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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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![Detailed Anime Enhancer [IL2.0]【アニメ塗り】 - AI Model cover image](https://images-ng.pixai.art/images/thumb/e7f8cad1-bea9-424a-80ee-6126cc692815)
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Yui Hirasawa
Veri Shinki
Yui Hirasawa
Veri Shinki
Yui Hirasawa
Veri Shinki
u7
character: misaka_imouto_10032
1girl, solo, misaka_imouto_10032, sisters, brown hair, short hair, medium hair, brown eyes, hair bow, white shirt, long sleeves, school uniform, tokiwadai school uniform, winter uniform, blazer, jacket, skirt, jewelry, standing on one leg, arms up, outstretched arm, head tilt, looking up, light smile, half-closed eyes, from below, cowboy shot, traditional cel animation, early 2000s anime, hand-drawn anime, flat cel shading, crisp ink linework, slight grain of hand-painted cels, muted late-90s broadcast palette,
Composed from a low angle in a cowboy shot that cuts just below the knee, the frame looks up at a single girl on an empty sunlit paved walkway between two low concrete walls. She is the only figure in the image, and the camera sits low enough that the pale sky and the top edge of a distant chain-link fence close the top of the frame behind her. She is caught mid-moment on one leg: her weight rides on the straight right leg, the left knee lifted and turned slightly outward, toes pointed down without touching the ground. Both arms are flung up and out — the right arm higher and farther from the body, fingers spread and relaxed at the wrist, the left elbow bent so the hand hovers nearer her shoulder.
Her face is the focus of the upshot. The chin lifts and the head tilts a little to her left, eyes angled up and to the right of the camera, following something out of frame above; only the undersides of the lids show, lashes low, a faint closed-lip smile with one corner pulled a fraction higher than the other. Both ears are bare, both earlobes unobstructed, her hair unadorned but for the bow. Short brown hair, chin-length and slightly uneven at the tips, lifts away from her nape from the upward motion and hangs back behind her ears; a small hair bow sits at one side of her head, its ribbon tails swinging out from the turn. Her white long-sleeved shirt is tucked into the skirt, the cuffs buttoned at the wrists and the collar sitting open at the throat with nothing but the shirt at her neck. Over it she wears the school blazer, unbuttoned so its front edges hang apart, the skirt falling in a short A-line below the blazer hem; her only ornament is the small jewelry piece at her chest, catching the light. The lifted hem of the blazer flaps back, and the skirt's pleats swing outward a beat behind her body.
The light is a single hard afternoon sun coming from the upper left of frame; it strikes the underside of her jaw, the bridge of her nose, the tops of her raised forearms and the left side of her blazer, and it throws her long shadow down and to the right across the paving, the shadow shortened and foreshortened by the low camera. The concrete wall to her right stays in cool shadow, and the fence behind her is a dark lattice against the bright sky. The palette is restrained and slightly chalky — warm off-white shirt, deep navy blazer and skirt, brown hair in two flat tones, a muted ochre walkway and a pale bleached-blue sky — the limited palette of a broadcast cel. Shadows are hard-edged cel shadows with no gradient inside them; her hair carries one broad highlight band. The paving's seam line leads from the lower right corner into her feet, and a single dry leaf skids across the concrete in the wind that lifts her hair. Quiet, weightless, playful.
usermio7220
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