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high angle, from above, looking down, 1boy, solo, male, long hair, straight hair, black hair, sitting, slouching, leaning back, relaxed, korean school uniform, white dress shirt, navy blazer, open blazer, charcoal grey trousers, necktie, loose tie, untucked shirt hem, looking up at viewer, half-closed eyes, lopsided smirk, head tilt, one knee up, arm support, hand on knee, classroom, desk, sunlight, window light The camera looks steeply down from above, so the frame sees the crown of his head first and the long straight black hair fans out from his skull, falling past his shoulders and pooling in dark strands over the navy blazer's back and collar; the hair is unlayered and falls in one unbroken sheet, cut flat across the ends. Below the crown, his face tips up at the lens with the chin raised, eyelids half-lowered, one brow hitched slightly higher than the other, and the mouth pulled into a slow lopsided smirk. He is seated on a low classroom chair pushed out from a desk, body slid forward until his tailbone rests near the front edge, spine curved and shoulders rolled back against the chair's top rail, weight dropped onto the right hip so his torso leans off vertical. His left leg is bent hard, knee up above hip height with the foot planted flat on the floor, charcoal grey trouser fabric creasing deeply across the thigh and the knee pushing forward; his right leg is slack, the heel dragging forward under the seat. His left forearm rests along the raised left knee, hand hanging loose with the fingers curled and half-open over the kneecap; his right hand pushes down flat on the chair seat beside his hip, wrist bent, taking his weight, the sleeve cuff pulled slightly back. The white dress shirt is a size loose on him and its hem has come free of the trouser waistband at one side, a triangle of soft cotton riding up over the belt; the collar stands open with the navy necktie pulled wide at the knot and hanging crooked down his chest, its tip curling on the shirt. The navy blazer is worn open over everything, its lapels splayed back and its shoulders falling behind his, one sleeve bunched. He looks directly up into the lens with a lazy, cocky steadiness. The room is a school classroom, and from this steep downward angle the desktop edges and the chair legs radiate outward at the frame's borders while a broad band of polished floor lies between them; the foreground desk corner sits slightly soft and dark, out of focus. A tall window behind and to the left of the camera throws cool daylight down the scene; it lands as a bright patch on the top of his hair, on the raised knee and on the hand on the chair seat, and the shadow he casts falls away underneath and behind the chair, short and black because the light comes from nearly overhead. The palette stays narrow: the navy blazer and necktie, white shirt, charcoal grey trousers, the black of his hair, the pale grey-green of the floor and the cold daylight white spilling from the window; nothing warmer than his own skin tone is admitted. The detail budget goes to the folds where cloth creases at knee, hip and the loose tie, the strands of hair separating over the blazer, the exact contact of hand on knee and palm on chair seat, and the taut triangle of bare wrist. Effortlessly insolent, ordinary afternoon.
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Original Prompt
앉아있는 직모 장발 남캐 하이앵글 껄렁한 자세 한국 교복을 입은
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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さき
1boy, solo, male, black hair, wolf cut, layered hair, medium length hair with volume at the crown, tapered nape, handsome, refreshing smile, closed-lip smile with one corner lifted, one eyebrow slightly raised, looking at viewer, school uniform, white short-sleeved dress shirt, unbuttoned collar, tucked-in shirt, navy blue trousers, black leather belt, lean athletic build, subtle muscle definition under the shirt, forearms with visible tendon and vein, sitting on a classroom desk, on desk, one leg drawn up with foot flat on the desktop, other leg hanging down, leaning back on one arm, arm support, relaxed shoulders, short sleeves, classroom, daytime, window light, from below, slight low angle, cowboy shot, depth of field, warm palette A slight low-angle shot from desk height at the near corner of the classroom, looking up across the desktop at a single young man who sits on top of the desk facing the camera. His black wolf cut is medium-length with volume swept up at the crown, long feathered layers framing his temples and cheekbones, and a tapered nape; the strands over his right brow come loose and fall away from his face as he tips his head. He is lean and athletic under a crisp white short-sleeved school shirt, buttoned high enough to read uniform but open at the collar, tucked into navy blue trousers, with a black leather belt at the waistband. The shirt's short sleeve pulls taut across his upper arm where he props his weight, and the fabric over his chest and abdomen shows real but understated shape -- lean muscle held quietly under cotton rather than straining it. He is sitting on the desktop just off center, his left foot flat on the desk surface beside his hip and his knee drawn up, his right leg hanging off the near edge so that the trouser cuff and shoe fall into the bottom of the frame. His torso twists slightly toward the lens and leans back onto his left arm, palm planted flat on the desk behind him, fingers spread, wrist bearing the weight; his right forearm rests across the raised knee, hand loose and open. His head tilts a little to one side and he smiles straight at the viewer -- lips together, one corner pulled higher, eyes narrowed and warm, a single brow lifted, a light flush of good humor about the whole face -- the look of a captain who has just been caught at something and doesn't mind. Behind him the classroom recedes: desks in loose rows, a blackboard out of focus at the left, a window wall at the right. Late-afternoon daylight comes in low through that window and rakes across the room; it strikes the back and left side of his hair and sets a thin bright rim along his shoulder and forearm, while his face is filled by soft bounce from the pale walls, and his shadow falls long and forward across the desktop and onto the floor. The desk surface is warm-toned wood, scuffed around the edges from years of chairs, and the pale dust in the light is visible where the beam crosses it. Palette is held to white shirt, navy trousers, black hair and the warm wood and dusty gold of window light on plaster; no other colors intrude. The composition is quiet and sunlit, his smile the brightest thing in it. Easygoing, freshly bright.
さき

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