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AI art "彼岸屋１" featuring #Window, #Moon, #Scenery, #Ghost, #Lantern, #Architecture, #Building, #Lamppost, #Night sky, #Hotel, #Door and #PixAI Halloween 2026
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彼岸屋１

宿：彼岸屋＋オバケ＋豪邸＝宿泊施設 で生成したらこうなりました(⁠•⁠‿⁠•⁠) こういう事でいいのかな？彼岸屋って(^_^;) 施設内でのシーン何か面白そうなのないかなー♪(⁠人⁠ ⁠•͈⁠ᴗ⁠•͈⁠)

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Window#Moon#Scenery#Ghost#Lantern#Architecture#Building#Lamppost#Night sky#Hotel#Door
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yamanoda

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masterpiece, best quality, highres, ultra detailed, vibrant colors, intricate details, sharp focus on all elements, no humans, architectural scenery, western mansion, ghost, obake, translucent body, pale white skin, soft glow, floating, whimsical friendly expression, lodging facility, inn, signboard, wide shot, from below, dutch angle, night, full moon, wrought iron gate, overgrown ivy, warm lit windows, cool blue night air, volumetric moonlight, one-point perspective, low angle looking up the front facade, overgrown garden path curving to the entrance, glowing lanterns lining the walkway, crisp cel-shaded linework, smooth glossy surfaces, expressive atmosphere A low, dramatic camera tilts up from the overgrown garden path toward the towering facade of a vast western mansion converted into a lodging facility: steep mansard roofs, tall arched windows, a porte-cochère with a curved iron-and-glass canopy, and a freshly repainted sign above the entrance that reads "彼岸屋" in elegant Japanese lettering, weatherproofed and legible against the stone. Warm amber light spills from curtained windows in irregular patches, while cooler moonlight rakes the slate roof and the balustrades. The driveway curves in from the lower left, its gravel catching the lantern glow. Floating just above the path in the middle distance, a translucent pale-white ghost hangs in the air, its soft glow lighting the ivy leaves directly beneath it — the only self-luminous thing in the scene. Its whimsical, friendly face is turned toward the mansion's glowing windows, a faint smile curling as if it is welcoming a guest. The perspective lines converge on the entrance, pulling the eye from the ghost up toward the door. Palette: deep indigo night, honey-gold window light, pale luminous white of the ghost, and mossy green accents in the ivy. Sharp focus on the mansion's detailed masonry and the ghost's softly glowing form; the background treeline fades into cool darkness. Whimsical and inviting, a touch eerie.
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Original Prompt
宿：彼岸屋＋オバケ＋豪邸＝宿泊施設, masterpiece, best quality, highres, ultra detailed, vibrant colors, intricate details, sharp focus on all elements,
Mode
pro
Style
Classic Anime
Quality Tag
﹝Prompts﹞
Size
1056 x 1424
Sampling Method
Euler
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Style: Classic Anime
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.70k

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no humans, no people, scenery, background scenery, old western-style mansion, aged forest, forest, tall trees, overgrown, moss-covered stone wall, ivy, cracked plaster, dark windows, empty windows, abandoned, overcast daylight, fog, atmospheric perspective, from below, wide shot, low angle, dutch angle, no figures, empty scene, no characters, desaturated palette, cold green and grey, deep shadow, landscape composition A wide low-angle shot tilted slightly off level looks up through the aged forest at an old western-style mansion, and every part of the frame is empty of people: no figure stands on the gravel forecourt, no silhouette fills the dark windows, the door hangs ajar on nothing but blackness. The mansion rises in the midground on a low mossy stone foundation, its two storeys of pale cracked plaster streaked with damp, its slate roof sagging along one ridge, its tall narrow windows set in even bays with shutters hanging from single hinges. Ancient trees crowd it on three sides; their trunks, thick as columns and furred with lichen, lean in from foreground left and right, one massive trunk cutting vertically through the near edge of the frame so the mansion is seen between and behind it. Roots have pushed up through the gravel of the forecourt in a fan, cracking the path into lifted slabs. Ivy climbs the whole east wall and spills over the eaves, drawn tight where it clings and hanging slack in loops where it leaves the stone. Ground mist pools knee-deep among the trunks and thins as it nears the house, so the building's base fades into white while its roofline stands sharp against a flat overcast sky. Light is one diffuse grey source from above and behind the clouds; it strikes only the upward-facing planes — the roof slates, the tops of the exposed roots, the horizontal ledges of the window sills — while the plaster under the eaves and the whole of the recessed doorway sit in flat shadow, and no cast shadows fall anywhere. The palette is locked to cold desaturated green in the moss, ivy and mist, wet grey in the slate and stone, and bone-pale plaster, with no warm colour admitted except a faint rust bleed where an iron gutter bracket has stained the wall beneath it. Moss grows only on the north faces of the trunks and never on their sunless undersides. The forest dominates the frame and the house is a thing being slowly taken back by it; still, damp, expectant.
もちょ

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