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AI artwork featuring #Chel
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Chel

#Chel
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1girl, solo, Chel, dark tan skin, long black hair, straight hair, hair blowing in the wind, brown eyes, gold hoop earrings, gold necklace, gold armlet, gold anklet, large breasts, long legs, narrow waist, wide hips, thick thighs, bare shoulders, tribal tattoo on upper arm, white and gold patterned two-piece outfit, halter top, bare midriff, loincloth skirt, gold trim, coquettish smile, half-closed eyes, looking at viewer, from below, low angle, contrapposto, hand on hip, other hand at thigh, weight on one leg, hip cocked, ancient Tenochtitlan, daytime, blue sky, white clouds, stone temples, stepped pyramid, causeway, canals, canoes, market stalls, colorful banners, distant mountains, warm golden sunlight, soft cast shadows, strong line art, watercolor washes, soft haze, atmospheric perspective, seductive, sunlit. The camera sits low, near hip height, tilted up so the woman reads tall against the sky. She stands on the flat stone of a wide causeway at the edge of a canal, on the left half of the frame, her body angled three-quarters toward the viewer with her right hip pushed out and her weight riding on the right leg, left knee slightly bent and toes turned out. Her right hand rests flat on the cocked hip, thumb forward, fingers pressing into the fabric of the loincloth's gold waistband; her left hand slides down the outside of her left thigh, fingertips flattened against the skin just above the gold-trimmed hem. Her chin dips a little and tilts to her right shoulder, eyes half-lidded and aimed straight at the viewer, the corner of her mouth pulled up in a slow lopsided smirk with the tip of her tongue barely pressed to the lower lip. Her long black hair sweeps to one side, lifted off her bare shoulders by a warm crosswind and blown across the front of her right arm. Behind her the old city opens up in depth: the stepped pyramid rises in the midground right, pale limestone glowing, its stairs braided with tiny distant figures; a second lower temple and rows of flat-roofed stone-and-plaster buildings step back along the causeway, their facades washed in ochre and turquoise; a canal cuts diagonally from the lower right toward the pyramid, carrying a few narrow wooden canoes and flashing bright reflections on its rippled surface; market awnings of red and yellow cloth bristle over the causeway's left, and far beyond everything, hazy blue mountain ridges sit under the haze. The sun is high and off to the upper left, a single warm source: it rakes across her face and chest and the front of her thighs, lays a hard-edged shadow of her own hair across her left shoulder and a long shadow of her body stretching right along the causeway stones, and throws the underside of her jaw and the hollows at her waist into soft brown shade -- the canal catching only broken highlights where the surface is actually turned to the sky. Palette: warm limestone white and ochre, turquoise and brick red in the banners and plaster, deep greens on the far hills, and her gold ornaments picking up the light as small hot points against the dark umber of her skin. The wind keeps the fabric of her loincloth snapping against her right leg as she holds the pose. Effortlessly seductive.
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Original Prompt
Chel del camino hacia el dorado. Hermosa tetina y piernona con cintura estrecha y caderas amplias. Sonrie de una forma coqueta mientras posa de una manera sexy. Está en el antiguoo Tenochtitlán de dia.
Mode
flash
Style
Luminous Wash
Size
1104 x 1824
Style: Luminous Wash
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AI artwork
Avatar image of FUERZASDRAGON 2
1girl, solo, Chel, The Road to El Dorado, dark tan skin, long black hair, straight hair, hair falling behind shoulders, brown eyes, gold hoop earrings, gold necklace, gold armbands, gold bracelets, gold anklets, large breasts, long legs, narrow waist, wide hips, thick thighs, bare midriff, loincloth bikini, white loincloth, hip drape, standing, hand on hip, contrapposto, weight on one leg, one knee bent, leaning forward, head tilt, looking at viewer, half-closed eyes, lidded eyes, smug, smirk, lopsided smile, coquettish, blush, cowboy shot, from below, foreshortening, ancient Tenochtitlan, Mesoamerican city, stepped pyramids, stone causeway, canoes on water, daytime, bright sunlight, blue sky, high contrast, Shot from below at hip height in a cowboy crop, a young woman stands at the edge of a wide stone causeway in the ancient island city of Tenochtitlan at midday. The low angle tilts the receding lines of the causeway upward behind her and makes the twin stepped pyramids across the lake appear to rise above her shoulders, and it foreshortens her long bare legs where they descend toward the camera, her weight carried entirely on her right leg, the left knee bent and the left heel lifted so the hip line cants. Her left hand rests flat on her hip, fingers spread over the wide flare of her hipbone and pushing the white loincloth skirt outward at that corner; her right arm hangs loose at her side, the hand turned slightly outward in a lazy, open curve. She leans the top of her torso forward toward the lens, shoulders back, chest presented, chin lowered and head tilted so her eyes come up beneath the fringe of her lashes straight into the viewer's eyes -- half-lidded, knowing, one corner of her mouth pulled higher than the other in a coquettish, lopsided smirk, a warm flush high on her cheekbones. Her black hair falls in a straight, heavy sheet behind her shoulders, the ends swinging slightly out to the right from the momentum of the hip-shift. The costume is the bold silhouette of a painted ritual dancer: white cloth knotted into a loincloth bikini, the skirt panels draping low on her hips and cut high at the sides; a narrow band of patterned red and turquoise cloth cinched tight around her narrow waist; gold hoop earrings swinging free from both ears, a gold torque at her throat, stacked gold bracelets at her right wrist, a gold armband at the left bicep, anklets above both bare feet on the worn stone. The dark tan of her skin catches the sun on the high planes -- shoulder tops, the bridge of her nose, the upper curve of her breasts, the front of her thighs -- while the undersides of the breasts, the shadow inside the loincloth folds and the hollow between waistband and hip stay deep and warm. Tenochtitlan in full daylight: the stone causeway runs away from the camera in a straight line of worn basalt slabs, canoes with striped awnings cutting wakes on the blue-green lake at either side, other causeways and a long aqueduct crossing the middle distance, and the stepped pyramids and flat-roofed white and ochre buildings of the city ranked behind them. The sky is a clear, brilliant blue. The only light source is the high sun, slightly behind the camera's left shoulder, so the woman's cast shadow falls short and dense to her right on the stones, the causeway joints throw hard dark lines, and every gold item throws a small bright specular glint toward the lens. Close foreground stone cobbles fall deliberately out of focus at the bottom of the frame, framing her feet without competing with her. Palette: warm terracotta, ochre, lime-white and turquoise in the city; deep blue-green water and a brilliant blue sky; everything on the figure held to dark warm tan skin, white cloth, and gold. Vivid and sun-baked, effortlessly playful.
FUERZASDRAGON 2

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