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「我爱着你哦」
啊，可爱的「女儿」（Alice）啊，无能的母亲，没法看着你长大了……至少在雨停之前，让我看着你的脸吧……
Show Parameters
- Original Prompt
- year_2026, year_2024, year_2025, masterpiece, best quality, very aesthetic, Anime-style vertical illustration in a blank paper-white void: no ground, horizon, or scenery, only a faint gray shadow under the child. Close-up emphasizing the mother and daughter in the lower two-thirds. A mother crouches on one knee—long deep-blue hair, blue eyes, plain white dress defined by fine ink linework and soft gray shadow—holding a clear vinyl umbrella over herself and her daughter, one hand on the child’s back; eyelids half lowered, calm unafraid smile, looking down at her daughter. The small daughter, short blue hair, same blue eyes, white dress, stands pressed against her, face turned up toward her mother—not the reaper—blank, bewildered, eyes wide, mouth slightly open. Behind them a black hooded reaper rises as a flat matte silhouette with a thin gray edge, skull face with hollow black sockets, skeletal hands resting on an upright scythe planted on the ground, not raised; the reaper is extremely tall, spanning from the top to the bottom of the frame. Thick pure-black rain, heavier than a finger, falls at a slight diagonal, beading and streaking on the clear umbrella and lengthening/thickening near the scythe. Palette: paper white and black with cool blue in hair and eyes. High-key, graphic, soft painterly anime rendering; quiet, tender, 只有女儿和妈妈的头发和眼睛上有颜色，剩下的地方完全是黑白的，妈妈把伞交到女儿手里。 两个人距离镜头很近很近，给她们两人一个大特写，死神的镰刀是镰刃朝上
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
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1girl, solo, beautiful woman, tall female, 176cm, slender, long legs, great figure, black hair, long hair, straight black hair, expressionless, blank stare, deadpan, black robe, hooded robe, heavy black fabric, holding scythe, large scythe, both hands on shaft, scythe blade overhead, from below, low angle, dutch angle, full body, standing, weight on one leg, windblown hair, looking at viewer, night, cold blue light, dark background, painterly, visible brush textures, layered color blocks, cool teal-blue atmosphere, warm golden rim light, loose sketch-like linework, quiet dread
The camera sits low and tilted, looking up the full height of the single figure so that her 176cm reads as towering: the tilted horizon cuts diagonally behind her hips and the scythe's long dark shaft rises past her shoulder to the frame's top edge, its curved blade crossing the upper corner behind her head. She stands with her weight sunk into her left leg, right knee eased forward and the right hip dropped, shoulders squared but spine leaning a few degrees back, chin level and tipped down just enough that she looks straight into the lens. Her face is a beautiful mask held entirely still: eyes half-lidded and flat, brows unraised, lips together and level, no smile, no tension at the jaw — the blankness is deliberate, not sleepy. Her long black hair falls past her waist in heavy straight sheets, strands lifting and streaming sideways in the wind, a few crossing her cheek and throat. The black robe is heavy cloth, not gauze: a deep hood pushed back to a thick collar behind her neck, broad sleeves whose cuffs hang low, the fabric gathered at a wide belt at the waist and falling in long vertical folds that flare at the hem, and the wind presses the robe flat against her right thigh and chest while the hem bellies out to her left in one big curved fold. Both hands grip the scythe shaft in front of her body, right hand above left, knuckles pale around the dark wood, forearms braced, and the shaft continues down past her feet out of frame. The scythe's blade is a long crescent of dark steel with a bright polished edge and a single dark smith's mark near the socket, angled so its edge catches the light. The setting is night, open and featureless behind her; a cold blue-teal ambient sits over everything, and one warm golden rim light rakes in from high behind her left shoulder, striking the crest of her hair, the outer edge of the hood collar, the top edge of the forearm and the scythe blade, while the front of her body and the center of the robe fall into deep matte black shadow; the light is the only light, and beyond its reach the darkness is absolute. Where the blade bites the ambient, a thin sliver of the teal sky shows through the negative space inside the crescent; the polished bevel throws a smeared, dimmer reflection of that sky rather than a mirror shine, and the gold rim light does not touch the flat of the blade at all. Palette held to black, cold teal-blue and that one warm gold, with her pale skin the only light neutral note at the center of the frame. Rendering is soft and painterly, built from visible brush textures and layered color blocks with loose, sketch-like linework, the large shapes of robe and blade kept simple and the detail spent on the face, the hands and the light's edge. Quiet dread.
eitaeita.1007@icloud.com
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