Nov 2, 2026

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mi hija en el trapolin

le he comprado un trampolín a mi hija está jugando

Published on Nov 2, 2026

dayannacasta

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1girl, solo, child, short hair, blue hair, bob cut, green dress, sleeveless dress, a-line dress, white lace collar, sitting, sitting on trampoline, bouncing lightly, leaning back, arm support, one leg bent, one leg extended, bare feet, bare arms, smiling, closed mouth smile, light smile, blush, looking at viewer, head tilt, from above, high angle, foreshortening, three-quarter view, springframe trampoline, black jumping mat, blue safety pad ring, coiled steel springs, backyard grass, summer afternoon, warm sunlight, dappled shade, lens flare, casual, playful Seen from a high three-quarter angle, the camera tilted down so the trampoline's round black mat fills the lower half of the frame as an ellipse and the girl sits at its centre, small in the wide bounce of it. Her weight is pitched back onto her left arm, the hand pressed flat into the taut mat beside her hip and the wrist bent under it, while her right hand rests loose on her lifted knee; her right leg is bent with the foot flat on the mat, her left leg stretched forward along it with the heel skating a few centimetres above the webbing and the toes flexed. Her face is tipped up and turned toward the lens, chin lifted, one corner of her mouth pulled a little higher than the other in a close-lipped smile that reaches the eyes, a faint warmth sitting high on each cheek. Her short blue hair is cut in a rounded bob that skims the jaw, the fringe parted off centre, and the whole shape lifts and separates at the edges where it catches the light, one strand swinging forward over her temple. The dress is sleeveless lime-green cotton with a soft A-line skirt that spills out over her thighs and pools into the mat's sag, the white lace collar sitting flat across her collarbones, its edge lifting fractionally in the direction she leans; the mat dimples in a shallow well around her hips and under her planted hand, and the whole surface bows under her, which is how the viewer knows it is stretched fabric and not solid ground. Coiled steel springs hook the mat's edge to the frame in a dense ring; the blue pad covers the rim, and behind her the trampoline's shadow is a soft dark ring on the sunlit lawn, grass blades visible through the gaps between springs. The light comes from high and to her left, a warm summer afternoon sun that lays a bright scallop across her left forearm, her lifted knee and the top of her blue head, leaves her shadowed side in cool green bounce from the mat, throws the crisp shadow of the frame's legs onto the grass, and puts a small hot highlight on each spring coil. Palette held to lime green, deep mat black, spring steel, sunlit grass green and the flat blue of her hair, with the white collar as the one pale accent. Bright, carefree.

mi hija en el trapolin

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