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らんまとシャンプーの夜行列車

らんまとシャンプーの夜行列車 AI art by basuket.1009 on PixAI. Tags: Shampoo, Ranma ½, blush, sitting, Train interior, long hair. Made with Tsubaki.3.

『らんま1/2』のらんまとシャンプーが、夜の電車で寄り添いながら眠る姿がとても可愛らしいですね。二人の仲睦まじい様子を見ていると、私も心が温かくなります。気に入ったら、いいねとフォロー、そしてコメントで感想を教えてくださいね！

#blush #sitting #Train interior #long hair #Chinese clothes #couple #Saotome Ranma #Ranma ½ #Oversized sleeves #Shampoo #Leaning on Person

Published on Nov 2, 2026

basuket.1009

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character: saotome_ranma, shampoo_(ranma_1/2) 2girls, 1boy, saotome ranma, shampoo, long hair, black hair, tied back hair, blue eyes, chinese clothes, long sleeves, matching outfits, couple look, sitting side by side, train interior, night, sleeping, head on shoulder, eyes closed, blush, gentle smile, looking at another, arm around shoulder, luggage rack, souvenirs, gift boxes, bags overhead, window, night cityscape, city lights, bokeh, few passengers, empty train, cowboy shot, from side, profile, close-up, tender, warm interior lighting. A side-on cowboy shot inside a mostly empty late-night commuter train, the camera at seated eye level looking straight across the aisle at the pair, the window filling the upper left of the frame behind them. Ranma sits on the right of the bench with his back against the seat, left shoulder dropped and rolled slightly forward to make a shelf for her; Shampoo sits on his left, her weight fully tipped onto him, temple pressed into the crook of his shoulder, her cheek flattened against the fabric, both her hands loose in her lap with one sleeve cuff half-swallowing her fingers, her legs angled and one knee resting against his. Ranma's arm goes behind her back, his hand cupped lightly at her far shoulder to keep her from slipping, his other hand loose on his own thigh. His head is turned down and toward her, chin dipped, gaze on her sleeping face, one brow softened, the corners of a closed-lip smile lifted, a clear warm flush spread across both cheeks and the bridge of his nose; she breathes slow and even, lashes down, mouth faintly open, utterly slack with tiredness. Both wear the same style of long-sleeved Chinese outfit as a pair: his in a deep indigo with dark red trim, hers the same cut and trim reversed in dark red with indigo piping, the frog closures and high collars identical, the sleeves long to the wrist; her long purple hair is up in its double bun with the ornaments and bell, sidelocks loose and falling across his chest, his long black hair tied low and hanging free behind his shoulders. Above them the luggage rack runs the length of the car and is packed with souvenirs: paper-wrapped boxes stacked two high, a string-tied parcel, a round tin, a cloth tote slumping over the rail, gift bags leaning on each other. The carriage is nearly empty; two distant passengers sit far down the aisle with their heads down, small and out of focus, the rest of the seats bare and glossy under the ceiling's strip lights. Through the window the night city spreads out wide and clean: towers of lit windows, a lattice of streetlights, a river with a broken gold reflection, everything sharp at the glass and dissolving into soft bokeh farther out. Light comes from the ceiling strips overhead, cool white, plus a faint warm spill from the window; it lands on the tops of their heads and the crowns of their sleeves and leaves their laps and the seat beneath them in shadow, and their two joined silhouettes ghost faintly in the dark glass. Her weight has pressed a slow dip into the seat cushion and pulled his collar askew at the shoulder. The palette stays in indigo, dark red and the sodium-and-white glitter of the city outside. Quiet, tender.

らんまとシャンプーの夜行列車

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