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SUKEKIYO

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SUKEKIYO

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1girl, ponytail, peace sign, v, upper left, inset portrait, open drawer, top-down on drawer, ten folded frilly panties, yellow crotch stains on three panties, black stockings, many black socks, no other text, looking at viewer, one eye closed, open mouth grin, from above, The drawer is shot straight down from directly above, filling the frame as an open wooden dresser drawer seen in plan view, its front edge running along the bottom and its two side rails framing the left and right borders. Ten folded frilly panties are laid out in two staggered rows of five across the upper two thirds of the drawer, each pair folded edge-forward so the scalloped lace waistbands face the camera: white cotton with eyelet lace, pale pink with double ruffle tiers, cream satin with a ribbon-and-lace trim, lavender mesh with a wide lace band, mint jersey with a lettuce hem, peach with crochet edging, and three plainer pale pairs at the back, all slightly overlapping at the corners so the row reads as ten distinct folds without crowding. The three panties sitting third, sixth and ninth from the left in the front row show a distinct yellowed patch at the crotch panel, the fabric stiffened and darkened in a soft-edged bloom where it has dried, the seam underneath faintly visible through the stain, while the other seven stay clean and evenly pale. Below the panty rows the drawer's lower third is packed with black hosiery: long black stockings rolled into neat coils on the left, their sheer nylon catching narrow highlights along each fold, and on the right a dense cluster of black ankle socks folded one into another, cuffs stacked, ribbing reading as fine dark lines, the whole mass sinking slightly into the drawer's corners. The drawer's wood grain, a small brass pull at the bottom center, and the shadow the drawer walls cast inward on their own contents are all visible; the only light source is a soft even overhead light that falls straight into the drawer, catching the lace of the topmost panty at the front edge and leaving the deepest corner of the socks in gentle shadow without any hard cast shadow. The palette is restrained to warm pale wood, the whites, creams, pinks and pale pastels of the folded underwear, the single yellow stained accent, and the dense mass of black below, nothing else admitted. In the top left corner, overlapping the drawer's left rail and a portion of the lace rows, an inset portrait sits in a soft-edged vignette: a girl with a high ponytail swings her head so the tail arcs out to one side, her left eye squeezed shut and her right eye bright, a wide open-mouthed grin, her raised right hand held near her cheek with two fingers extended in a peace sign, the elbow bent and the wrist angled toward the lens, her body turned three-quarters so her shoulder overlaps the vignette's edge, the loose strands of her ponytail lifted by the movement. She looks straight at the viewer with the open eye, her grin angled toward the camera, and the soft overhead light falls on the top of her head and the bridge of her nose, leaving the underside of her chin and the curve of her ponytail in shade. Quiet domestic inventory, faintly cheeky.
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Original Prompt
引き出しの中に様々な種類のフリルパンティーが10枚折り畳まれている 内3枚パンティのクロッチ部が黄色く汚れている 同じ引き出しに黒のストッキングと黒の靴下が沢山入っている 左上にポニーテールの女の子がピースしている画像
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.74k

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AI artwork
s
top-down view, overhead shot, open drawer interior, ten folded frilled panties arranged inside, various frill types, two panties with yellow stain, three black pantyhose folded in same drawer, inset photo upper left, office lady front-facing in inset, looking at viewer, black pantyhose, professional office attire, collared blouse, pencil skirt, drawer dividers, wooden drawer, interior flat lay The camera looks straight down into an opened wooden dresser drawer, the kind fitted with a shallow divider rail; the drawer box fills the whole frame, its four interior walls visible as clean beveled planes, cold white daylight falling from the upper right so the right wall of the drawer throws a crisp thin shadow across the drawer floor while the left wall's shadow sits shallow and soft. In the drawer's main compartment ten folded panties are lined up in overlapping rows from front-left to back-right: white cotton with a ruffled leg opening, pale pink with double-tiered lace, cream with a scalloped hem, lavender with a ribbon-thin frill, mint with a picot edge, peach with a wide chiffon frill, sky-blue with eyelet lace, ivory with a box-pleated ruffle, dusty rose with a crochet trim, and a plain white pair with a narrow lace border -- each folded into a neat rectangle, frills compressed flat under the fold above, edges fanned slightly so the different trims read one against another. Second from the front on the left side, one white pair is pulled a little out of line and its folded crotch panel shows a blotchy, irregular yellow stain sunk into the fabric, darker where the cloth is doubled and lighter where it thins at the seam; a second stained pair sits in the back-right corner in dusty rose, its yellow mark pooling along the fold line and bleeding faintly into the lace margin. In the drawer's right-hand compartment, separated by the divider, three pairs of black pantyhose lie folded in thirds, stacked one on the other, their sheer legs compressed into dark glossy bands, the topmost pair's waistband elastic catching a narrow highlight; the sheer fabric of the lowest pair shows the wood grain faintly through it, and their black weight anchors that side of the composition against the pale pastels on the left. In the upper-left corner of the frame a rectangular photo is tucked against the drawer's inner wall, its edges slightly curled: the inset shows a young office lady standing square to the camera, facing the viewer, her dark hair pulled back neatly, a white collared blouse buttoned to the throat under a charcoal pencil skirt and a fitted jacket, both arms at her sides, her eyes meeting the lens with a small closed-mouth smile; the photo sits at a shallow angle so its lower edge shadows the panties beneath it. The palette stays in the drawer's world -- pale cotton pastels, black, warm wood, cool white daylight -- with the two yellow stains as the only saturated marks. A single pinpoint of light glints off the topmost pantyhose's glossy fold, revealing that the sheer material is not matte but faintly reflective. Quietly transgressive.
SUKEKIYO
AI artwork
s
A top-down perspective of a room shows a school uniform placed on the floor, with a white frilly panty and bra neatly folded beside it. Next to them, black thigh-high socks are carelessly discarded. The panty is visibly stained with yellow discoloration. In the upper-left corner of the image, a frontal portrait of a cheerful female volleyball player making a peace sign is placed, featuring a school volleyball uniform. The rest of the room is minimally decorated, with neutral-colored walls and a wooden floor. The composition suggests a sense of privacy and personal space. The style of the image is realistic, with a focus on texture and details, conveying a mundane yet intimate scene.
SUKEKIYO
AI artwork
s
On the floor lies a neat pile of a school uniform: a sailor-style top and a pleated skirt. Next to it, a white lace bra and panties, now folded, are placed, with the panties stained a discolored yellow. Below them, a pair of black thigh-high socks are set down. In the background, a photograph rests against a plain wall, showing a volleyball girl with short, brown hair making a peace sign with her fingers. She wears a white jersey with a number and dark shorts, smiling brightly. The composition is simple and clean, focusing on the arranged clothing items and the small photo, creating an atmosphere of a personal, slightly melancholic moment. The lighting is soft and natural, highlighting textures of the fabric and the subtle discoloration on the undergarments. The image is rendered in a detailed, realistic anime style, capturing every wrinkle and fold with meticulous precision.
SUKEKIYO

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