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- Original Prompt
- 羽沼マコト(ブルアカ),炬燵に入ってあったかいお茶を飲んでいる,空崎ヒナ(ブルアカ),炬燵に入って蜜柑を食べている,棗イロハ(ブルアカ),炬燵の中に入って手前側で横になって寝ている,両目を瞑っている,銀鏡イオリ(ブルアカ),炬燵に入って蜜柑に手を伸ばしている,炬燵,炬燵の机の上に蜜柑が置いてある,
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- 1104 x 1824
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- lowres, worst quality, low quality, bad anatomy, explicit
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character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, multiple girls, kotatsu, winter, indoors, warm lighting, from above, sitting, lying, sleeping, closed eyes, drinking, eating, reaching out, hand reaching toward another, plate of mandarins, bowl, teacup, steam, long hair, twintails, grey hair, red eyes, pointy ears, tail, dark skin, black gloves, white hair, ahoge, purple eyes, wings, demon horns, black horns, multiple horns, red hair, grey eyes, wavy hair, black hat, peaked cap, red necktie, blue eyes, hair over one eye, white gloves, bare shoulders, light smile, half-closed eyes, blush, ^ ^, open mouth, :d, one eye closed, smug, cozy, warm colors, wood floor, tatami, shoji screens, evening
From a high angle looking down into the room, four girls share one kotatsu in a warm, softly lit Japanese interior. The camera looks down over the kotatsu's quilted top, so the tabletop is the foreground: a ceramic plate of mandarin oranges sits on it, the fruits catching the overhead light, their peels glossy and dimpled, one already peeled into a spiral beside the plate, a paper-wrapped teapot and a steam-wisped teacup nearby. The quilt's edges fold around the seated girls' laps.
On the far side of the kotatsu, a grey-haired girl with long hair falling over one eye and blue eyes sits with a teacup held in both hands near her chest, her head tilted slightly back as she blows softly across the rim before taking a sip; thin steam curls up and fogs briefly across her face, and the heat has flushed her cheeks and loosened the front of her shirt at the collarbone. Her bare shoulders are rounded toward the tabletop, her weight sunk onto her folded knees under the quilt. Beside her, a white-haired girl with a small ahoge and a hairclip sits eating a mandarin, one segment pinched between her fingers halfway to her mouth, the peeled skin resting in her other palm; she glances sideways at the tea-drinker with a light smile, and one folded wing rustles above her shoulder while her tail curls under the quilt edge. Her long black sleeves are pushed back to the wrist, and her dark thighs are tucked under the quilt with only the black skirt edge visible.
On the left side of the kotatsu, a red-haired girl with wavy long hair and a black peaked cap leans forward slightly, one arm extended across the quilt top toward the mandarin plate, her grey eyes fixed on the fruit; her gloved fingers hover just above one orange, not yet touching. Her red necktie hangs down and brushes the quilt, and her armband catches the warm light. Across from her, a dark-skinned girl with grey twintails and a hair ribbon sits reaching lightly toward the same plate, her red eyes narrowing with a teasing smile as her long pointy-eared silhouette angles toward the fruit; her tail sweeps behind her out of the quilt, its tip flicking once. Both girls' reaching hands meet above the plate of mandarins, fingertips almost touching the same fruit, meaning they are about to pick it up at the same time and will surely squabble.
In the very front of the kotatsu, nearest the camera and half-swallowed by the quilt, a girl with long red hair lies on her side inside the kotatsu, both eyes closed, her cheek pillowed on her folded arm; the quilt drapes over her shoulder so only her sleeping face and a strand of hair spill out. Her breathing lifts the quilt's edge in a slow rhythm, and the warm air from under the table makes the steam from the tea drift toward her.
The room is enclosed in warm lamplight from a single source above the table, pooling on the quilt and the mandarin plate; the shadows drop deep around the tatami edges and the shoji screens in the background, where the evening light outside fades to a pale blue. The palette is warm amber and wood-brown against the girls' cool hair colors and the bright orange of the fruit, with the darkness confining the scene to the glow around the kotatsu. Quiet, cozy warmth.
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character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, multiple girls, hanuma makoto, sorasaki hina, natsume iroha, shishidou iori, kotatsu, sitting under kotatsu, blanket, wooden tabletop, mandarin oranges on table, mikan, drinking tea, teacup, steam, eating mikan, peeling mikan, lying on side, sleeping, both eyes closed, closed eyes, reaching out, outstretched arm, hand reaching toward mikan, from above, from above angle, looking down, group composition, crowded composition, indoors, tatami floor, japanese room, evening, warm lamp light, cozy, long hair, very long hair, grey hair, hair over one eye, blue eyes, pointy ears, black horns, multiple horns, white gloves, hat, long white hair, ahoge, parted bangs, hairclip, purple eyes, black horns, wings, black gloves, coat, red hair, wavy hair, hair between eyes, grey eyes, black hat, peaked cap, red necktie, jacket, red eyes, twintails, hair ribbon, grey hair, dark skin, tail, relaxing, tender, drowsy
The camera looks down from above at a steep, slightly tilted angle onto a low kotatsu in the middle of a tatami room, the wooden tabletop filling the lower half of the frame and the thick quilted blanket spilling out to the four edges. On the tabletop rest a shallow ceramic bowl piled with five mandarin oranges, their glossy rinds catching the light, one orange already half-peeled with its curled peel beside it, and a small round tray holding two steaming teacups. The blanket drapes in heavy folds over the table's frame, and beneath its near edge the shape of a body stretches sideways along the floor.
Natsume Iroha lies on her side on the near side of the kotatsu, her head at the lower left of the frame and her body lengthening toward the right under the blanket, which rises in a low ridge over her hip and shoulder. Both her eyes are shut, lashes resting on her cheeks, her mouth slack and half-open with slow breath; one hand lies palm-up on the tatami just outside the blanket edge, the other lost under the quilt. Her long wavy red hair fans out over the tatami behind her head, a few strands lifted by her exhalation, and her black peaked cap sits askew on the floor beside her. She wears her dark jacket, red necktie loose at the open collar.
Behind the table on the far side sits Hanuma Makoto, upright, her very long grey hair falling over one shoulder and half-hiding one eye. She holds a teacup in both white-gloved hands close to her chin, blowing softly on the surface, her blue eyes lowered to the cup; steam curls up across her cheek and fogs the corner of her hair. Her black horns curve back from her temple, pointy ears half-tucked in her hair, and a dark hat rests on the tatami at her hip. Her shoulders are bare above the blanket line, the quilt pulled up to her chest.
To Makoto's right, Sorasaki Hina is hunched comfortably into the warmth, both black-gloved hands working a mandarin orange, a segment pinched between her fingers halfway to her mouth while she chews with a small contented purse of her lips. Her white hair, parted bangs and an ahoge springing up, hangs forward over the table edge; her purple eyes glance sideways at the orange segments in her palm, and a hairclip glints at her temple. Her black coat is slipped off her shoulders and pooled behind her, one wing half-splayed awkwardly under the blanket's fold, her chin dipped toward the tabletop.
At the right of the frame, Shishidou Iori leans in from the table's corner, propped on one elbow with the blanket across her lap, her dark-skinned arm stretched out straight across the tabletop, black-gloved fingers spread and reaching for the mandarin nearest the bowl. Her red eyes are fixed on that orange, brow drawn in concentration, one twintail of long grey hair swinging forward across the tabletop and the tail curling behind her hip. A ribbon ties the twintail, and her hair falls over one eye.
A single warm pendant lamp hangs out of frame above the table, its light pooling down over the tabletop and the four faces, brightening the orange rinds and the white of Hina's hair and sinking into soft amber shadow at the edges of the tatami; the blanket's folds cast short shadows falling away from the lamp's center. Palette of warm amber, honey wood and white, punctuated by the oranges' orange, Iroha's red hair and tie, and Iori's red eyes. Quiet, drowsy, tender.
サブ
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, multiple girls, hanuma makoto, sorasaki hina, natsume iroha, shishidou iori, kotatsu, sitting under kotatsu, blanket, wooden tabletop, mandarin oranges on table, mikan, drinking tea, teacup, steam, eating mikan, peeling mikan, lying on side, sleeping, both eyes closed, closed eyes, reaching out, outstretched arm, hand reaching toward mikan, from above, from above angle, looking down, group composition, crowded composition, indoors, tatami floor, japanese room, evening, warm lamp light, cozy, long hair, very long hair, grey hair, hair over one eye, blue eyes, pointy ears, black horns, multiple horns, white gloves, hat, long white hair, ahoge, parted bangs, hairclip, purple eyes, black horns, wings, black gloves, coat, red hair, wavy hair, hair between eyes, grey eyes, black hat, peaked cap, red necktie, jacket, red eyes, twintails, hair ribbon, grey hair, dark skin, tail, relaxing, tender, drowsy
The camera looks down from above at a steep, slightly tilted angle onto a low kotatsu in the middle of a tatami room, the wooden tabletop filling the lower half of the frame and the thick quilted blanket spilling out to the four edges. On the tabletop rest a shallow ceramic bowl piled with five mandarin oranges, their glossy rinds catching the light, one orange already half-peeled with its curled peel beside it, and a small round tray holding two steaming teacups. The blanket drapes in heavy folds over the table's frame, and beneath its near edge the shape of a body stretches sideways along the floor.
Natsume Iroha lies on her side on the near side of the kotatsu, her head at the lower left of the frame and her body lengthening toward the right under the blanket, which rises in a low ridge over her hip and shoulder. Both her eyes are shut, lashes resting on her cheeks, her mouth slack and half-open with slow breath; one hand lies palm-up on the tatami just outside the blanket edge, the other lost under the quilt. Her long wavy red hair fans out over the tatami behind her head, a few strands lifted by her exhalation, and her black peaked cap sits askew on the floor beside her. She wears her dark jacket, red necktie loose at the open collar.
Behind the table on the far side sits Hanuma Makoto, upright, her very long grey hair falling over one shoulder and half-hiding one eye. She holds a teacup in both white-gloved hands close to her chin, blowing softly on the surface, her blue eyes lowered to the cup; steam curls up across her cheek and fogs the corner of her hair. Her black horns curve back from her temple, pointy ears half-tucked in her hair, and a dark hat rests on the tatami at her hip. Her shoulders are bare above the blanket line, the quilt pulled up to her chest.
To Makoto's right, Sorasaki Hina is hunched comfortably into the warmth, both black-gloved hands working a mandarin orange, a segment pinched between her fingers halfway to her mouth while she chews with a small contented purse of her lips. Her white hair, parted bangs and an ahoge springing up, hangs forward over the table edge; her purple eyes glance sideways at the orange segments in her palm, and a hairclip glints at her temple. Her black coat is slipped off her shoulders and pooled behind her, one wing half-splayed awkwardly under the blanket's fold, her chin dipped toward the tabletop.
At the right of the frame, Shishidou Iori leans in from the table's corner, propped on one elbow with the blanket across her lap, her dark-skinned arm stretched out straight across the tabletop, black-gloved fingers spread and reaching for the mandarin nearest the bowl. Her red eyes are fixed on that orange, brow drawn in concentration, one twintail of long grey hair swinging forward across the tabletop and the tail curling behind her hip. A ribbon ties the twintail, and her hair falls over one eye.
A single warm pendant lamp hangs out of frame above the table, its light pooling down over the tabletop and the four faces, brightening the orange rinds and the white of Hina's hair and sinking into soft amber shadow at the edges of the tatami; the blanket's folds cast short shadows falling away from the lamp's center. Palette of warm amber, honey wood and white, punctuated by the oranges' orange, Iroha's red hair and tie, and Iori's red eyes. Quiet, drowsy, tender.
サブ
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, multiple girls, hanuma makoto, sorasaki hina, natsume iroha, shishidou iori, kotatsu, sitting under kotatsu, blanket, wooden tabletop, mandarin oranges on table, mikan, drinking tea, teacup, steam, eating mikan, peeling mikan, lying on side, sleeping, both eyes closed, closed eyes, reaching out, outstretched arm, hand reaching toward mikan, from above, from above angle, looking down, group composition, crowded composition, indoors, tatami floor, japanese room, evening, warm lamp light, cozy, long hair, very long hair, grey hair, hair over one eye, blue eyes, pointy ears, black horns, multiple horns, white gloves, hat, long white hair, ahoge, parted bangs, hairclip, purple eyes, black horns, wings, black gloves, coat, red hair, wavy hair, hair between eyes, grey eyes, black hat, peaked cap, red necktie, jacket, red eyes, twintails, hair ribbon, grey hair, dark skin, tail, relaxing, tender, drowsy
The camera looks down from above at a steep, slightly tilted angle onto a low kotatsu in the middle of a tatami room, the wooden tabletop filling the lower half of the frame and the thick quilted blanket spilling out to the four edges. On the tabletop rest a shallow ceramic bowl piled with five mandarin oranges, their glossy rinds catching the light, one orange already half-peeled with its curled peel beside it, and a small round tray holding two steaming teacups. The blanket drapes in heavy folds over the table's frame, and beneath its near edge the shape of a body stretches sideways along the floor.
Natsume Iroha lies on her side on the near side of the kotatsu, her head at the lower left of the frame and her body lengthening toward the right under the blanket, which rises in a low ridge over her hip and shoulder. Both her eyes are shut, lashes resting on her cheeks, her mouth slack and half-open with slow breath; one hand lies palm-up on the tatami just outside the blanket edge, the other lost under the quilt. Her long wavy red hair fans out over the tatami behind her head, a few strands lifted by her exhalation, and her black peaked cap sits askew on the floor beside her. She wears her dark jacket, red necktie loose at the open collar.
Behind the table on the far side sits Hanuma Makoto, upright, her very long grey hair falling over one shoulder and half-hiding one eye. She holds a teacup in both white-gloved hands close to her chin, blowing softly on the surface, her blue eyes lowered to the cup; steam curls up across her cheek and fogs the corner of her hair. Her black horns curve back from her temple, pointy ears half-tucked in her hair, and a dark hat rests on the tatami at her hip. Her shoulders are bare above the blanket line, the quilt pulled up to her chest.
To Makoto's right, Sorasaki Hina is hunched comfortably into the warmth, both black-gloved hands working a mandarin orange, a segment pinched between her fingers halfway to her mouth while she chews with a small contented purse of her lips. Her white hair, parted bangs and an ahoge springing up, hangs forward over the table edge; her purple eyes glance sideways at the orange segments in her palm, and a hairclip glints at her temple. Her black coat is slipped off her shoulders and pooled behind her, one wing half-splayed awkwardly under the blanket's fold, her chin dipped toward the tabletop.
At the right of the frame, Shishidou Iori leans in from the table's corner, propped on one elbow with the blanket across her lap, her dark-skinned arm stretched out straight across the tabletop, black-gloved fingers spread and reaching for the mandarin nearest the bowl. Her red eyes are fixed on that orange, brow drawn in concentration, one twintail of long grey hair swinging forward across the tabletop and the tail curling behind her hip. A ribbon ties the twintail, and her hair falls over one eye.
A single warm pendant lamp hangs out of frame above the table, its light pooling down over the tabletop and the four faces, brightening the orange rinds and the white of Hina's hair and sinking into soft amber shadow at the edges of the tatami; the blanket's folds cast short shadows falling away from the lamp's center. Palette of warm amber, honey wood and white, punctuated by the oranges' orange, Iroha's red hair and tie, and Iori's red eyes. Quiet, drowsy, tender.
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