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Kemonomimi, Breasts

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
#Kemonomimi#Breasts#Blonde hair#Black thigh-highs#Fox tail#Bare shoulders#Girl#Fox ears#Fox girl#Feet out of frame
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character: kitagawa_marin, kira-kira_kiriko 1girl, solo, kitsune, fox ears, fox tail, blonde hair, long hair, red eyes, gyaru, long stockings, thighhighs, standing, hand on own hip, head tilt, looking to the side, mischievous grin, one eye closed, hip sway, weight on one leg, from below, cowboy shot, dutch angle, medium shot, warm palette The camera looks up from slightly below the knee, tilted a few degrees, so the girl reads tall and playful against a stretch of empty warm studio ground; the seamless backdrop is a soft apricot-to-cream gradient with no horizon line, and she is the only thing in it. She is a slim young woman with gyaru styling: long glossy blonde hair with lighter streaks, a lot of volume at the crown and a few loose strands swinging out where she has just whipped her head into a tilt, and red eyes made up with a flick of dark liner. Two furry fox ears, russet amber with cream inner fluff, stand up out of the crown of her hair, the near ear rotated a little outward; one tuft of ear fur bent as if caught by the turn. A big fluffy fox tail, russet orange shading to a cream tip, sweeps out to her right and curls forward, its tip hanging in the empty air behind her stockinged thigh. She wears a white short-sleeve top cut to sit off one shoulder, a dark plaid pleated miniskirt, and long black stockings pulled up over the knee and ending high on the thigh, the banded tops slightly compressed against the skin, the fabric matte and stretched thin over the knee and shin and faintly sheeny where it rounds the calf. She has small black earrings, both ears bare apart from those hoops. Her pose is a hip-shot sway: weight fully on her left leg, right knee bent and popped inward with the right heel just off the floor, right hand planted on the crest of her hip so the skirt bunches up toward the wrist, left arm loose. Her chin is tilted, grin lopsided and open on one side, tongue not showing, one eye squeezed shut in a wink and the open eye aimed off to the side at something outside the frame, not at the lens. The light comes from a single large soft source high and to her left: it lays a bright edge down the left of her face, the near fox ear and the outside of her right stockinged thigh, and drops the far side of her body and the underside of her tail into a warm shadowless falloff. The palette is disciplined to blonde, russet amber and cream against the dark skirt and the black stockings, with the empty pastel ground holding everything else off. Her cast shadow runs to the right and slightly toward the viewer, long and soft, the exact opposite of the key. Effortlessly playful.
Show Parameters
Original Prompt
create me a mix of Marin kitsgawa and a Fox Girl wearin Long stockings
Mode
flash
Size
1104 x 1824
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Model & LoRA used

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1girl, solo, kemonomimi, fox girl, fox ears, animal ears, fluffy tail, long hair, light brown hair, reddish-brown eyes, blush, shy, dynamic pose, school uniform, sailor shirt, sweater, pleated skirt, thighhighs, soft cinematic lighting, detailed lineart, semi-realism, digital painting, non-anime style, concept art, from below, dutch angle, looking away, head tilt, leaning back, one arm raised, hand near face, hair spread out, motion blur on hair, pleated skirt flaring, standing on one leg, depth of field, warm rim light A low three-quarter camera looks up at a single fox girl caught mid-spin in an open, empty concrete underpass, the walls falling away in soft focus behind her. Her weight rides on her right leg while her left leg lifts slightly off the ground, knee bent, and her torso twists away from the lens as if she has just whipped around; her long light brown hair swings out in a wide arc, fanned by the turn, and her fluffy tail sweeps low behind her hips, its tip curled toward the floor. Two upright fox ears rise from the crown of her head, one angled back and one cocked forward toward the camera, the inner fur catching the light. She wears a white sailor shirt with a navy collar and a navy knit sweater pulled over it, the cuffs long enough to cover half her palm, and the hem of her navy pleated skirt flares out in crisp vertical pleats from the momentum of the spin; black nylon thighhighs sheath both legs from mid-thigh down. Her left arm is raised, the back of her sleeve-covered hand hovering near her cheek as though she is about to hide behind it, while her right hand is caught in the folds of the skirt, fingers clutching the fabric. Her reddish-brown eyes are wide and turned down and away to her left, shyly avoiding the viewer, lids slightly lowered and lashes distinct; warm red blush sits high on both cheeks and the bridge of her nose, and her lips are pressed into a small, uncertain closed line, corners drawn in. A cool ambient fill from the far end of the underpass lights the back of her hair and the edge of her tail, while a warmer key from the left catches the blush, the front of the sailor collar and the raised cuff, throwing a soft, long shadow of her body and ears across the concrete at her feet and leaving the tunnel mouth behind her in bluish dusk shadow. The palette stays narrow: light browns and cream in the hair and skin, deep navy in the sweater, collar and skirt, black in the stockings, with the warmer light and the red blush as the only saturated notes. Semi-realistic digital painting with visible brushwork on the knit and the fur, precise detailed lineart holding the pleat edges and hair strands, shallow depth of field softening the tunnel's far end. Quiet, fluttery shy warmth.
Susn

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