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View detailsV ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
Show Parameters
- Original Prompt
- birds bathing, doves perched, twigs and branches emerge from broken glass window, dim sun rays, dust settled on the ground, calming reflecting pool, moving waters, dull ambience, cool colors, simple aesthetic, wild plants grown on walls, stain glass mosaic windows, hdr, wellspring, sharp quality, perfect blender render, artstation, cinematic shot, best photometry, clear, no blur
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
Similar Images
Show morebirds bathing, doves perched, multiple doves, small birds splashing in shallow water, twigs and branches emerging from broken glass window, branches growing through shattered windowpane, shattered glass shards, dim sun rays, volumetric god rays through broken window, dust settled on the ground, dust motes in shafts of light, calming reflecting pool, still reflective water surface, moving waters, ripples, concentric ripples, wild plants grown on walls, vines climbing stone walls, moss, stained glass mosaic windows, fractured stained glass, wellspring, water welling up from stone basin, cool colors, teal and slate blue and moss green palette, dull ambience, muted desaturated light, simple aesthetic, minimal composition, no humans, wide shot, from above slightly, high angle, deep interior ruined hall, hdr, sharp focus, crisp detail, everything in focus, clear, deep depth of field, no blur, photorealistic render, cinematic lighting, dramatic photometry, bouboo-style detail not applicable, architectural interior, abandoned chapel, overgrown ruin
The camera looks down at a slight high angle into a ruined stone hall, its far wall pierced by a tall broken stained-glass window; everything from the near pool to that wall is crisply resolved, edge to edge, with no softness anywhere in the frame. Thin twigs and a few leafy branches push inward through the shattered windowpanes, their jagged glass shards catching the light where they still cling to the lead tracery, and the surviving stained-glass mosaic panels fragment the light into muted teal, slate and faded amber patches that fall across the wet floor. Dim sun rays slant down through the broken window in dusty shafts, low and cool, raking from the upper left; the dust they carry has settled in a fine, undisturbed film over the flagstones, and the shafts are the room's only illumination, so the corners beyond them sink into deep cool shadow. At the center-foreground a shallow stone reflecting pool, fed by a low wellspring bubbling up at its far rim, holds calm water that mirrors the window's pale light; at its near edge two small brown-grey birds splash and bathe, wings half-spread, sending out perfect concentric ripples that distort the reflection in widening rings toward the still water beyond. On the broken stone sill above and on a tilted fallen beam at left, several pale grey doves perch in a loose row, one preening its shoulder, another with its head turned toward the bathers, their small eyes on the splashing water; a third steps along the sill with one foot lifted mid-stride. Wild ivy and moss creep up both side walls in irregular green patches, softening the ashlar courses, and the only sound implied is water. The palette holds to cool teals, blue-greys and damp moss greens, with the stained glass admitting only thin lichen-pale colour, keeping the whole scene quiet, slow and meditative.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
no humans, architecture focus, ruined chapel interior, broken glass window, stained glass mosaic windows, twigs and branches emerging through shattered glass, doves perched, crows, birds bathing, reflecting pool, moving waters, wellspring, dust settled on the ground, wild plants grown on walls, dim sun rays, god rays, fog, windy, floating dust motes, bright yellow hues, cool colors, dull ambience, bokeh, sharp focus, crisp, wide shot, dutch angle, cinematic composition, high dynamic range, physically based rendering, volumetric light
Shot at a slight dutch angle from low inside a drowned stone chapel, the frame split between a colossal arched window and the still pool beneath it. The window's leaded mosaic of teal, slate-blue and pale cyan glass survives only in islands; a jagged hole gapes through the upper-left panes, and through it a gnarled branch has grown inward, bark splitting the remaining glass into a fan of cracks. Fresh twigs push through the same opening, their new leaves hanging into the interior. Two grey doves perch side by side on the thickest branch, feet wrapped tight around the bark, chests puffed, one preening its shoulder with its beak buried in its own back feathers, the other looking down at the water. Three crows sit higher on the broken arch's stone sill, feathers ruffled and pushed sideways by the draft, one gripping the ledge with spread claws, heads turned down toward the pool. The window's intact mosaic panels throw the only colour onto the floor: scattered teal and cyan lozenges of light across wet flagstones, broken by the branch's shadow.
In the foreground pool, a shallow basin fed by a small spring welling up at its far lip, the water is in constant motion -- concentric rings spreading from the spring, thin ripples sliding across the whole surface, the reflection of the window wobbling and tearing apart in the moving water. Four small brown sparrows stand belly-deep in the shallows at the near edge, one caught mid-splash with wings half-raised and water beading off its flight feathers, droplets frozen in the air around it, another dipping its head and flicking a ribbon of water sideways. The splashes throw perfect rings that collide with the spring's own. Brown silt and a fine grey film of settled dust coat the dry flagstones between pool and wall, undisturbed except for a fan of small three-toed prints crossing it.
Wild plants climb the walls everywhere: ivy and thin creeper stems threading the mortar, moss blackening the stone joints, ferns bursting from a crack above the pool, their fronds bending all one way in the draught. Fog hangs in the upper volume of the nave, thinning near the floor. The light is one dim, low sun coming through the broken window from behind and high on the left; it throws a soft, faint shaft down through the haze, its edges dissolving, catching the airborne dust so the beam itself is visible, and the dark beyond it is deep and cool. Bright yellow lands only where the sun touches: the sunlit tops of the fern fronds, the gold rim of one crow's beak and eye, the yellow-green of the new leaves on the twigs, and a warm yellow glint on the crests of the ripples in the pool. Everything else is cool -- blue-grey stone, cyan glass, teal water, slate shadows.
Deep background beyond the arch resolves into soft circular bokeh of light through fog and wet glass, out-of-focus orbs glowing pale gold and cyan, while the subject plane -- branch, doves, crows, splashing birds, pool surface -- stays hard and crisp, every water droplet and glass shard defined. Wide shot, 4K HDR, high dynamic range, physically based path-traced render, clean photometric response, no motion smear, no defocus on the subjects. Cool, hushed, quietly alive.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, from below, ruined interior courtyard seen across a calm reflecting pool, birds bathing, small birds splashing in the shallow pool, doves perched, three doves perched on a fallen stone lintel, crows, two crows on the high broken window frame, twigs and branches emerging from a broken glass window, bare branches growing through the shattered pane, broken glass window, stained glass mosaic windows, tall stained glass mosaic windows along the walls, wild plants grown on walls, ivy and ferns rooted in the wall cracks, wellspring, water welling up at the pool's far rim, moving water, concentric ripples, dim sun rays, dim shafts of sunlight through fog, dust settled on the ground, dust film on the flagstones, fog, low fog drifting over the water, windy, branches and ivy swaying, cool colors, teal and slate blue and moss green palette, bright yellow hues, bright yellow leaves and yellow glass shards, dull ambience, simple aesthetic, wellspring, hdr, sharp focus, deep depth of field, everything in focus, clear, no blur, 4k, high detail, no people
The camera sits low near the waterline, looking slightly upward across a ruined courtyard: in the foreground the calm reflecting pool fills the lower third, its surface almost glass until the bathing birds break it; beyond it a bed of dust filmed flagstones, and behind that the tall wall with the broken glass window. The pane is shattered outward in a fan of jagged remaining shards along the frame edges, and a bundle of twigs and branches has pushed through the gap from outside, bark grey-brown, a few bright yellow leaves still clinging and shivering in the wind. Two crows grip the iron crossbar of the upper window frame, heads turned down toward the water, feathers ruffled by gusts, while three doves sit close together on a fallen stone lintel at the pool's far rim, one preening its shoulder, one with its head tucked, one watching the bathers. In the pool the small birds are caught mid-splash, wings half-spread, droplets flying up and rings spreading outward from each body. Ivy and ferns have rooted in the wall's mortar joints and hang in wind-combed curtains across the stained glass, where tall mosaic windows hold irregular panes of teal, slate blue and a scatter of bright yellow that still admits light. Dim sun rays come down through the fog at a shallow angle from upper left, catching floating dust motes so the beams are visible as soft-edged shafts, and the flagstones carry a settled grey film of dust that the light touches only where the rays land. At the far rim the wellspring keeps welling, pushing a faint swirl of cooler water into the otherwise still pool. The palette holds to cool teal, slate and moss with bright yellow as the single warm accent on leaves, glass and a few lit highlights. A single physical detail carries the scene: the ripples from the bathers are perfect circles directly under the birds and stretch into ellipses toward the pool's edge, while the doves' shadows on the dry lintel stay hard-edged, the dust film unbroken everywhere no foot or droplet has landed. Everything is sharp from the nearest water ring to the farthest mosaic pane, deep focus, no bokeh, no falloff. Quiet, hushed stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
birds bathing, doves perched, broken window with twigs and branches growing out, dim sun rays, dust settled on the ground, reflecting pool, moving water, wild plants on walls, stained glass mosaic windows, cool colors, no people, landscape, wide shot, from a low side angle, backlit, sharp focus, crisp detail, depth of field, no blur, cinematic composition, volumetric light shafts, caustic reflections, ripples, moss, ivy, ferns, stone basin, still water, shallow water, splashing, droplets, wet feathers, perched on branch, perched on stone ledge, stained glass fragments, broken glass shards, sunbeam, god rays, dust motes, muted palette, desaturated teal and slate grey, high dynamic range, mist
Seen from a low side angle inside a ruined stone hall, the room opens toward a broken arched window on the right, its stained glass reduced to a mosaic of leaded fragments -- deep teal, sea green, pale smoke grey, one shard of dull amber -- still set in the tracery at the top while the lower panes are shattered, and out through the jagged gap a cluster of bare twigs and slender branches pushes into the interior, bark cool and damp, a few small leaves unfurling at their tips. Ivy and ferns have taken the walls in flat climbing sheets, hugging the stone courses and trailing down toward the floor. In the left-middle of the composition sits a shallow circular stone basin, its rim worn and lichen-mottled, water brimming to the edge and running over the lip in a thin glassy sheet that slides down the stone and darkens it; the pool's surface reflects the window's mosaic in broken inverted patches, ripples spreading in slow concentric rings where the bathers stir it, and on the far lip the water clings and beads before dropping. Three small songbirds with iridescent blue and grey plumage stand thigh-deep in the shallows at the basin's near edge, one caught mid-splash with wings half-raised and droplets flying off the primaries, one dipping its head and flicking beads off its crown, one crouched low with its breast pressed to the water; a fourth perches on the wet rim shaking itself out, feathers ruffled and spiky. On the dry stone ledge to the right, two plump white doves with soft grey wing-tips sit calmly on a broken slab of the window sill, one with its head tucked a little into its shoulders, the other preening the side of its own wing, both facing inward toward the water; a third dove perches on the lowest branch that juts through the window, its feet wrapped around the bark, head turned down at the basin. A film of fine grey dust lies undisturbed across the raised flagstones and the flat dry ground away from the water, marked only by faint scattered bird tracks and one small feather fallen at the basin's base; dust hangs in slow suspension in the beams, and only the wet-flagged ring around the pool is dark and un-dusted. The light is a low, weak sun coming through the window from the right and slightly behind, so the birds and the branch cluster read as soft silhouettes with rimmed edges; the beams cross the room in visible shafts thick with drifting motes, and everything off the beams sits in cool shadow. The palette stays in cool greys, slate blue, teal and moss green, with the single dull amber shard and the pale white of the doves as the only break. High dynamic range, crisp micro-detail on feather barb and wet stone, a precise hard edge on the glass shards and twigs, physically accurate reflections -- the pool's reflected mosaic dimmer and softer than the real window it mirrors -- over a clean, uncluttered composition. Quiet, still, gently melancholic.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
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