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Kylee Violette (Kiy Chan)

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sole female, 1girl, adult woman, very long silver hair, wavy ponytail, high ponytail, silver hair flowing and drifting, red eyes, vertical slit pupils, slit pupils, beautiful face, elegant makeup, dark eyeliner, soft eyeshadow, glossy lips, curvy, large breasts, wide hips, narrow waist, hourglass figure, one-shoulder gown, asymmetric dress, bare shoulder, collarbone, sparkling dust, glowing particles, particle aura, light motes rising from skin, soft smile, closed-lip smile, sad expression, melancholy, farewell, emotional goodbye, looking at viewer, half-closed eyes, from below, cowboy shot, slight low angle, dramatic backlight, dark background, rim light, volumetric glow, portrait from a low angle, the woman fills the frame from mid-thigh to above her head, head tilted slightly down toward the camera so her gaze lands on the viewer with the weight of a last look; her weight rests on her right leg with the left hip eased out, the one-shoulder gown's bare shoulder on her left side catching the key light while the draped fabric crosses her chest and gathers at the opposite hip in soft folds; her long wavy silver ponytail is bound high at the back of her head and sweeps down past her shoulder in loose curling locks that lift and drift outward as if in a slow breeze, catching the light in pale ribbons; her red eyes with vertical slit pupils are half-lidded and gleaming, a faint wetness at the lower lash line, dark lashes and a soft smoky shadow framing them, glossy tinted lips parted into a small closed soft smile that is contradicted by the drawn inner brows and the sorrow pooling in her eyes; fine sparkling dust motes and tiny glints lift off her skin, her shoulders, her forearms and the hem of the gown, drifting upward and outward in a slow luminous cloud, each particle a pinprick of warm white-gold light against the darkness; the only light source is a soft cool rim light from behind and above her left shoulder that outlines the silver hair and the bare shoulder in a bright edge, with a faint warm fill on her face, so that the background beyond her falls into near-total darkness and the glow of escaping particles is the brightest thing in the lower frame; palette restricted to silver-white, deep charcoal black, the warm gold of the dust, and the single deep red of her eyes and lips; the dress is a dark muted tone with a subtle sheen, its fabric smooth and heavy; the mood is a quiet, tender, heartbreaking farewell.
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Original Prompt
a silver ponytail wavy ponytail longest and red eye vertical slit pupils as a beautiful makeup woman having a large chest and curvy a bit to wear a one shoulders gown when a dust sparking come out from her body, smiles softly with her sad face for farewell
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, silver hair, very long hair, wavy ponytail, high ponytail, red eyes, vertical slit pupils, slit pupils, beautiful woman, adult, curvy, large breasts, wide hips, thick thighs, one-shoulder gown, crimson silk gown, bare shoulders, bare right shoulder, bare arm, looking at hand, own hand, outstretched arm, palm up, hand turning into stardust, dissolving hand, glowing particles, stardust, sparkling, floating upward, from below, close-up, dutch angle, upper body, head tilted down, looking down, serious expression, parted lips, half-closed eyes, bare ears, no hair ornament, hair unadorned, night sky, dark background, chiaroscuro, rim light, volumetric light, dramatic lighting, From a low, tilted three-quarter angle looking up at her, the woman fills the frame from the waist up against a deep midnight-blue void, her face turned down toward her own raised right hand. Her very long silver hair is gathered high into a wavy ponytail that spills over her left shoulder and twists down past her waist, every wave catching a cold rim light along its outer edge while the inner strands fall into shadow; her ears are completely bare, with nothing at the lobes or in the hair. Her neck and right shoulder are uncovered above the deep crimson silk gown, whose single strap crosses only her left shoulder, the fabric pulled taut and gleaming in a narrow specular band across the bust before folding into soft shadow at the dรฉcolletage and cinching at a narrow waist. Her red eyes, each with a vertical slit pupil, are lowered and fixed on her right hand, which she holds out at chest height, palm turned upward and fingers just beginning to splay โ€” the fingertips and the heel of the palm are already breaking apart into fine golden-white motes that stream upward past her face against the dark. Her left arm is bent, the hand resting at her waist, thumb hooked lightly against the silk. Light comes from the dissolving hand itself, a warm point source beneath her chin that lights the underside of her jaw, the inner rims of her collarbones and the curve of her lower lip while throwing her brow and the far side of her face into deep shadow; the only other light is a faint cool rim from behind that traces her ponytail. The air is otherwise empty and absolute, the particles the sole bright elements and the background swallowing everything else in near-black. Her expression is still and grave, lids low, lips slightly parted as if she is watching something leave her. Quiet awe, inevitable loss.
Kylee Violette (Kiy Chan)
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Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long wavy silver ponytail, impossibly long hair, red eyes, vertical slit pupils, slit-pupil, beautiful makeup, eyeshadow, eyeliner, glossy lips, large breasts, curvy figure, wide hips, thick thighs, slim waist, one-shoulder gown, asymmetric dress, bare one shoulder, dissolving, body turning into sparkling dust, dust particles, sparkles, glittering motes, soft smile, sad expression, sorrowful eyes, farewell, from side, profile, from below, dutch angle, looking at viewer, half-closed eyes, grief, quiet sorrow, no text, From a low dutch angle she is seen in three-quarter profile, chin turned back over her near shoulder so her red slit-pupiled eyes meet the viewer from under lowered lids, one small sad smile on her lips. She stands alone at a slight weight shift, hips canted away from the camera, her far hand closed gently at her chest and her near arm slack at her side, every contact point closed: bare toes on the dark ground, the one gown strap over the far shoulder only so the near shoulder, collarbone and one full curve of her large chest are open to the light while the fabric clings downward over her waist, hips and thigh. Her impossibly long wavy silver ponytail lifts and unspools sideways as if a wind is taking it, the ends thinning to nothing. The dissolution begins at the hem and her near forearm and rises: the gown's edge, then her skirt, then the outer edge of one thigh break apart into a drifting cloud of fine shining dust, and the dust does not fall -- it rises, so the motes climb away from her and hang in the air in a slow spiral around her body, brightest where they peel off her, dim and far between where they scatter. Small sparks pop and glint inside the cloud, each a pinprick highlight on nothing, and the upward drift is the only evidence of the force taking her. A single warm white key light stands low and in front of her, raking up the front of her gown and throat, striking the wet shine of her lips and the tears held at the lower lash; a faint red bounce from her own eyes catches the inner corner of each socket. Behind her and above, the light fails entirely, and the darkness there is absolute except where the floating motes catch their own glints, thicker and brighter the closer they are to her skin, sparse in the deep background. Palette: cold silver hair, smoke-grey and pearl gown with faint lilac in its shadows, and against all of it the one saturated red of her irises, echoed in the pupils' thin black vertical line. Deep shadow swallows the ground beneath her feet so she seems to stand on the dark itself. Tender, aching farewell.
Kylee Violette (Kiy Chan)

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