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AI art "見窄らしいドレスに身を包む黒髪の少女"
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見窄らしいドレスに身を包む黒髪の少女

破れたドレス姿の彼女が、どこか寂しげな表情でこちらを見つめています。その儚げな雰囲気と色っぽさが入り混じった魅力に、思わず視線が釘付けになってしまいました。皆さんはこの彼女の表情、どう感じますか？素敵だと思ったらいいねとフォローをお願いします！コメントで感想もぜひ聞かせてくださいね。

#Barefoot#Dress#Cleavage#Torn clothes#long hair#Big Boobs#Black hair#Black eyes#Looking at viewer#Girl
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獅子川一輝

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1girl, solo, black hair, long hair, straight hair, very long hair, black eyes, pale skin, fair skin, Z-cup, huge breasts, heavy breasts, cleavage, poor, ragged clothes, worn tunic, beige cotton tunic, frayed edges, patch, brown wool shawl, shawl draped over shoulders, barefoot, standing, leaning forward, head tilt, from below, cowboy shot, looking at viewer, half-closed eyes, light smile, tired eyes, rustic interior, wooden wall, cold light The camera sits low and looks up: a single girl fills a bare wooden room, photographed from below so her height and the weight she carries both read at once. She leans her shoulder against the door frame, weight on her right leg, left knee bent and left foot resting on its toes just off the boards, one hip pushed out; her arms stay folded loosely under the shelf of her chest, each hand gripping the opposite forearm so the cotton pulls tight. Her long straight black hair falls past her waist in one heavy sheet, the crown of her head catching cold light from a single high window on the left, the ends lost in shadow behind her hip; a few strands lie across her collarbone. Her skin is fair to the point of paleness, matte along the cheeks, slightly translucent at the temples where the light grazes it. Her chin tips down while her eyes stay up on the viewer, lids half lowered, one corner of her mouth pulled into a faint closed-lip smile that does not reach the tired line between her brows. The breast mass is enormous and hangs rather than sits: the strained front of the tunic tents outward and drags the neckline down, the cloth drawn into long vertical wrinkles out from each shoulder and puckered at the seams, the hem lifting a hand's width off her thighs because the fabric has been pulled up over her bust. The tunic is a washed-out beige, worn thin at the elbows and collar, a jagged frayed edge along the hem, one square brown patch sewn with coarse visible stitches on the right side of the skirt; the brown wool shawl draped over both shoulders is mended in three places, its fringe uneven and knotted, one end sliding down her upper arm. The room is poor and plain: bare grey-brown planks, a cracked lintel above her, the floorboards scuffed dark around a cold hearth with no fire. The single high window on the left is the only light source; it lays a cold cool-grey band across her hair, forehead and the top of her chest, and throws her cast shadow long to the right across the boards, where the darkness goes solid. Palette is beige, brown, cold grey and the black of her hair, nothing else. Quiet, unglamorous dignity.
Show Parameters
Original Prompt
貧しくも美しい黒髪ロング色白ジーカップ少女
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.67k

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ia
1girl, solo, young woman, long silky hair, black hair, straight hair, hair down past waist, loose strands, dark eyes, gentle smile, half-closed eyes, seductive, slight blush, light lavender hanfu, revealing hanfu, loosely draped top, wide open collar, soft cleavage, bare shoulders, bare arms, short hanfu skirt, flowing hem, bare legs, crossed legs, sitting on wooden window ledge, traditional window, wooden lattice window, paper pane, open window, indoors, morning, soft morning light, sunbeam, light rays, cinematic composition, cowboy shot, from side, three-quarter view, looking at viewer, head tilt, hand resting on window frame, arm support, detailed fabric folds, detailed skin, soft shading, warm palette, intimate atmosphere A cinematic three-quarter view from the side and slightly below, one young woman alone sitting sideways on the broad wooden ledge of a traditional lattice window, the frame of the shot built by the window's vertical mullions and the pale paper panes behind her shoulder. Long silky black hair falls straight past her waist, a few strands slipping forward over her collarbone and the rest spilling behind her back along the sill; the morning sun catches its outer edge so the fine hairs glow while the inner mass stays deep and cool-toned. She wears a light lavender hanfu: the top is loosely draped so the collar has slid wide, both shoulders bare, one sleeve slipping down her upper arm, the pale silk showing soft cleavage at the open chest; the skirt is cut short and flowing, the hem riding high over crossed bare legs where they lie along the sill, one foot tucked under the opposite thigh, the other foot pointed down toward the floor with the toes just off the boards. Her weight sinks into the left hip on the sill, her left hand braced flat on the window frame beside her for balance, her right hand loosely holding the draped collar at her shoulder, fingers relaxed against the silk. She turns her face toward the viewer with a gentle closed-lipped smile, one corner of the mouth lifted a fraction higher, eyelids half lowered, chin dipped, warm dark eyes looking straight back at the lens -- the look is soft and unhurried, carrying the seduction in the stillness rather than in any gesture. The morning light comes in low through the paper panes and slatted lattice behind her, a single warm source off-frame to the left, laying bright stripes across her cheekbone, her bare shoulder, the upper surface of her thigh and the loose outer fold of the hanfu, while the shadowed side of her jaw and the space under the sill stay deep warm brown; the lattice casts a sharp striped shadow down her arm and across the paper behind her, softening into a blur just past the sill. Fabric folds are rendered individually where the silk pools at her waist and bunches at her knee, the lavender shifting from pale lilac in the light to a muted periwinkle in the shade, and the skin shows fine texture -- the faint grain of a wrist, the sheen of a shin -- with a small crease pressed into the soft silk of her thigh where it rests on the wooden sill. Palette is limited to lavender, warm honeyed daylight, cream paper and the dark brown of aged lacquered wood. Quietly intimate.
Ishola Ayinla

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