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AI artwork featuring #Genshin Impact
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Genshin Impact

#Genshin Impact
Avatar image of Andrew Verlaine

Andrew Verlaine

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character: clorinde_(genshin_impact), copyright: genshin_impact from behind, 1girl, solo, clorinde, long white hair, ponytail, wet hair, water dripping from hair, hair between eyes, purple eyes, bare shoulders, bare arms, large thick opaque white bath towel, towel wrapped securely around body, towel covering chest and hips, towel held closed over collarbone, standing on bathroom mat, stepping out of shower, bare feet, one arm raised, finger touching fogged mirror, wiping clear circle on mirror, pensive expression, staring at own reflection, fogged mirror reflection, steam, condensation, soft warm bathroom lighting, warm amber light, glass shower screen, tiled bathroom, cowboy shot, mirror composition Seen from behind and slightly to her right, a young woman with long white hair stands just outside the open glass shower screen, her body angled three-quarters away from the viewer toward a large mirror mounted flush above a bathroom vanity. Her wet white hair is gathered in a low ponytail that falls past her shoulder blades, heavy with water, strands clinging to the nape of her neck and the curve of her bare shoulders; droplets collect at the pointed tips of the strands and fall free, each one catching a pinpoint of the warm light and leaving a faint streak down her back. She wears a single large bath towel, thick white terry cloth, wrapped around her torso from just above the breastbone to the tops of her thighs, the overlapping flap tucked and held securely closed high at her collarbone; the towel swallows her silhouette, hiding every line of chest and hip, only her bare arms, shoulders, calves and feet emerging from it. Her right arm is lifted, the index finger of her right hand pressed flat against the fogged glass of the mirror, at the center of a wiped circle roughly the size of her face; the trail of condensation her fingertip has pushed aside runs in a clean arc down the inside of that circle, and a bead of water slips from the low point of the arc in a wavering line. Through the cleared circle the mirror shows the front of her face — purple eyes, level brows, the thin line of her pressed lips, the damp fringe clinging at her temples — and her gaze is fixed on that reflection, lids heavy, mouth still, her expression lost in private thought rather than aimed at the viewer. A second towel hangs folded over the edge of the vanity, and the tiled walls pale and glossy above a pale stone counter carry a faint gloss of condensation. The bathroom is close and small: white rectangular wall tiles with fine grout lines, a vanity counter below the mirror, the shower screen's dark frame standing open behind her left shoulder, and the ceiling out of frame above so the space feels warm and enclosed. Steam hangs visibly in the air in soft veils between her and the mirror, thinning around her shoulders and drifting toward the ceiling, softening the edges of the tiled walls so the room's depth collapses gently into haze; the shower floor behind her is dark and wet, and the mat beneath her feet is a pale ridged rectangle her toes press into. The only light source is a warm lamp above the mirror: it falls from in front of her, rakes her bare shoulders and the crown of her white head from the front, and flings a soft-edged shadow of her body slightly back and to the left across the misted tiles, while the mirror's fog scatters a broad amber glow back down onto her face. Its brightest reach sits on the wet skin of her shoulders, the wiped circle, her lifted hand and the damp strands of hair, and the darkest areas sit low along the vanity front and in the wet corner behind the shower screen; between her near shoulder and the mirror, faint parallel streaks mark where previous fingers have wiped down the fog. The palette holds to warm ivory, soft amber, pale grey tile and the flat white of the towel, her white hair and the mist holding most of the light, with only the violet of her reflected eyes and the thin ink-dark line of the shower frame as accents. Detail is spent on her wet hair and its falling drops, the terry loops of the towel where her hand closes it, the skin of her bare shoulder, and the fogged glass of the mirror with its wiped circle and the trail of cleared water that deforms her reflection; the tiles recede into simplified flat areas of tone. Quiet, introspective hush.
Show Parameters
Original Prompt
Clorinde stepping out of the shower, water dripping from her white hair. She wears a large, thick, opaque bath towel wrapped securely around her body — fully covering her chest and hips, no exposed cleavage, no underboob, no sideboob, no areola. She looks at her reflection in the fogged mirror, wipes a circle clear with her finger, stares at her own face with a pensive expression. Steam in the air, soft warm bathroom lighting. Genshin Impact anime style, SFW, no nudity.
Mode
pro
Size
944 x 1584
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
Avatar image of Andrew Verlaine
character: clorinde_(genshin_impact), copyright: genshin_impact from behind, 1girl, solo, clorinde, long white hair, ponytail, wet hair, water dripping from hair, hair between eyes, purple eyes, bare shoulders, bare arms, large thick opaque white bath towel, towel wrapped securely around body, towel covering chest and hips, towel held closed over collarbone, standing on bathroom mat, stepping out of shower, bare feet, one arm raised, finger touching fogged mirror, wiping clear circle on mirror, pensive expression, staring at own reflection, fogged mirror reflection, steam, condensation, soft warm bathroom lighting, warm amber light, glass shower screen, tiled bathroom, cowboy shot, mirror composition Seen from behind and slightly to her right, a young woman with long white hair stands just outside the open glass shower screen, her body angled three-quarters away from the viewer toward a large mirror mounted flush above a bathroom vanity. Her wet white hair is gathered in a low ponytail that falls past her shoulder blades, heavy with water, strands clinging to the nape of her neck and the curve of her bare shoulders; droplets collect at the pointed tips of the strands and fall free, each one catching a pinpoint of the warm light and leaving a faint streak down her back. She wears a single large bath towel, thick white terry cloth, wrapped around her torso from just above the breastbone to the tops of her thighs, the overlapping flap tucked and held securely closed high at her collarbone; the towel swallows her silhouette, hiding every line of chest and hip, only her bare arms, shoulders, calves and feet emerging from it. Her right arm is lifted, the index finger of her right hand pressed flat against the fogged glass of the mirror, at the center of a wiped circle roughly the size of her face; the trail of condensation her fingertip has pushed aside runs in a clean arc down the inside of that circle, and a bead of water slips from the low point of the arc in a wavering line. Through the cleared circle the mirror shows the front of her face — purple eyes, level brows, the thin line of her pressed lips, the damp fringe clinging at her temples — and her gaze is fixed on that reflection, lids heavy, mouth still, her expression lost in private thought rather than aimed at the viewer. A second towel hangs folded over the edge of the vanity, and the tiled walls pale and glossy above a pale stone counter carry a faint gloss of condensation. The bathroom is close and small: white rectangular wall tiles with fine grout lines, a vanity counter below the mirror, the shower screen's dark frame standing open behind her left shoulder, and the ceiling out of frame above so the space feels warm and enclosed. Steam hangs visibly in the air in soft veils between her and the mirror, thinning around her shoulders and drifting toward the ceiling, softening the edges of the tiled walls so the room's depth collapses gently into haze; the shower floor behind her is dark and wet, and the mat beneath her feet is a pale ridged rectangle her toes press into. The only light source is a warm lamp above the mirror: it falls from in front of her, rakes her bare shoulders and the crown of her white head from the front, and flings a soft-edged shadow of her body slightly back and to the left across the misted tiles, while the mirror's fog scatters a broad amber glow back down onto her face. Its brightest reach sits on the wet skin of her shoulders, the wiped circle, her lifted hand and the damp strands of hair, and the darkest areas sit low along the vanity front and in the wet corner behind the shower screen; between her near shoulder and the mirror, faint parallel streaks mark where previous fingers have wiped down the fog. The palette holds to warm ivory, soft amber, pale grey tile and the flat white of the towel, her white hair and the mist holding most of the light, with only the violet of her reflected eyes and the thin ink-dark line of the shower frame as accents. Detail is spent on her wet hair and its falling drops, the terry loops of the towel where her hand closes it, the skin of her bare shoulder, and the fogged glass of the mirror with its wiped circle and the trail of cleared water that deforms her reflection; the tiles recede into simplified flat areas of tone. Quiet, introspective hush.
Andrew Verlaine
AI artwork
Avatar image of Andrew Verlaine
character: clorinde_(genshin_impact), copyright: genshin_impact from behind, 1girl, solo, clorinde, long white hair, ponytail, wet hair, water dripping from hair, hair between eyes, purple eyes, bare shoulders, bare arms, large thick opaque white bath towel, towel wrapped securely around body, towel covering chest and hips, towel held closed over collarbone, standing on bathroom mat, stepping out of shower, bare feet, one arm raised, finger touching fogged mirror, wiping clear circle on mirror, pensive expression, staring at own reflection, fogged mirror reflection, steam, condensation, soft warm bathroom lighting, warm amber light, glass shower screen, tiled bathroom, cowboy shot, mirror composition Seen from behind and slightly to her right, a young woman with long white hair stands just outside the open glass shower screen, her body angled three-quarters away from the viewer toward a large mirror mounted flush above a bathroom vanity. Her wet white hair is gathered in a low ponytail that falls past her shoulder blades, heavy with water, strands clinging to the nape of her neck and the curve of her bare shoulders; droplets collect at the pointed tips of the strands and fall free, each one catching a pinpoint of the warm light and leaving a faint streak down her back. She wears a single large bath towel, thick white terry cloth, wrapped around her torso from just above the breastbone to the tops of her thighs, the overlapping flap tucked and held securely closed high at her collarbone; the towel swallows her silhouette, hiding every line of chest and hip, only her bare arms, shoulders, calves and feet emerging from it. Her right arm is lifted, the index finger of her right hand pressed flat against the fogged glass of the mirror, at the center of a wiped circle roughly the size of her face; the trail of condensation her fingertip has pushed aside runs in a clean arc down the inside of that circle, and a bead of water slips from the low point of the arc in a wavering line. Through the cleared circle the mirror shows the front of her face — purple eyes, level brows, the thin line of her pressed lips, the damp fringe clinging at her temples — and her gaze is fixed on that reflection, lids heavy, mouth still, her expression lost in private thought rather than aimed at the viewer. A second towel hangs folded over the edge of the vanity, and the tiled walls pale and glossy above a pale stone counter carry a faint gloss of condensation. The bathroom is close and small: white rectangular wall tiles with fine grout lines, a vanity counter below the mirror, the shower screen's dark frame standing open behind her left shoulder, and the ceiling out of frame above so the space feels warm and enclosed. Steam hangs visibly in the air in soft veils between her and the mirror, thinning around her shoulders and drifting toward the ceiling, softening the edges of the tiled walls so the room's depth collapses gently into haze; the shower floor behind her is dark and wet, and the mat beneath her feet is a pale ridged rectangle her toes press into. The only light source is a warm lamp above the mirror: it falls from in front of her, rakes her bare shoulders and the crown of her white head from the front, and flings a soft-edged shadow of her body slightly back and to the left across the misted tiles, while the mirror's fog scatters a broad amber glow back down onto her face. Its brightest reach sits on the wet skin of her shoulders, the wiped circle, her lifted hand and the damp strands of hair, and the darkest areas sit low along the vanity front and in the wet corner behind the shower screen; between her near shoulder and the mirror, faint parallel streaks mark where previous fingers have wiped down the fog. The palette holds to warm ivory, soft amber, pale grey tile and the flat white of the towel, her white hair and the mist holding most of the light, with only the violet of her reflected eyes and the thin ink-dark line of the shower frame as accents. Detail is spent on her wet hair and its falling drops, the terry loops of the towel where her hand closes it, the skin of her bare shoulder, and the fogged glass of the mirror with its wiped circle and the trail of cleared water that deforms her reflection; the tiles recede into simplified flat areas of tone. Quiet, introspective hush.
Andrew Verlaine
#Azur Lane
AI artwork
Avatar image of Andrew Verlaine
character: clorinde_(genshin_impact), copyright: genshin_impact from behind, 1girl, solo, clorinde, long white hair, ponytail, wet hair, water dripping from hair, hair between eyes, purple eyes, bare shoulders, bare arms, large thick opaque white bath towel, towel wrapped securely around body, towel covering chest and hips, towel held closed over collarbone, standing on bathroom mat, stepping out of shower, bare feet, one arm raised, finger touching fogged mirror, wiping clear circle on mirror, pensive expression, staring at own reflection, fogged mirror reflection, steam, condensation, soft warm bathroom lighting, warm amber light, glass shower screen, tiled bathroom, cowboy shot, mirror composition Seen from behind and slightly to her right, a young woman with long white hair stands just outside the open glass shower screen, her body angled three-quarters away from the viewer toward a large mirror mounted flush above a bathroom vanity. Her wet white hair is gathered in a low ponytail that falls past her shoulder blades, heavy with water, strands clinging to the nape of her neck and the curve of her bare shoulders; droplets collect at the pointed tips of the strands and fall free, each one catching a pinpoint of the warm light and leaving a faint streak down her back. She wears a single large bath towel, thick white terry cloth, wrapped around her torso from just above the breastbone to the tops of her thighs, the overlapping flap tucked and held securely closed high at her collarbone; the towel swallows her silhouette, hiding every line of chest and hip, only her bare arms, shoulders, calves and feet emerging from it. Her right arm is lifted, the index finger of her right hand pressed flat against the fogged glass of the mirror, at the center of a wiped circle roughly the size of her face; the trail of condensation her fingertip has pushed aside runs in a clean arc down the inside of that circle, and a bead of water slips from the low point of the arc in a wavering line. Through the cleared circle the mirror shows the front of her face — purple eyes, level brows, the thin line of her pressed lips, the damp fringe clinging at her temples — and her gaze is fixed on that reflection, lids heavy, mouth still, her expression lost in private thought rather than aimed at the viewer. A second towel hangs folded over the edge of the vanity, and the tiled walls pale and glossy above a pale stone counter carry a faint gloss of condensation. The bathroom is close and small: white rectangular wall tiles with fine grout lines, a vanity counter below the mirror, the shower screen's dark frame standing open behind her left shoulder, and the ceiling out of frame above so the space feels warm and enclosed. Steam hangs visibly in the air in soft veils between her and the mirror, thinning around her shoulders and drifting toward the ceiling, softening the edges of the tiled walls so the room's depth collapses gently into haze; the shower floor behind her is dark and wet, and the mat beneath her feet is a pale ridged rectangle her toes press into. The only light source is a warm lamp above the mirror: it falls from in front of her, rakes her bare shoulders and the crown of her white head from the front, and flings a soft-edged shadow of her body slightly back and to the left across the misted tiles, while the mirror's fog scatters a broad amber glow back down onto her face. Its brightest reach sits on the wet skin of her shoulders, the wiped circle, her lifted hand and the damp strands of hair, and the darkest areas sit low along the vanity front and in the wet corner behind the shower screen; between her near shoulder and the mirror, faint parallel streaks mark where previous fingers have wiped down the fog. The palette holds to warm ivory, soft amber, pale grey tile and the flat white of the towel, her white hair and the mist holding most of the light, with only the violet of her reflected eyes and the thin ink-dark line of the shower frame as accents. Detail is spent on her wet hair and its falling drops, the terry loops of the towel where her hand closes it, the skin of her bare shoulder, and the fogged glass of the mirror with its wiped circle and the trail of cleared water that deforms her reflection; the tiles recede into simplified flat areas of tone. Quiet, introspective hush.
Andrew Verlaine
#Azur Lane#Girls' Frontline 2: Exilium

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