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AI artwork featuring #Fate/Apocrypha, #Fate series, #Jeanne d'Arc, #Jeanne d'Arc and #PixAI Halloween 2026
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Jeanne d'Arc, Jeanne d'Arc

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Fate/Apocrypha#Fate series#Jeanne d'Arc#Jeanne d'Arc
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鷹の目

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character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, jeanne d'arc \(fate/apocrypha\), long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, bare shoulders, sleeveless white shirt, navy blue necktie, wristwatch, navy blue thighhighs, bare arms, no tattoo, unmarked skin, cowboy shot, waist up, standing on tiptoes, tiptoes, looking around, head tilt, puzzled, cute, open mouth, raised eyebrow, looking to the side, from below, shallow depth of field, blurred background, crowd, commuters, train station entrance, morning, soft morning sunlight, bright, cheerful, sharp clean line art, anime style, From a low angle just above waist height, the blonde young woman is caught mid-tiptoe on the scuffed granite of a busy station entrance, framed in a cowboy shot that cuts her at the hips. Both heels are lifted clear of the ground, only the balls of her feet and the toes of her shoes pressing down on the stone, ankles angled and calves taut inside the navy thighhighs that run up under the hem of the frame; her weight is rolled onto her left foot, the right knee slightly bent for balance, hips pushed a touch forward to counter the lift. Her back is gently arched, chest up, shoulders drawn back and completely bare — the white sleeveless shirt sits with its shoulder seams on the slope of each deltoid, leaving the whole line of her neck, collarbones and arms uncovered, the loose cotton puckering under one arm where the fabric bunches. A narrow navy necktie falls from an open collar down the center of the shirt, its tip tilted off-vertical by the lean of her torso, the knot pulled small and neat. On her left wrist, a plain wristwatch with a round pale dial and a slim case sits just below the cuff-less sleeve, the strap slightly loose so it has ridden toward the wrist bone. Her long blonde braid is the heaviest thing in the shot: it comes over her right shoulder in a single thick plait that falls forward past her collarbone, the woven strands catching the morning light on their upper facets and going warm amber in the grooves between them, the blue ribbon tied in a bow near the crown of her head with its loops beginning to lift and flutter in the drift of air from passing people. Her head is tilted — the crown leaned toward her left shoulder, chin lifted so that from this low camera her jawline and the underside of her chin read cleanly against the bright station roof behind her. Her blue eyes are open wide and scanning sideways and up over the heads of the crowd, brows drawn slightly together in a small pinch, lower lip pushed out and mouth just parted in a puzzled, cute look of someone who has been waiting and cannot find who she is waiting for; her right hand is raised loosely to chest height with the fingers half-curled as if about to check the time and forgetting to. The morning sun comes in low from the left and behind her, warm and soft, rimming the top of her braid and the shelf of her bare right shoulder in pale gold while the front of the shirt stays in gentle open shade; a faint shadow of her own raised forearm falls across the white cotton, and the braid's shadow lies over the navy tie. Behind her the station entrance is a wide, bright mouth of glass and steel with its roller shutters rolled up, and the crowd streaming through it is thrown far out of focus — a soft grey-and-colour wall of anonymous commuters whose heads and shoulders break into rounded bokeh, backlit so that pale discs of sunlight drift through the gaps between them; the lettering on the boards above is smeared into illegible bands by the depth of field. Foreground granite and a fragment of tiled step sit at the bottom edge, cropped by the frame, and the whole frame is keyed to a bright, cheerful palette of white, navy, warm honey-blonde and pale morning gold with nothing heavy or dark admitted. Crisp confident linework with clean, evenly weighted contours and flat cel-shaded colour, bright and expectant.
Show Parameters
Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.76k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, jeanne_d_arc_(fate/apocrypha), long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, white sleeveless shirt, bare shoulders, bare arms, navy blue necktie, wristwatch, wristwatch on left wrist, leaning against pillar, leaning back against pillar, standing at an angle, cowboy shot, waist up, from side, profile, looking at watch, puffed cheeks, pout, impatient, glancing sideways, looking to the side, train station entrance, plaza, morning, sunlight, sunbeam, blurred background, crowd, depth of field, sharp lineart, clean lines Viewed from the side in a waist-up cowboy shot, she stands at a slight backward angle, spine and one shoulder blade pressed flat against a square concrete pillar at the mouth of a train station entrance, weight settled on her right leg with the left knee bent and the left foot turned out, so the pillar carries her rather than her own stance. Her left forearm is raised across her chest, sleeve-less shoulder lifted, and her right hand pinches the crown of a silver-cased wristwatch strapped to her left wrist, thumb worrying the bezel; she has just tilted the dial toward the light. Her chin is tucked down at the watch but her eyes have slid off it, cutting sideways across the plaza, lids low and bored, lower lip pushed forward between two round puffed cheeks that hold a small swallowed breath of impatience. A navy blue necktie knotted at her bare collarbone hangs slightly askew, its tail flipped over by the morning air, the open sleeveless shirt leaving both shoulders and both arms clean bare skin with no mark anywhere on them. Her long blonde braid, gathered at the nape with a blue ribbon, drops past the waist edge of the frame behind her arm and swings its loose tail forward across her hip, the ribbon's ends lifting. Warm low morning sunlight rakes in from the upper left along the pillar's face, laying a hard bright edge down one corner of the concrete and striping her shoulder, cheek and the watch crystal with gold while the pillar's shadow stays deep behind her back; past her, the station forecourt recedes into soft-focus depth, where commuters in coats move as blurred dark shapes through the light shafts, one passing figure smearing a shadow across the paving. Palette of warm gold and pale concrete grey around her, drawn tight to the white of the shirt, the navy of the tie and the blue of ribbon and eyes, with clean sharp linework and flat crisp cel shadows. Quiet, sun-warmed, faintly sulky.
鷹の目
#Fate/Apocrypha#Fate series#Fate/Grand Order
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha cowboy shot, 1girl, solo, waist up, leaning forward, hands clasped, closed eyes, crescent eyes, smiling, open mouth, big smile, blonde hair, very long hair, single braid, braid over shoulder, blue ribbon, white sleeveless shirt, bare shoulders, bare arms, navy blue necktie, necktie, wristwatch, completely clear unmarked skin, from side, looking at another, train station, morning, sunlight, rim light, warm lighting, depth of field, blurred background, heartwarming A three-quarter view from slightly to her left and a touch above her eye line holds her at a cowboy shot, cropped just below the waist, her upper body tilted a few degrees toward the friend arriving at frame right who is out of view. She leans slightly forward with delight, the weight carried on her rear right foot while her left toes just bear a little, hips a few centimetres back so the whole torso tips toward the person she has been waiting for. Both hands are clasped together in front of her chest, fingers laced and drawn close against her sternum, knuckles lightly touching the white sleeveless shirt; the thumb of her upper hand rocks once over the other. Her white sleeveless shirt sits crisp and softly folded at the shoulders, the armholes cleanly framing bare shoulders and bare arms that catch the low sun. A navy blue necktie hangs straight down the shirt front, its knot properly at the collar. The cuff of the white shirt is plainly rolled up at her left wrist, and the wristwatch rides just above it — a pale round dial, thin metal case, leather strap. Her long blonde braid is gathered into one heavy plait that comes forward over her right shoulder and spills down the front of her chest and to her waist, peppered with fine loose strands near her temples; a blue ribbon is tied at the head of the braid so it rests forward over the shoulder, its two tails tilted off to the side. Her skin is completely clear and unmarked — bare, even shoulders, bare arms, nothing inked anywhere the crop allows. Her eyes are shut in two clean crescents above a big warm open smile that shows a bright sliver of teeth and one lifted corner on the side turned to the viewer; her brows lift a touch, and her chin is raised faintly, as though she has just spotted them. Her gaze, though her lids are closed, is angled straight at the person out of frame right, at the exact height of their face. The warm soft morning sunlight comes in low across her right shoulder and paints a gentle rim of gold along her bare shoulder, the top ridge of her braid, and the blue ribbon and the navy necktie; her left side falls into soft shade, and a faint cast shadow of her tied ribbon lies across the front of her shirt. The background is a blurred station facade: pale stone columns and a suggestion of glass roof and a departure board, all drained to a soft grey-blue bokeh, deepening the edge behind her silhouette. A small station clock reads out of focus above her head, catching a fleck of the same morning light. Palette is white, navy and blonde gold, warmed by the sunrise. Heartwarming, calmly joyful.
鷹の目
#Fate series#Fate/Grand Order#Jeanne d'Arc
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, full body, standing on tiptoes, looking around, puzzled expression, cute, head tilt, white sleeveless shirt, bare shoulders, navy blue necktie, navy blue shorts, navy blue thighhighs, wristwatch, long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, completely clean unmarked skin, no tattoo anywhere, arms bare, busy train station entrance, morning, crowd, blurred background, soft morning sunlight, bright cheerful atmosphere, anime style, sharp clean lineart, from below, wide shot A full-body wide shot taken from slightly below eye level, so the girl rises above the heads of the crowd around her: she stands on the balls of both feet, heels lifted clear off the pale grey granite paving, one foot forward and the other tucked behind, weight centred on the front toes, ankles trembling faintly with the effort of holding the lift. Her right hand shades her brow with fingers spread flat, the wristwatch canted on her forearm just below the knuckles' shadow; her left hand presses flat against her own thigh to steady the rise. Her chin is up and her blue eyes sweep sideways across the crowd, brows drawn together and one lifted higher than the other, mouth slightly open in a small puzzled pout. A long blonde braid, absurdly long, falls down her back in a thick rope, past her hips almost to her knees, swaying slightly as she turns her chest to follow her gaze; it is tied off with a blue ribbon at the nape. The white sleeveless shirt is crisp, collar open under the loose navy necktie that dangles slightly askew and swings when she shifts her weight. Navy shorts end mid-thigh, navy thighhighs meet bare knees. Both shoulders and arms are entirely bare, skin clean and unmarked from shoulder to wrist. Around her the concourse: commuters in soft-focus grey, brown and charcoal coats stream in and out, mid-print, one woman with a coffee cup half-turned away in the blurred foreground, a low ribbon of departure boards glowing yellow-white in the distant upper right. The station entrance framing is a wide stone arch behind her, morning sun coming in low through it from the left of frame, striking the left side of her face, the left edge of her braid and the front of her white shirt so the fabric glows warm white while the right side of her body falls into soft blue shadow. Her lifted shadow falls away to the right on the dry paving, stretched slightly by the low sun; long horizontal bands of light from the arch's gaps cross the pavement behind her. Palette is warm morning white and pale grey with navy and blue anchoring her figure, small warm skin tones, and a bright, cheerful clarity. Tender anticipation, bright and buoyant.
鷹の目
#Fate/Apocrypha#Fate series#Fate/Grand Order
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, full body, jeanne_d'arc_(fate), long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, white sleeveless shirt, bare shoulders, navy blue necktie, navy blue shorts, navy blue thighhigh socks, wristwatch, no tattoo, bare skin free of markings, leaning against pillar, leaning back against wall, left shoulder blade and upper back flat on the pillar, left heel hooked against its base, both hands raised, checking wristwatch, left wrist turned up, right index finger tapping the watch face, puffed cheeks, pout, annoyed but cute, impatient, furrowed brows, half-lidded eyes glaring down at the watch, looking at watch, head tilted down, train station entrance, station plaza, commuters blurred in background, bokeh, depth of field, morning, sunlight, backlighting, sharp clean line art, cel shading, from side, cowboy shot, dutch angle slight, anime style, crisp outlines, high contrast shading, cool blue shadows, warm gold morning light The view is a three-quarter side angle from slightly below, the camera a couple of steps off her left hip and tilted a few degrees off level, framing her head to feet so the tiled plaza floor runs out beneath her shoes. She stands with her back and left shoulder blade pressed flat to a square concrete pillar beside the station entrance, the pillar's painted edge cutting vertically just behind her braid; her weight rides on the left leg, the left heel hooked back against the pillar's base plinth, while the right leg is loosely crossed in front with only the toe of the sneaker touching the tile. Both arms are lifted in front of her chest: her left forearm is turned up so the round face of the wristwatch catches the light, and the right hand hovers over it, the right index finger frozen mid-tap on the crystal. Her chin is tucked down and her eyes are angled straight at the watch, brows drawn in, mouth pulled into a small tight pout with both cheeks visibly puffed full of held breath; one sharp sidelong glance flicks off toward the far end of the plaza where a date should be arriving. Her long blonde braid drops over her right shoulder and hangs down her front almost to her hip, its blue ribbon tied in a bow at the top of the plait, the loose tail of the braid stirring slightly in the morning air; the bare shoulders above the sleeveless shirt are unmarked skin, no ink or design anywhere on them. The sleeveless white shirt is tucked into the navy shorts with a soft crease at the waist where she leans, the navy necktie hangs straight down over the shirt front, and the navy thighhigh socks come up to mid-thigh with a slight compression ring pressed into the skin above each band. The sun sits low behind and to the left of the station, so a long shaft of warm gold morning light rakes across the plaza and strikes the right side of her face, shoulder and thigh, while the pillar's shadow falls in a hard diagonal across her front, leaving the puffed cheek and the watch in cool blue shade. The watch crystal throws one small bright specular glint back toward the lens. Around her, the station forecourt recedes: a clot of commuters in dark coats and bags moving toward the gates, rendered soft and out of focus so their shapes smear into the bokeh, their long shadows stretching across the pale stone tiles toward her feet, and the station's steel-and-glass canopy edge above them catching the light. Muted palette of warm cream stone, cold navy cloth, blonde gold and a single blue ribbon, nothing else admitted. Late-for-someone, tenderly impatient.
鷹の目
#Fate/Apocrypha#Fate series#Jeanne d'Arc

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