrow chest, tucked abdomen, long narrow elongated skull, long muzzle, sharply bared teeth, clenched jaw, gritted teeth, lips pulled back, exposed gums, wing membrane between forelimbs, patagium stretched under the armpits, thin translucent membrane webbing from elbow to flank, hind legs slightly longer than forelegs, digitigrade stance, reduced neck musculature, exposed throat tube, trachea visible through open throat, cervical spine exposed, string of vertebrae bare along the neck, concept art diagram composition, anatomical plate layout, three figures in staggered row, design register, seamless pale grey ground, specimen study, side profile heads, half-closed eyes, neutral studio light, fine ink linework, washes of muted red and bone white, quiet clinical dread A concept-art anatomical plate on a completely empty pale grey field, seen in a flat eye-level plate view: three skinless xigou sighthounds arranged in a staggered row receding from left foreground to right background, each turned in side profile so the long narrow skull, the bared clenched jaw and the thin neck read as pure outline against bare paper. Every body is stripped of skin — striated red muscle corded along shoulder and haunch, pale tendon flashing at every joint, rib and vertebra reading as ridge under fibre — and the neck of each is deliberately under-muscled: the trachea runs as a pale ribbed tube down the front of the throat, unobstructed, and the cervical vertebrae stand as a bare linked column behind it, no muscle closing over either. The nearest hound stands in three-quarter profile at the left, jaws locked wide enough to show clenched interlocking teeth and grey-pink gum line, its weight carried on the slightly longer hind legs, forelegs lighter and shorter in front. Between the two forelimbs a wing membrane spans from the inner elbow across to the flank — a thin, taut, faintly translucent sheet sagging in a shallow catenary, its surface showing pale vessels fanning out from the armpit, edges crisply bordered where it meets muscle. The second hound stands a step behind and to the right, head turned further into profile, membranes slack with one foreleg lifted and flexed so the sheet folds along a single crease. The third is smallest in the frame at right background, fully side-on, hind legs planted long, throat tube and spine catching a narrow highlight. One soft directional light from the upper left rakes every figure: the exposed vertebrae throw short defined shadows across the throat tube, the wing membranes glow warm where the light passes through them and darken to rust at the folds, and a single contact shadow anchors each set of paws to the grey field. Nothing else occupies the composition — no props, no scenery, the bare ground reading as unprinted paper. Palette limited to bone white, muted crimson, tendon ivory and a cool grey ground. Fine clinical linework, quiet clinical dread.
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Original Prompt
一个没有皮肤的中华细犬，前腿的腋下之间有翼膜，后腿略长，头部狭长且咬牙切齿，三只， 颈部肌肉略少，露出喉管和颈部脊柱概念图式构图
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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3 dogs, animal focus, chinese xigou sighthound, skinless, flayed anatomy, exposed musculature, visible muscle striation, exposed tendons, bone and joint surfaces, ribcage showing through, no skin, wing membrane, patagium, membrane stretched between front legs and armpits, elongated hind legs, hind legs longer than front legs, long narrow head, elongated skull, narrowed muzzle, bared teeth, gritted teeth, clenched jaw, snarling, ears pinned back, concept art, concept sheet layout, design sheet composition, multiple views, three-quarter view, side view, profile, full body, standing, low crawling stance, weight on forelimbs, raised hackles of exposed tissue, tail low and stiff, studio grey backdrop, even key light, anatomical study palette, desaturated crimson, ochre, bone ivory, slate grey, no clothing, no accessories, no text A concept sheet on a seamless flat slate-grey field: three skinless sighthounds arranged across the layout in different orientations, each a full-body anatomical study rather than a posed scene. The left dog is seen in three-quarter view turned toward the lower left of the frame, forelegs planted wide with its weight sunk onto the front pair, hind legs longer than the front so the croup rides noticeably higher than the shoulders, its long narrow head lowered and thrust forward, ears pinned flat back, lips peeled from the molars in a clenched snarl with the jaw locked and teeth grinding edge to edge. The centre dog is a true left profile, head and neck stretched forward in one continuous narrow line from occiput to muzzle, its near front leg lifted slightly off the ground while the web of membrane slung between that foreleg and the armpit pulls taut and translucent, the far front leg bearing the weight; the stretched membrane reads as the thinnest surface in the image, so the light passes and the dark striations of the underlying ribs show through it as blurred shadows rather than crisp lines. The right dog is turned away at three-quarter rear, head swung back over its shoulder so only the narrow wedge of the muzzle and one bared eye row of teeth show past the shoulder blade, hind legs braced apart, front membrane folded into a slack pleat against the chest. Across all three bodies the skin is entirely gone: muscle bundles run in long parallel striations over the shoulders and haunches, tendons stand out like cables down the forelegs, the ribcage and the crest of the pelvis push up through the surface, joints show as pale bone knuckles at elbow, wrist and hock. The palette admits only desaturated crimson and ochre for tissue, bone ivory for exposed skeletal surfaces, and the cold slate grey of the backdrop, with darker maroon pooling in the deep recesses between muscle groups. One soft, broad key light from the upper left lays an even sheen along the top planes of every muscle and throws short, hard shadows down the underside of each jaw and under each rib, leaving the ground shadow a compact soft ellipse beneath each pair of feet. Fine anatomical leader lines and small illegible measurement ticks sit in the margins as pale grey micro-markings, kept deliberately unreadable. Clinical, feral.
aaalingaaa
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A full-body side profile of a creature concept based on image1, image2, and image3, standing in a neutral, empty studio space with a light gray background. The creature is a brown, alien-like beast with a slim but heavily muscular build, walking on four sturdy legs. It has a smooth, rock-like skin texture and a distinctive muto-like head that is elongated and sloping, completely lacking eyes and ears. The creature's form is sleek and biological, with a long tapering tail and powerful limbs. The style is changed to a clean digital illustration with smooth shading and a focused concept-art presentation. copyright: digimon
Writer00
AI artwork
Avatar image of Writer00
A digital concept art of an alien quadruped creature standing on a plain background. The brown creature has a slim but muscular build, crouching low on its four powerful legs. It features a smooth, angular, M.U.T.O.-like head that is completely featureless, lacking both eyes and ears. Its body combines taut, smooth skin over pronounced musculature with rugged, segmented rock-like plating along its upper back and neck. The art style is changed to a detailed anime monster design with crisp shading and clean linework. copyright: digimon
Writer00

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