Nov 2, 2026

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AI artwork featuring #The Idolmaster, #The Idolmaster Cinderella Girls, #Kohinata Miho, #Uzuki Shimamura and #Kyoko Igarashi

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Kohinata Miho, Uzuki Shimamura

#The Idolmaster #The Idolmaster Cinderella Girls #Kohinata Miho #Uzuki Shimamura #Kyoko Igarashi

Published on Nov 2, 2026

橫山育人

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character: igarashi_kyoko, kohinata_miho, shimamura_uzuki, copyright: idolmaster 3girls, multiple girls, handcuffs, leg shackles, collar, short-sleeved black and white striped prisoner uniform, striped jumpsuit, panties only, lower body bare, bare legs, standing, jail cell interior, metal bars, stone cell, from below, wide shot, dutch angle, full body, black hair, short hair, ahoge, hair intakes, brown eyes, long brown hair, side ponytail, hair ribbon, hair bow, brown eyes, long brown hair, bow, brown eyes, short sleeves, chained wrists, chains, fearful, looking at another The camera sits low near the cell floor and tilted a few degrees off level, so the three women are seen from below and from the reader's side of the bars — the iron uprights of the barred door pass through the foreground in soft focus at the left edge, and the cell's back corner recedes to a cold stone wall behind them. Three women stand in the narrow frame, spread across it on separate footing. On the left, the youngest-looking of them stands with her weight pushed back onto her right heel, her left foot forward and turned out, and a short tuft of black hair springing up from her crown catches the draft; her short black hair is tucked behind one ear, its ends curving into her cheeks, and she twists her torso half away from the door so her shoulder pushes her striped sleeve taut, her cuffed wrists held low and together in front of her hip, the slack chain dipping between them. In the middle stands the girl with long brown hair falling straight past her shoulder blades, and she has drawn her cuffed hands up to her collarbone, both elbows tucked in, her chin dipped toward the steel collar circling her throat, her long hair spilling over the collar and over the chain. On the right stands the girl with the side ponytail, the tail of it gathered high on one side and bound with a ribbon, the ribbon's loops hanging limp against the pearl-grey light; she has shifted her weight onto her left leg, her right knee slightly bent, and one shackled ankle turns inward, her cuffed hands gripping each other at her waist so the chain pulls a horizontal line across the black and white horizontal stripes of the uniform's hem. The uniform on each of them is a loose short-sleeved top with wide bold horizontal black and white stripes, cut off at the hip, sleeves ending mid-upper-arm with the stripes deforming around the bicep; below the hem their legs are bare, only plain dark panties at the hip — nothing on the thigh, nothing at the knee. On each woman's throat sits a broad steel collar, its front plate riveted; each has steel cuffs clasped around both wrists with a short chain sagging between them; each has a shackle ring clamped around both ankles with a short chain dropping to the floor and pooling in a shallow loop on the stone. The three pairs of brown eyes go different directions — the black-haired one looks sideways toward the barred door, wary; the middle one looks down at her own cuffed hands as if checking the lock; the side-ponytail girl looks toward the middle one, chin lifted, and the middle girl's shoulder has drawn slightly back in response, so the chain between her wrists clinks against her collar. One cold light source: a barred high window off-frame at upper right casts a pale shaft downward and to the left, so the right sides of their faces and the right edge of the stripes are washed pale grey while the left sides of their bodies, the underside of the hanging chains, and the back corner of the cell sink into near-black; their cast shadows stretch long to the left along the uneven stone floor slabs. The chains throw small crisp shadows of their own onto the floor, doubled because the loop of the ankle shackle lifts the chain slightly off the stone at the lowest point. Palette: cold grey stone, dull pewter of the iron, the harsh black-white of the stripes, and warm brown in hair and eyes; nothing else admitted. Texture kept flat and matte with a faint dusty cast. Harsh, closed-in hush.

Kohinata Miho, Uzuki Shimamura

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