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AI artwork featuring #Dress, #Red eyes, #Blonde hair, #Blood, #Corpse, #Crossed legs, #Bare legs, #Black Dress, #Girl and #PixAI Halloween 2026
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Dress, Red eyes

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Dress#Red eyes#Blonde hair#Blood#Corpse#Crossed legs#Bare legs#Black Dress#Girl
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2girls, 1girl, 1boy, vampire, beautiful girl, blonde hair, long hair, wavy hair, crimson eyes, red eyes, fangs, vampire fangs, gothic dress, black and white dress, short dress, sitting, crossed legs, legs crossed, sitting on chair, antique chair, sitting on antique chair, confident smile, smirk, defiant smile, holding wine glass, wine glass, blood in glass, blood, pool of blood, blood on floor, collapsed man, man on floor, partially visible, upper body only, old western-style mansion room, western-style interior, antique furniture, ornate room, indoors, gothic interior, from below, three-quarter view, dutch angle, low angle, full body, looking at viewer, from above, high angle The camera sits low and slightly tilted just above the floor of a tall Victorian-era drawing room, looking up at the antique chair from a three-quarter angle, so the blonde vampire girl dominates the frame while the floor she has ruined runs along the bottom edge. She is seated deep in the chair, spine against the tufted back, weight sunk in the left hip, right leg crossed over the left knee, the right calf swinging slightly free with the short black-and-white dress hem riding high across the thigh; her right hand holds the stem of a wide-bowled crystal wine glass at chest height, the bowl filled with dark blood that coats the glass and leaves a red smear down one inner curve where it has already been drunk from, her left hand lies loose over the chair's carved armrest, fingers draped and one nail tapping the knurl of the wood. Her long wavy blonde hair, thick and loose, breaks into heavy S-curves at the shoulders and spills over the armrest, a few strands lifted clear of her chest by the still air. Her crimson-red eyes are fixed directly down at the viewer, half-lidded over a defiant grin, one eyebrow arched, upper lip lifted just enough to expose both pointed vampire fangs; the smile is entirely unrepentant. The dress is black with a white collar and white lace cuffs, a bodice that laces up the front, and a short layered skirt of black with a white petticoat flounce under the hem. The chair is tall-backed antique oak, carved fluted legs and a scrolled crest, upholstered in faded dark rose velvet with the webbing sagging a little under her weight. Around her, the room reads as a disused Western-style mansion parlor: a marble-topped console with a gilt candelabra behind the chair, a cabinet of dark wood, tall heavy drapes half-drawn over a window at the back, an old portrait hanging faded on patterned wallpaper, a rucked oriental carpet. Everything antique is dusty and dimmed except what the light touches. On the floor in front of the chair, the pale wood and the rug are gummed with a dark red pool of blood, glossy at the center and darkening at the shallow edge, spreading toward the chair's legs and running into the seams of the floorboards. A collapsed man lies partway into frame from the lower left: only his upper body is visible, one shoulder pressed into the boards, the side of his face turned away, one arm thrown out and fingers slack, the rest of him cropped out of the picture at the bottom edge. The blood pools under his ribcage and the glassy surface takes the reflection of his sleeve. Lighting comes solely from a window at the left and from a candelabra behind her at three-quarter rear, cold dim blue-grey daylight striking the left side of her face and the front of the glass so the blood in it glows deep translucent red, with warm candle points rimming her hair from behind; everything beyond the room's center falls away into near blackness, and her shadow stretches long across the floor toward the man's body, cutting through the pool. Palette is restricted to black, white, gilt, old rose, and blood red, with the blood the only fully saturated color. The room is close and airless, dust hanging in the light, and her gaze never leaves the viewer: imperious, amused, faintly cruel.
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Original Prompt
古い洋館の洋室の中。アンティーク調の調度品が多く置いてある。金髪のウェーブがかったロングヘアと真っ赤な瞳の美少女吸血鬼。口元には吸血鬼の牙が見える。ゴシック調の黒白の丈の短いドレスを着て、アンティーク調の椅子に足を組んで座っている。不敵な笑みを浮かべている。血の入ったワイングラスを持っている。床には血溜まりがある。倒れている男性の上半身が少し見える。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
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2girls, 1girl, 1boy, vampire, beautiful girl, blonde hair, long hair, wavy hair, crimson eyes, red eyes, fangs, vampire fangs, gothic dress, black and white dress, short dress, sitting, crossed legs, legs crossed, sitting on chair, antique chair, sitting on antique chair, confident smile, smirk, defiant smile, holding wine glass, wine glass, blood in glass, blood, pool of blood, blood on floor, collapsed man, man on floor, partially visible, upper body only, old western-style mansion room, western-style interior, antique furniture, ornate room, indoors, gothic interior, from below, three-quarter view, dutch angle, low angle, full body, looking at viewer, from above, high angle The camera sits low and slightly tilted just above the floor of a tall Victorian-era drawing room, looking up at the antique chair from a three-quarter angle, so the blonde vampire girl dominates the frame while the floor she has ruined runs along the bottom edge. She is seated deep in the chair, spine against the tufted back, weight sunk in the left hip, right leg crossed over the left knee, the right calf swinging slightly free with the short black-and-white dress hem riding high across the thigh; her right hand holds the stem of a wide-bowled crystal wine glass at chest height, the bowl filled with dark blood that coats the glass and leaves a red smear down one inner curve where it has already been drunk from, her left hand lies loose over the chair's carved armrest, fingers draped and one nail tapping the knurl of the wood. Her long wavy blonde hair, thick and loose, breaks into heavy S-curves at the shoulders and spills over the armrest, a few strands lifted clear of her chest by the still air. Her crimson-red eyes are fixed directly down at the viewer, half-lidded over a defiant grin, one eyebrow arched, upper lip lifted just enough to expose both pointed vampire fangs; the smile is entirely unrepentant. The dress is black with a white collar and white lace cuffs, a bodice that laces up the front, and a short layered skirt of black with a white petticoat flounce under the hem. The chair is tall-backed antique oak, carved fluted legs and a scrolled crest, upholstered in faded dark rose velvet with the webbing sagging a little under her weight. Around her, the room reads as a disused Western-style mansion parlor: a marble-topped console with a gilt candelabra behind the chair, a cabinet of dark wood, tall heavy drapes half-drawn over a window at the back, an old portrait hanging faded on patterned wallpaper, a rucked oriental carpet. Everything antique is dusty and dimmed except what the light touches. On the floor in front of the chair, the pale wood and the rug are gummed with a dark red pool of blood, glossy at the center and darkening at the shallow edge, spreading toward the chair's legs and running into the seams of the floorboards. A collapsed man lies partway into frame from the lower left: only his upper body is visible, one shoulder pressed into the boards, the side of his face turned away, one arm thrown out and fingers slack, the rest of him cropped out of the picture at the bottom edge. The blood pools under his ribcage and the glassy surface takes the reflection of his sleeve. Lighting comes solely from a window at the left and from a candelabra behind her at three-quarter rear, cold dim blue-grey daylight striking the left side of her face and the front of the glass so the blood in it glows deep translucent red, with warm candle points rimming her hair from behind; everything beyond the room's center falls away into near blackness, and her shadow stretches long across the floor toward the man's body, cutting through the pool. Palette is restricted to black, white, gilt, old rose, and blood red, with the blood the only fully saturated color. The room is close and airless, dust hanging in the light, and her gaze never leaves the viewer: imperious, amused, faintly cruel.
あいあーる
#PixAI Halloween 2026
AI artwork
あ
2girls, 1girl, 1boy, vampire, beautiful girl, blonde hair, long hair, wavy hair, crimson eyes, red eyes, fangs, vampire fangs, gothic dress, black and white dress, short dress, sitting, crossed legs, legs crossed, sitting on chair, antique chair, sitting on antique chair, confident smile, smirk, defiant smile, holding wine glass, wine glass, blood in glass, blood, pool of blood, blood on floor, collapsed man, man on floor, partially visible, upper body only, old western-style mansion room, western-style interior, antique furniture, ornate room, indoors, gothic interior, from below, three-quarter view, dutch angle, low angle, full body, looking at viewer, from above, high angle The camera sits low and slightly tilted just above the floor of a tall Victorian-era drawing room, looking up at the antique chair from a three-quarter angle, so the blonde vampire girl dominates the frame while the floor she has ruined runs along the bottom edge. She is seated deep in the chair, spine against the tufted back, weight sunk in the left hip, right leg crossed over the left knee, the right calf swinging slightly free with the short black-and-white dress hem riding high across the thigh; her right hand holds the stem of a wide-bowled crystal wine glass at chest height, the bowl filled with dark blood that coats the glass and leaves a red smear down one inner curve where it has already been drunk from, her left hand lies loose over the chair's carved armrest, fingers draped and one nail tapping the knurl of the wood. Her long wavy blonde hair, thick and loose, breaks into heavy S-curves at the shoulders and spills over the armrest, a few strands lifted clear of her chest by the still air. Her crimson-red eyes are fixed directly down at the viewer, half-lidded over a defiant grin, one eyebrow arched, upper lip lifted just enough to expose both pointed vampire fangs; the smile is entirely unrepentant. The dress is black with a white collar and white lace cuffs, a bodice that laces up the front, and a short layered skirt of black with a white petticoat flounce under the hem. The chair is tall-backed antique oak, carved fluted legs and a scrolled crest, upholstered in faded dark rose velvet with the webbing sagging a little under her weight. Around her, the room reads as a disused Western-style mansion parlor: a marble-topped console with a gilt candelabra behind the chair, a cabinet of dark wood, tall heavy drapes half-drawn over a window at the back, an old portrait hanging faded on patterned wallpaper, a rucked oriental carpet. Everything antique is dusty and dimmed except what the light touches. On the floor in front of the chair, the pale wood and the rug are gummed with a dark red pool of blood, glossy at the center and darkening at the shallow edge, spreading toward the chair's legs and running into the seams of the floorboards. A collapsed man lies partway into frame from the lower left: only his upper body is visible, one shoulder pressed into the boards, the side of his face turned away, one arm thrown out and fingers slack, the rest of him cropped out of the picture at the bottom edge. The blood pools under his ribcage and the glassy surface takes the reflection of his sleeve. Lighting comes solely from a window at the left and from a candelabra behind her at three-quarter rear, cold dim blue-grey daylight striking the left side of her face and the front of the glass so the blood in it glows deep translucent red, with warm candle points rimming her hair from behind; everything beyond the room's center falls away into near blackness, and her shadow stretches long across the floor toward the man's body, cutting through the pool. Palette is restricted to black, white, gilt, old rose, and blood red, with the blood the only fully saturated color. The room is close and airless, dust hanging in the light, and her gaze never leaves the viewer: imperious, amused, faintly cruel.
あいあーる
#PixAI Halloween 2026
AI artwork
あ
2girls, 1girl, 1boy, vampire, beautiful girl, blonde hair, long hair, wavy hair, crimson eyes, red eyes, fangs, vampire fangs, gothic dress, black and white dress, short dress, sitting, crossed legs, legs crossed, sitting on chair, antique chair, sitting on antique chair, confident smile, smirk, defiant smile, holding wine glass, wine glass, blood in glass, blood, pool of blood, blood on floor, collapsed man, man on floor, partially visible, upper body only, old western-style mansion room, western-style interior, antique furniture, ornate room, indoors, gothic interior, from below, three-quarter view, dutch angle, low angle, full body, looking at viewer, from above, high angle The camera sits low and slightly tilted just above the floor of a tall Victorian-era drawing room, looking up at the antique chair from a three-quarter angle, so the blonde vampire girl dominates the frame while the floor she has ruined runs along the bottom edge. She is seated deep in the chair, spine against the tufted back, weight sunk in the left hip, right leg crossed over the left knee, the right calf swinging slightly free with the short black-and-white dress hem riding high across the thigh; her right hand holds the stem of a wide-bowled crystal wine glass at chest height, the bowl filled with dark blood that coats the glass and leaves a red smear down one inner curve where it has already been drunk from, her left hand lies loose over the chair's carved armrest, fingers draped and one nail tapping the knurl of the wood. Her long wavy blonde hair, thick and loose, breaks into heavy S-curves at the shoulders and spills over the armrest, a few strands lifted clear of her chest by the still air. Her crimson-red eyes are fixed directly down at the viewer, half-lidded over a defiant grin, one eyebrow arched, upper lip lifted just enough to expose both pointed vampire fangs; the smile is entirely unrepentant. The dress is black with a white collar and white lace cuffs, a bodice that laces up the front, and a short layered skirt of black with a white petticoat flounce under the hem. The chair is tall-backed antique oak, carved fluted legs and a scrolled crest, upholstered in faded dark rose velvet with the webbing sagging a little under her weight. Around her, the room reads as a disused Western-style mansion parlor: a marble-topped console with a gilt candelabra behind the chair, a cabinet of dark wood, tall heavy drapes half-drawn over a window at the back, an old portrait hanging faded on patterned wallpaper, a rucked oriental carpet. Everything antique is dusty and dimmed except what the light touches. On the floor in front of the chair, the pale wood and the rug are gummed with a dark red pool of blood, glossy at the center and darkening at the shallow edge, spreading toward the chair's legs and running into the seams of the floorboards. A collapsed man lies partway into frame from the lower left: only his upper body is visible, one shoulder pressed into the boards, the side of his face turned away, one arm thrown out and fingers slack, the rest of him cropped out of the picture at the bottom edge. The blood pools under his ribcage and the glassy surface takes the reflection of his sleeve. Lighting comes solely from a window at the left and from a candelabra behind her at three-quarter rear, cold dim blue-grey daylight striking the left side of her face and the front of the glass so the blood in it glows deep translucent red, with warm candle points rimming her hair from behind; everything beyond the room's center falls away into near blackness, and her shadow stretches long across the floor toward the man's body, cutting through the pool. Palette is restricted to black, white, gilt, old rose, and blood red, with the blood the only fully saturated color. The room is close and airless, dust hanging in the light, and her gaze never leaves the viewer: imperious, amused, faintly cruel.
あいあーる
#PixAI Halloween 2026
AI artwork
あ
1girl, solo, vampire, long blonde hair, straight hair, red eyes, fangs, visible fangs, confident smirk, defiant smile, gothic, black short dress, short dress, bare legs, crossed legs, sitting, antique wooden chair, antique side table, wine glass filled with blood, dark western-style mansion room, antique furniture, western-style interior, dark room, dim lighting, from below, three-quarter view, looking at viewer, dramatic atmosphere, gothic horror, high contrast, painterly semi-realistic anime style, deep black and crimson palette The camera sits low, near the height of her crossed knee, tilted up in a three-quarter view that keeps both the table and the chair legs behind the figure in frame. The room is a western-style interior of an old dark mansion: heavy wood paneling, a tall window at the left edge, an antique cabinet in the back midground, and a faded rug over dark floorboards that recede into shadow. In the foreground-midground the girl sits in a carved antique wooden chair with a high back, one leg crossed over the other at the thigh, her ankle resting free, both hands light on the chair's armrests. Her pale face is tilted down toward the lens, a smirk pulling one corner of the mouth while a fang catches the light there. Long straight blonde hair falls over her shoulders and down the black gothic short dress, which is dark and close-fitting with a bodice, the blonde and black separating cleanly against the dim room. To her side stands an antique side table, and on it a wine glass filled with blood, the dark red liquid held inside the glass, the surface catching a faint reflection. The chair's upholstery presses slightly where she sits, and the crossed knee makes the skirt hem sit unevenly. Light comes from a single dim source at the upper left, a lamp or its glow, striking the left side of her face and the left arm of the chair while the right side falls into deeper shadow; the window and cabinet stay hazy in the background, and the floorboards darken toward the edges. Palette of black, deep crimson, aged wood brown, and pale blonde. Gothic, quietly menacing.
あいあーる
#PixAI Halloween 2026

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