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おれんじぺこー
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- Original Prompt
- ミニ四駆、サイクロンマグナム
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- flash
- Size
- 1104 x 1824
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Model & LoRA used
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mini 4wd, cyclone magnum, object focus, no humans, product shot, from below, close-up, foreshortening, dutch angle, three-quarter front view, low horizon, speed, motion display, glossy plastic, deep blue body, white racing stripes, red accents, gold five-spoke wheels, large rear wing, tapered nose cowl, black bumper rollers front and rear, sticker decals on flanks, checkered flag motif, clear plastic chassis, spinning wheels blurred, dust particles, hard specular highlights, dark gradient ground, rim lighting
A single Mini 4WD racing car — the Cyclone Magnum — is the only thing in the frame, shot from a low three-quarter front angle with the camera nearly at bumper height, tilted a few degrees into a dutch angle so the far end of the track rises toward the upper right corner, and the long nose foreshortens hard toward the lens. The deep blue tapered cowl comes first, its pointed nose overhanging the front bumper by a fingertip; two white racing stripes run the length of the hood and narrow as they climb the cowl, and a thin red accent line traces the edge of the nose. A clear plastic chassis sits under the shell, its moulded ribs catching a pale glint, and black rollers protrude from the front bumper on short mounts, both front tires bit into the track. The big rear wing stands high at the far end on two slim pylons, its underside in shadow, its upper face blazing. Gold five-spoke wheels fill the lower half of the frame; the near front wheel is turned slightly off-axis and its spokes are smeared into concentric gold arcs by rotation, spokes crisp only at the hub, and a fine crescent of grey rubber dust clings to the tire's outer shoulder. Sticker decals break the blue flanks — a white flash along the door line, a red, angled chevron ahead of the rear wheel, a small checkered flag motif near the tail — all of them conforming to the curve of the shell and slightly compressed by the camera's angle. The car sits on the raised lane of a plastic three-lane track, the near edge of the lane crossing the bottom of the frame in sharp focus, a red lane divider running away toward the upper right and softening into a blur; two sibling cars are reduced to indistinct coloured blurs further up the lane, out of focus and far behind. The key light rakes in from the upper left at a low, warm angle: the left flank and the near front fender flare with hard specular highlights, the right side of the cowl and the underside of the wing fall into deep shade, and a long shadow stretches from the chassis across the lane to the right, its edge scalloped by the wheel arches. Fine airborne dust hangs in the light behind the rear wheels, only lit where the beam cuts it. Behind the track the environment drops into a seamless dark blue-to-black gradient, its horizon low in the frame, so the car's silhouette reads clean against it. Palette strictly: deep blue, white, red and gold, on a black and dark-grey ground, nothing else admitted. Crisp cel-shaded surfaces with hard-edged highlights and sharp specular cores, the glossy plastic reading as genuinely hard and reflective rather than painted matte. Fast, gleaming.
おれんじぺこー
mini 4wd, cyclone magnum, object focus, no humans, product shot, from below, close-up, foreshortening, dutch angle, three-quarter front view, low horizon, speed, motion display, glossy plastic, deep blue body, white racing stripes, red accents, gold five-spoke wheels, large rear wing, tapered nose cowl, black bumper rollers front and rear, sticker decals on flanks, checkered flag motif, clear plastic chassis, spinning wheels blurred, dust particles, hard specular highlights, dark gradient ground, rim lighting
A single Mini 4WD racing car — the Cyclone Magnum — is the only thing in the frame, shot from a low three-quarter front angle with the camera nearly at bumper height, tilted a few degrees into a dutch angle so the far end of the track rises toward the upper right corner, and the long nose foreshortens hard toward the lens. The deep blue tapered cowl comes first, its pointed nose overhanging the front bumper by a fingertip; two white racing stripes run the length of the hood and narrow as they climb the cowl, and a thin red accent line traces the edge of the nose. A clear plastic chassis sits under the shell, its moulded ribs catching a pale glint, and black rollers protrude from the front bumper on short mounts, both front tires bit into the track. The big rear wing stands high at the far end on two slim pylons, its underside in shadow, its upper face blazing. Gold five-spoke wheels fill the lower half of the frame; the near front wheel is turned slightly off-axis and its spokes are smeared into concentric gold arcs by rotation, spokes crisp only at the hub, and a fine crescent of grey rubber dust clings to the tire's outer shoulder. Sticker decals break the blue flanks — a white flash along the door line, a red, angled chevron ahead of the rear wheel, a small checkered flag motif near the tail — all of them conforming to the curve of the shell and slightly compressed by the camera's angle. The car sits on the raised lane of a plastic three-lane track, the near edge of the lane crossing the bottom of the frame in sharp focus, a red lane divider running away toward the upper right and softening into a blur; two sibling cars are reduced to indistinct coloured blurs further up the lane, out of focus and far behind. The key light rakes in from the upper left at a low, warm angle: the left flank and the near front fender flare with hard specular highlights, the right side of the cowl and the underside of the wing fall into deep shade, and a long shadow stretches from the chassis across the lane to the right, its edge scalloped by the wheel arches. Fine airborne dust hangs in the light behind the rear wheels, only lit where the beam cuts it. Behind the track the environment drops into a seamless dark blue-to-black gradient, its horizon low in the frame, so the car's silhouette reads clean against it. Palette strictly: deep blue, white, red and gold, on a black and dark-grey ground, nothing else admitted. Crisp cel-shaded surfaces with hard-edged highlights and sharp specular cores, the glossy plastic reading as genuinely hard and reflective rather than painted matte. Fast, gleaming.
おれんじぺこー
mini 4wd, cyclone magnum, object focus, no humans, product shot, from below, close-up, foreshortening, dutch angle, three-quarter front view, low horizon, speed, motion display, glossy plastic, deep blue body, white racing stripes, red accents, gold five-spoke wheels, large rear wing, tapered nose cowl, black bumper rollers front and rear, sticker decals on flanks, checkered flag motif, clear plastic chassis, spinning wheels blurred, dust particles, hard specular highlights, dark gradient ground, rim lighting
A single Mini 4WD racing car — the Cyclone Magnum — is the only thing in the frame, shot from a low three-quarter front angle with the camera nearly at bumper height, tilted a few degrees into a dutch angle so the far end of the track rises toward the upper right corner, and the long nose foreshortens hard toward the lens. The deep blue tapered cowl comes first, its pointed nose overhanging the front bumper by a fingertip; two white racing stripes run the length of the hood and narrow as they climb the cowl, and a thin red accent line traces the edge of the nose. A clear plastic chassis sits under the shell, its moulded ribs catching a pale glint, and black rollers protrude from the front bumper on short mounts, both front tires bit into the track. The big rear wing stands high at the far end on two slim pylons, its underside in shadow, its upper face blazing. Gold five-spoke wheels fill the lower half of the frame; the near front wheel is turned slightly off-axis and its spokes are smeared into concentric gold arcs by rotation, spokes crisp only at the hub, and a fine crescent of grey rubber dust clings to the tire's outer shoulder. Sticker decals break the blue flanks — a white flash along the door line, a red, angled chevron ahead of the rear wheel, a small checkered flag motif near the tail — all of them conforming to the curve of the shell and slightly compressed by the camera's angle. The car sits on the raised lane of a plastic three-lane track, the near edge of the lane crossing the bottom of the frame in sharp focus, a red lane divider running away toward the upper right and softening into a blur; two sibling cars are reduced to indistinct coloured blurs further up the lane, out of focus and far behind. The key light rakes in from the upper left at a low, warm angle: the left flank and the near front fender flare with hard specular highlights, the right side of the cowl and the underside of the wing fall into deep shade, and a long shadow stretches from the chassis across the lane to the right, its edge scalloped by the wheel arches. Fine airborne dust hangs in the light behind the rear wheels, only lit where the beam cuts it. Behind the track the environment drops into a seamless dark blue-to-black gradient, its horizon low in the frame, so the car's silhouette reads clean against it. Palette strictly: deep blue, white, red and gold, on a black and dark-grey ground, nothing else admitted. Crisp cel-shaded surfaces with hard-edged highlights and sharp specular cores, the glossy plastic reading as genuinely hard and reflective rather than painted matte. Fast, gleaming.
おれんじぺこー
F1カーっぽい車
せーゆ
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