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- Original Prompt
- 1girl, solo, selfie pov, arm outstretched holding camera, front-facing selfie angle, close-up on her face, wide manic grin, laugh, unhinged laughter, crazed eyes, wide open eyes, tears of laughter, messy wet hair, pale silver hair, soaked clothes, abandoned underwater train platform, the last stop, deep sea background, derailed train crashing in the background, twisted train cars, distorted metal, massive bubbles bursting out, schools of fish scattering in panic, many prohibition signs, warning signs everywhere, no entry signs, broken signage, artistic typography, graffiti, stylized text layout, floating letters, neon lettering, deep ocean blue, cyan, and warning red color palette, cold underwater lighting, harsh flash on her face, wide-angle distortion, selfie perspective, dramatic contrast, painterly mixed with graphic design texture, chaotic surreal aesthetic, detailed graffiti and typography patterns, glowing sign accents, mad euphoric atmosphere, drifting bubbles, floating debris, layered signs and train wreckage, dark water and wrecked train silhouette behind girl ,yoneyama mai (style), mika pikazo (style), ask (askzy) (style), ,location, scencery, scenic, detail environment, dramatic lighting, cinematic lighting, story in commentary, year 2026, year 2024, year 2025,masterpiece, highres, absurdres,UHD, newest, 8k, sharp focus, crisp edges, smooth, best quality, cinematic lighting, cinematic shadows, cinematic angle, very aesthetic, no text, varying line weight, confident linework, motion lines,
- Mode
- pro
- Size
- 1888 x 1056
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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cz
artist: yoneyama_mai, mika_pikazo, ask_(askzy), year_2026, year_2024, year_2025
1girl, solo, girl with pale silver hair, long wet hair, dripping hair, hair clinging to face, wet hair strands across cheek, oversized dark conductor coat, long coat, worn brass buttons, tarnished brass, bare legs, bare feet in water, holding rusted lantern, lantern in right hand, faint blue lantern glow, looking down, looking to the side, three-quarter view, from side, from below, wide shot, full body, standing, walking stance caught mid-step, submerged train station platform, flooded platform, ankle-deep water, cracked tile floor, rusted station sign half-swallowed by coral, branching coral on sign, broken ceiling lamps, light rays, god rays, bubbles, drifting bubbles, floating particles, silt, small fish, school of fish, last train silhouette behind, train in dark water, deep sea, deep ocean blue, teal, dim amber, cold underwater lighting, glowing lantern light, painterly texture, varied line weight, motion lines
Less than a full body's depth below the waterline, seen at a low three-quarter angle from her left side and slightly below, the girl stands alone at the far end of a flooded platform, her body turned half away, one bare foot forward on cracked tile and her toes lifting a slow cloud of silt as she settles her weight, the other foot flat behind, ankles cut by the surface so the water rings out in one widening circle around each shin. Her pale silver hair hangs dripping and clings to her cheek and jaw, a few strands stuck across the corner of her mouth and darkened where the water beads and falls; her chin tips down and her gaze travels out along the empty tracks into the black water, not toward the camera. In her right hand, held low and a little forward, the rusted lantern hangs from a bent iron ring, its brass cage eaten by rust, its pane giving out a faint blue glow that paints the underside of her jaw, the wet slope of her coat sleeve and the top of the water at her knees a cold blue, while the lantern's own small pool of dim amber light sits at the bottom of the cage; that faint blue glow is the only warm-cool anchor in a scene of deep ocean blue and teal. The oversized dark conductor coat is far too big for her, its stiff collar standing up around her throat and one shoulder slipping down, the hem hanging heavy and soaked below her knees, the worn brass buttons gone dull green where the sea has worked on them; the coat strains at the shoulder of the arm that holds the lantern. Behind her a last train stands fading into the dark, its outline losing itself into the murk until only a suggestion of a carriage silhouette remains. The rusted station sign hangs at an angle above and behind her shoulder, half-swallowed by branching coral that spreads orange and violet over the metal, and on its face, chips of paint and rust flaking off and coral fingers growing across the edges, the two characters read "终点站", faded and streaked but legible, the sign warped so the characters bow with the bent metal. Overhead the broken ceiling lamps hang dead and shattered, and the only true light comes down in soft volumetric god rays from a distant surface far above, the shafts falling slantwise through the water, catching drifting bubbles that rise in slow silver chains and the pale drift of silt and floating particles, and grazing a school of small fish that passes through the platform between the pillars. The floor is cracked tile in dull green and grey, seams filled with silt, coral spreading along the platform edge. Palette: deep ocean blue and teal dominate the water and shadow, dim amber gathers only in the lantern cage and along the coral, and the girl's pale silver hair and the blue lantern glow are the brightest notes. The god shafts fall on the upward-facing surfaces -- the tops of the lantern cage, the platform edge, the crown of her head -- while undersides stay in cool darkness; the fish school casts a soft drifting shadow on the tiles beneath the water. Painterly texture throughout, varied line weight, motion lines only in the slow rise of bubbles and the drifting fish. Melancholic, quiet and surreal, the last stop of everything.
cb z
하루
🪼
하루
Amane Kanata
☄︎ＫＳｙＲ| ʜᴏʟᴏʟᴏᴠᴇ✧
aquaveil, luminous fantasy underwater atmosphere, 1girl, white dress, swimming, pufferfish, smile, looking at viewer, face focus
yuuri
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