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AI artwork featuring #Touhou Project, #Yuyuko Saigyouji and #Konpaku Youmu
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Yuyuko Saigyouji, Konpaku Youmu

#Touhou Project#Yuyuko Saigyouji#Konpaku Youmu
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character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, blue eyes, green skirt, white shirt, green vest, long hair, pink hair, pink eyes, mob cap, blue kimono, wide sleeves, triangular headpiece, from behind, over-shoulder composition, looking back, upper body, head tilt, light smile, half-closed eyes, indoors, wooden veranda, shoji screens, spring, petals, wind, backlight, warm palette Seen from behind and slightly off to one side, the two of them sit close together on the edge of a polished wooden veranda, and only their turned heads and shoulders are caught. The shorter one sits nearest the camera on the left: silver hair cropped short to the nape, a black hairband tied snug across the back of her head, the loose ends of a black ribbon lifting in the breeze, a green skirt folded under her knees, the white shirt and green vest pulled straight across her shoulders by the twist of her torso. She has swung her upper body back toward the frame, chin tipped up and turned over her right shoulder, one blue eye visible past the edge of her cheek, the corner of her mouth just barely lifted, one brow a fraction higher than the other; her gaze goes past the viewer, out over the garden behind the camera, as though answering a sound from off-frame. Her right hand rests flat on the veranda boards behind her hip, the heel of the palm taking her weight, fingertips slightly spread, the grain of the wood pressing a faint line into the skin. Her left hand hangs loose by the hem of her skirt, knuckles half closed. Beside her on the right, the taller one in the wide-sleeved blue kimono sits with her back to the camera and her shoulders angled a little away, so that only the far edge of her profile shows: a sliver of cheek, one pink eye only just visible past the swell of her hair, the triangular headpiece rising above the blue mob cap that sits a touch off centre. Her long pink hair falls in one unbroken sheet down the draped back of the kimono, a few strands lifted and carried sideways by the same moving air, the wide sleeve cuff on the far side flaring away from her arm. She has not turned; her chin is lifted, and the visible eye is looking up and off at something above the garden, with a mild, unhurried, faintly amused half-closed cast to it. Her hands are folded out of sight within the far sleeve, and one knee rests against the other's hip in a light, familiar contact. The camera sits low and close, at seated height, so their shoulders crowd the top of the frame while the veranda boards and the hanging hem of the kimono drop away beneath them; a few pale pink petals lie scattered on the wood in the foreground, sharp, and further out the garden falls soft. The light comes from behind them, low and warm: it rims the silver hair with a thin gold edge, threads the loose pink strands until they glow, and throws their long shadows forward onto the floorboards toward the lens, so that their faces sit in soft shade broken only by bounce from the polished wood. On every upward-facing surface — the hairband's knot, the flat top of the headpiece, the petal-holding boards, the curve of one shoulder — a fallen petal or a bright line of light has settled, and nowhere else. The palette is the honey of the wood, warm backlight, spring pink and the clean green-and-white of the nearer figure; nothing else is admitted. Quiet, companionable, sun-warmed.
Show Parameters
Original Prompt
妖夢 幽々子
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1824 x 1104
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
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character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, blue eyes, green skirt, white shirt, green vest, long hair, pink hair, pink eyes, mob cap, blue kimono, wide sleeves, triangular headpiece, from behind, over-shoulder composition, looking back, upper body, head tilt, light smile, half-closed eyes, indoors, wooden veranda, shoji screens, spring, petals, wind, backlight, warm palette Seen from behind and slightly off to one side, the two of them sit close together on the edge of a polished wooden veranda, and only their turned heads and shoulders are caught. The shorter one sits nearest the camera on the left: silver hair cropped short to the nape, a black hairband tied snug across the back of her head, the loose ends of a black ribbon lifting in the breeze, a green skirt folded under her knees, the white shirt and green vest pulled straight across her shoulders by the twist of her torso. She has swung her upper body back toward the frame, chin tipped up and turned over her right shoulder, one blue eye visible past the edge of her cheek, the corner of her mouth just barely lifted, one brow a fraction higher than the other; her gaze goes past the viewer, out over the garden behind the camera, as though answering a sound from off-frame. Her right hand rests flat on the veranda boards behind her hip, the heel of the palm taking her weight, fingertips slightly spread, the grain of the wood pressing a faint line into the skin. Her left hand hangs loose by the hem of her skirt, knuckles half closed. Beside her on the right, the taller one in the wide-sleeved blue kimono sits with her back to the camera and her shoulders angled a little away, so that only the far edge of her profile shows: a sliver of cheek, one pink eye only just visible past the swell of her hair, the triangular headpiece rising above the blue mob cap that sits a touch off centre. Her long pink hair falls in one unbroken sheet down the draped back of the kimono, a few strands lifted and carried sideways by the same moving air, the wide sleeve cuff on the far side flaring away from her arm. She has not turned; her chin is lifted, and the visible eye is looking up and off at something above the garden, with a mild, unhurried, faintly amused half-closed cast to it. Her hands are folded out of sight within the far sleeve, and one knee rests against the other's hip in a light, familiar contact. The camera sits low and close, at seated height, so their shoulders crowd the top of the frame while the veranda boards and the hanging hem of the kimono drop away beneath them; a few pale pink petals lie scattered on the wood in the foreground, sharp, and further out the garden falls soft. The light comes from behind them, low and warm: it rims the silver hair with a thin gold edge, threads the loose pink strands until they glow, and throws their long shadows forward onto the floorboards toward the lens, so that their faces sit in soft shade broken only by bounce from the polished wood. On every upward-facing surface — the hairband's knot, the flat top of the headpiece, the petal-holding boards, the curve of one shoulder — a fallen petal or a bright line of light has settled, and nowhere else. The palette is the honey of the wood, warm backlight, spring pink and the clean green-and-white of the nearer figure; nothing else is admitted. Quiet, companionable, sun-warmed.
はる
#Touhou Project#Yuyuko Saigyouji#Konpaku Youmu
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, blue eyes, green skirt, white shirt, green vest, long hair, pink hair, pink eyes, mob cap, blue kimono, wide sleeves, triangular headpiece, from behind, over-shoulder composition, looking back, upper body, head tilt, light smile, half-closed eyes, indoors, wooden veranda, shoji screens, spring, petals, wind, backlight, warm palette Seen from behind and slightly off to one side, the two of them sit close together on the edge of a polished wooden veranda, and only their turned heads and shoulders are caught. The shorter one sits nearest the camera on the left: silver hair cropped short to the nape, a black hairband tied snug across the back of her head, the loose ends of a black ribbon lifting in the breeze, a green skirt folded under her knees, the white shirt and green vest pulled straight across her shoulders by the twist of her torso. She has swung her upper body back toward the frame, chin tipped up and turned over her right shoulder, one blue eye visible past the edge of her cheek, the corner of her mouth just barely lifted, one brow a fraction higher than the other; her gaze goes past the viewer, out over the garden behind the camera, as though answering a sound from off-frame. Her right hand rests flat on the veranda boards behind her hip, the heel of the palm taking her weight, fingertips slightly spread, the grain of the wood pressing a faint line into the skin. Her left hand hangs loose by the hem of her skirt, knuckles half closed. Beside her on the right, the taller one in the wide-sleeved blue kimono sits with her back to the camera and her shoulders angled a little away, so that only the far edge of her profile shows: a sliver of cheek, one pink eye only just visible past the swell of her hair, the triangular headpiece rising above the blue mob cap that sits a touch off centre. Her long pink hair falls in one unbroken sheet down the draped back of the kimono, a few strands lifted and carried sideways by the same moving air, the wide sleeve cuff on the far side flaring away from her arm. She has not turned; her chin is lifted, and the visible eye is looking up and off at something above the garden, with a mild, unhurried, faintly amused half-closed cast to it. Her hands are folded out of sight within the far sleeve, and one knee rests against the other's hip in a light, familiar contact. The camera sits low and close, at seated height, so their shoulders crowd the top of the frame while the veranda boards and the hanging hem of the kimono drop away beneath them; a few pale pink petals lie scattered on the wood in the foreground, sharp, and further out the garden falls soft. The light comes from behind them, low and warm: it rims the silver hair with a thin gold edge, threads the loose pink strands until they glow, and throws their long shadows forward onto the floorboards toward the lens, so that their faces sit in soft shade broken only by bounce from the polished wood. On every upward-facing surface — the hairband's knot, the flat top of the headpiece, the petal-holding boards, the curve of one shoulder — a fallen petal or a bright line of light has settled, and nowhere else. The palette is the honey of the wood, warm backlight, spring pink and the clean green-and-white of the nearer figure; nothing else is admitted. Quiet, companionable, sun-warmed.
はる
#Touhou Project#Yuyuko Saigyouji#Konpaku Youmu
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, blue eyes, green skirt, white shirt, green vest, long hair, pink hair, pink eyes, mob cap, blue kimono, wide sleeves, triangular headpiece, from behind, over-shoulder composition, looking back, upper body, head tilt, light smile, half-closed eyes, indoors, wooden veranda, shoji screens, spring, petals, wind, backlight, warm palette Seen from behind and slightly off to one side, the two of them sit close together on the edge of a polished wooden veranda, and only their turned heads and shoulders are caught. The shorter one sits nearest the camera on the left: silver hair cropped short to the nape, a black hairband tied snug across the back of her head, the loose ends of a black ribbon lifting in the breeze, a green skirt folded under her knees, the white shirt and green vest pulled straight across her shoulders by the twist of her torso. She has swung her upper body back toward the frame, chin tipped up and turned over her right shoulder, one blue eye visible past the edge of her cheek, the corner of her mouth just barely lifted, one brow a fraction higher than the other; her gaze goes past the viewer, out over the garden behind the camera, as though answering a sound from off-frame. Her right hand rests flat on the veranda boards behind her hip, the heel of the palm taking her weight, fingertips slightly spread, the grain of the wood pressing a faint line into the skin. Her left hand hangs loose by the hem of her skirt, knuckles half closed. Beside her on the right, the taller one in the wide-sleeved blue kimono sits with her back to the camera and her shoulders angled a little away, so that only the far edge of her profile shows: a sliver of cheek, one pink eye only just visible past the swell of her hair, the triangular headpiece rising above the blue mob cap that sits a touch off centre. Her long pink hair falls in one unbroken sheet down the draped back of the kimono, a few strands lifted and carried sideways by the same moving air, the wide sleeve cuff on the far side flaring away from her arm. She has not turned; her chin is lifted, and the visible eye is looking up and off at something above the garden, with a mild, unhurried, faintly amused half-closed cast to it. Her hands are folded out of sight within the far sleeve, and one knee rests against the other's hip in a light, familiar contact. The camera sits low and close, at seated height, so their shoulders crowd the top of the frame while the veranda boards and the hanging hem of the kimono drop away beneath them; a few pale pink petals lie scattered on the wood in the foreground, sharp, and further out the garden falls soft. The light comes from behind them, low and warm: it rims the silver hair with a thin gold edge, threads the loose pink strands until they glow, and throws their long shadows forward onto the floorboards toward the lens, so that their faces sit in soft shade broken only by bounce from the polished wood. On every upward-facing surface — the hairband's knot, the flat top of the headpiece, the petal-holding boards, the curve of one shoulder — a fallen petal or a bright line of light has settled, and nowhere else. The palette is the honey of the wood, warm backlight, spring pink and the clean green-and-white of the nearer figure; nothing else is admitted. Quiet, companionable, sun-warmed.
はる
#Touhou Project#Yuyuko Saigyouji#Konpaku Youmu
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, black ribbon, blue eyes, green eyes, white shirt, green vest, green skirt, pink hair, pink eyes, mob cap, triangular headpiece, blue kimono, wide sleeves, frills, from below, dutch angle, sitting, leaning back, head tilt, looking at another, light smile, half-closed eyes, teacup, holding cup, hand on own knee, bare earlobes, hair unadorned apart from ribbon and hairband, wooden veranda, cherry petals, spring afternoon, The camera sits low at the edge of a wooden veranda, tilted a few degrees off level, looking up at the two of them against a sky that has gone soft and pale with spring. On the right, a short young woman with silver-white hair cut to her jaw sits with her legs folded under her on the planking, her black hairband and the long black ribbon at the back of her head lifting slightly in the breeze; she wears a white shirt buttoned to the throat under a green vest, her green skirt spread in a fan around her knees, one hand braced flat on the wood behind her hip for balance while the other rests loosely on her own knee. She has turned her face up and to her left, chin lifted, one eyebrow slightly raised, her mouth pulled into a small tolerant half-smile, her blue-green eyes fixed on the woman beside her. On the left, taller even seated, a woman with short pink hair and pink eyes leans back on both hands, elbows locked, weight carried on her palms flat against the boards, her blue kimono with its wide sleeves and frilled hem pooling around her; the big blue mob cap with its triangular headpiece sits tilted back on her head, and her face is turned down toward the younger woman with her eyelids half lowered and a light, unhurried smile, her gaze landing on the other's upturned face. Both earlobes are bare, her hair unadorned except for the ribbon and hairband, the other's only ornament the cap and headpiece. Between them, near the pink-haired woman's knee, a teacup sits on the wood with a faint wisp of steam bending toward the younger woman; its surface trembles in one small ring where the veranda board gives under a shifting weight. The light comes from low behind the two of them, a warm afternoon sun through cherry branches off frame, so it rims the white hair and the blue cap with a bright edge, throws long soft shadows of both figures toward the camera along the grain of the planks, and leaves their faces in gentle reflected fill bounced up off the pale wood; cherry petals have settled only on the upward-facing surfaces -- the flat of the mob cap, the shoulders of the green vest, the rim of the cup, the boards themselves -- and none cling to vertical cloth. Petals drift across the foreground, several of them large and blurred close to the lens. The palette is held to the two of them and the wood: silver-white and black ribbon, green vest and skirt, pink hair and blue kimono, all resting on the warm honey of the veranda and the washed white-pink of the sky, nothing else admitted. Quiet, unhurried, a lazy spring afternoon.
はる
#Touhou Project#Yuyuko Saigyouji#Konpaku Youmu

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