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Peekataan!
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Show Parameters
- Original Prompt
- Masterpiece, best quality, ultra-detailed, anime style, 1boy, femboy, (Tan Otori), light mint green hair, medium hair, dinosaur-like spiky ahoge on top of head, large reddish-brown eyes, blush on cheeks, cute expressive face, delicate features, soft skin, flat chest, slim boyish body, wrapped entirely in loose white mummy bandages, glowing yellow halo above head, kneeling on the floor, playful claw hand gesture, arms raised, smiling with a small fang, white background, full body, dynamic lighting, sharp focus. outdoor Halloween night background, festive spooky atmosphere, glowing carved jack-o'-lanterns overflowing with colorful wrapped candies, fallen autumn leaves on the ground, misty environment, eerie purple and orange cinematic lighting, full moon in the sky, highly detailed scenery.
- Mode
- ultra
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit, 1girl, female, breasts, large chest, bad anatomy, bad face, poorly drawn face, mutated hands, extra limbs, missing fingers, deformed, blurry, green jacket, clothes.
Model & LoRA used
Similar Images
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浜波 ハロウィン
フワサビ
Serina
baronesu
満月の夜のミイラ少女・ハロウィン
蓬莱『からあげ』
1
character: nagayoshi_subaru, copyright: idolmaster
1girl, solo, nagayoshi subaru, green hair, short hair, red eyes, full body, kneeling, seiza, mummy costume, fully wrapped in bandages, bandages over entire body, bandages over face, bandages over hair, arms wrapped, legs wrapped, bandage trailing loose, halloween street, night, jack-o'-lanterns, string lights, fake cobwebs, costume, from below, dutch angle, looking at viewer, head tilt, one eye visible, mischievous grin, wide-eyed, bandaged hands raised, paw pose, cobblestone, fallen leaves, full body visible, cinematic lighting
The camera looks up from knee height at a slight dutch tilt, so the whole kneeling figure fits the frame from the crown of her head to the soles of her feet, cobblestones running away under her shins. She is kneeling on both knees in the middle of a Halloween-decorated street at night, hips settled back toward her heels, spine drawn up tall and shoulders pulled back in a proud little arch rather than a slumped kneel. Strip after strip of off-white gauze wraps her from the top of her head to her ankles: the bands cross her forehead and pass over her green hair so that short bristly tufts of it break out between the layers at the crown and nape, one eye left uncovered by a deliberate gap in the winding, the other eye and the whole left side of her face bandaged over. The same bands run down her torso and arms in overlapping diagonal turns, her legs wrapped so thickly the silhouette of her thighs and knees reads as a single padded column, no bare skin and no ordinary garment showing anywhere. One bandage end has come loose from her shoulder and trails down across her forearm, its frayed tip lifting in the night air.
Both bandaged hands are up beside her lower face, fingers curled into a rounded paw shape, wrists cocked inward, one hand a little higher than the other; the gauze bunches and creases at her knuckles and pulls tight across the backs of her hands where they bend. Her weight sinks into her shins and the heels of both feet, knees pressed flat and slightly apart on the stones. Her chin tilts toward her raised shoulder and her one visible red eye looks straight into the lens, half-lidded and bright, the uncovered eyebrow arched high, the corner of her mouth pulled into a lopsided grin that shows a flash of teeth — the look of someone about to break character and laugh.
The street behind her is dressed for the holiday: carved jack-o'-lanterns with candle light spilling out of their eyes and mouths line a low stone kerb, strings of small orange bulbs sag in shallow catenaries between the building fronts, and wispy fake cobwebs hang in the corners of shuttered shopwindows. Warm orange light from the lanterns and the string bulbs is the only light source, striking her from the front-left and below, so the bandage bands catch a hot rim along their upper edges while the folds between them fall into deep shadow, and her long shadow stretches back across the cobblestones away from the camera. Damp stone throws darker, softer smears of the orange light, and scattered wet leaves cling to the gaps between the pavers where she kneels. The palette holds to off-white gauze, green hair, and the orange-and-black of the street; chills and mischief.
橫山育人
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