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character: takamine_noa 1girl, solo, takamine_noa, grey hair, long hair, floating hair, brown eyes, expressionless, blank stare, black long coat, open coat, formal suit, black suit jacket, white dress shirt, open collar, bare throat, no necktie, black tight miniskirt, pencil skirt, black pantyhose, high heels, martial arts, fighting stance, combat stance, clenched fist, outstretched arm, from below, full body, dutch angle, dynamic pose, motion blur on coat hem, looking at object, bare hands, serious, cold Low dutch angle from just above floor level, the camera tilted a few degrees so the vertical lines of the room lean; the woman in the black long coat fills the frame from the soles of her high heels to the top of her head, her body turned three-quarters away from the lens with her shoulders in profile and her face swung back toward the camera. She is caught mid-technique: her weight is sunk into the back leg, the rear high heel planted flat and bearing, the front heel lifted so only its tip and the ball of the foot touch the floor, that front knee bent and tracking outward. Her front hip is cocked down and back, her torso twisted, her right arm extended across her body at chest height with the elbow soft and the fist closed, knuckles forward, the other fist drawn tight to her ribs. Her chin is slightly tucked and her jaw set; her eyes, brown and level, are fixed on the empty space her extended fist aims at, just past the frame edge, and her mouth stays a flat, closed, unreadable line. The black long coat is open and falls from her shoulders past her knees, its hem swung out and away from her rear leg by the rotation of her hips; the coat's lapels sit wide so the formal suit jacket underneath shows its own black lapel, and below the collar the white shirt opens in a clean bare notch with nothing tied at the throat. The jacket stops at the waist and the black tight pencil miniskirt continues the same line to mid-thigh, where black pantyhose take over, glossy along the front of her shins and matte where the leg turns. Her long grey hair is in motion, lifted off her shoulders and swept in the direction of her pivot, one lock crossing in front of the raised coat lapel. The setting is a stripped, empty hall: bare pale concrete floor, a blank grey wall behind her with one horizontal seam, a broad window at the left pouring hard cool daylight across the floor so the light strikes her left cheek, the front of her coat and the extended forearm, while the right side of her face, the inside of the coat and the space behind her back fall into a deep even shadow; her shadow is thrown long and clean to the right, deformed at its edge where it passes under the lifted coat hem. Palette: black, white, cool grey concrete, brown eyes, nothing else admitted. Smudged contact shadow where the planted heel meets the concrete. Cold, disciplined.
Show Parameters
Original Prompt
takamine noa, 黒ロングコート。フォーマルスーツ。ノーネクタイ。ミニスカート。タイトスカート。黒パンティストッキング。ハイヒール。 無表情。格闘技。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: takamine_noa 1girl, solo, takamine noa, grey hair, long hair, floating hair, brown eyes, expressionless, blank face, looking at viewer, standing, chinese martial arts, martial arts pose, horse stance, arms extended, open hand, black long coat, long coat, formal suit, suit jacket, white dress shirt, open collar, bare neck, no necktie, tight miniskirt, pencil skirt, black pantyhose, high heels, stiletto heels, full body, from below, low angle, dutch angle, dynamic pose, wind, hair blown back, dark background, spotlight, cool palette, tense, quietly formidable, Low-angle shot from just above knee height, tilted a few degrees off level, looking up at a single woman who holds a Chinese martial arts stance: her weight sunk into a wide horse stance, left foot planted forward and turned out, right heel lifting slightly inside the shoe so the stiletto tip takes the load, both knees bent and pressed outward. Her torso stays upright and square, shoulders low, chin level. Her left arm sweeps forward at chest height, elbow softly bent, the hand open with fingers spread and palm turned out in a pushing palm; her right hand is drawn back against her hip, fingers curled into a half fist, knuckles towards the ground. The black long coat hangs open from her shoulders, its hem swinging out behind her right leg as the coat's fabric lags a beat behind the stance, and its lapels fall wide to either side. Beneath it the formal suit jacket is buttoned at the waist, a crisp white shirt collar stands open around her bare throat with nothing tied there and the top button undone, the bare skin of the neck and the notch of the collarbone catching the light. The tight skirt is black, narrow and hemmed high on the thigh, and it stretches taut across her front thigh with the stance, a horizontal crease pulling at the hip. Black pantyhose sheathes both legs in one continuous matte-dark tone from waist to toe, the fabric going faintly sheer and lighter over the kneecaps and the front of the shins where the legs bend. Black high heels with a slim stiletto heel and a pointed toe; the left shoe's toe box creases where the foot flexes. Her face carries no expression at all: lips closed and level, no smile, no frown, brows flat, the eyes open and calm, looking straight ahead past the camera rather than at it, focused on an unseen opponent at her own eye level. Her long grey hair sweeps sideways and streams out behind her shoulder, several strands lifted and floating free of the mass, and the fringe is pushed back off her brow by the same air. The ground is a seamless dark studio floor, unmarked and reflective enough that a soft, dim, blurred mirror of her shoes and the skirt hem sits under her feet, darker and softer than the figure itself. A single hard key light comes from the upper left, striking the left side of her face, the left lapel, the forward palm and the front of the left thigh, and dropping the right side of her body into deep shadow; a thin rim of cool light traces the outer edge of her right arm and the floating strands of hair. Beyond the pool of light the background is absolute black. The palette is narrow: black coat, black skirt, black hose and black heels, the white shirt collar and cuffs, grey hair, and a cool blue-white cast over the skin. Quiet, tense, and severe.
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character: takamine_noa 1girl, solo, takamine_noa, grey hair, long hair, floating hair, brown eyes, black long coat, formal suit, suit jacket, white dress shirt, open collar, bare neck, no necktie, black tight miniskirt, pencil skirt, black pantyhose, high heels, standing on one leg, spinning kick, high kick, martial arts, fighting stance, arms spread, from below, full body, dutch angle, expressionless, blank stare, jitome, half-closed eyes, looking at viewer, motion blur on coat hem, floating hair The camera sits low and close to the floor, tilted a few degrees off level, looking up from below: one woman fills the frame from the soles of her shoes to the crown of her head, caught halfway through a spinning kick that has already left the ground. Her weight is entirely on her left leg, that knee slightly bent and the heel planted, while her right leg swings up and across the frame at hip height, the toe of her high heel pointing off toward the right edge, the shoe's stiletto catching a hard highlight. Her torso twists with the turn, the black long coat flung open and riding out behind and to the side, its hem lifting and its fabric pulling into long diagonal creases; beneath it the tailored black suit jacket stays buttoned low, the white dress shirt open at the throat so the collarbones and bare neck are unbroken, nothing at the collar. The black tight pencil skirt is slit enough to allow the kick, gripping her thigh and creasing at the hip where the leg lifts. Black pantyhose sheathes both legs in a smooth matte dark, taut over the raised thigh and tauter still over the planted calf, the fabric going sheer and catching a faint sheen at the back of the knee. One arm is thrown out to her right for counterbalance, the other cocked back near her ribs with the hand loosely closed. Her long grey hair has been thrown upward and sideways by the spin and hangs in mid-air around her shoulders and above her head, individual strands separated and weightless, some crossing the line of her jaw. Her face is rigidly composed: lids low and level over flat brown eyes, lips closed in a neutral line, not a flicker of strain or effort despite the speed of the movement. Her gaze is fixed straight down the lens, unreadable. The environment is a bare, seamless dark studio floor and wall, no props, no horizon line, so that she reads as a single graphic silhouette against it. A single hard key light comes from high on her left, slicing down across her cheekbone, shoulder and raised thigh in clean bright planes while the right side of her body and the inside of the open coat sink into deep shadow; a soft thin rim light traces the edge of her hair, the coat's flying hem and the lifted heel, separating them from the dark behind. The floor takes a faint, blurred soft reflection of the planted shoe only. Palette held to black, charcoal, cold grey and a sliver of white at the shirt, with the hair the one lighter grey mass -- no other colour admitted. Subtle film grain in the shadows, edges kept crisp. Cool and controlled, quietly dangerous.
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#The Idolmaster#The Idolmaster Cinderella Girls
AI artwork
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character: takamine_noa 1girl, solo, takamine noa, grey hair, long hair, floating hair, brown eyes, expressionless, blank face, looking at viewer, standing, chinese martial arts, martial arts pose, horse stance, arms extended, open hand, black long coat, long coat, formal suit, suit jacket, white dress shirt, open collar, bare neck, no necktie, tight miniskirt, pencil skirt, black pantyhose, high heels, stiletto heels, full body, from below, low angle, dutch angle, dynamic pose, wind, hair blown back, dark background, spotlight, cool palette, tense, quietly formidable, Low-angle shot from just above knee height, tilted a few degrees off level, looking up at a single woman who holds a Chinese martial arts stance: her weight sunk into a wide horse stance, left foot planted forward and turned out, right heel lifting slightly inside the shoe so the stiletto tip takes the load, both knees bent and pressed outward. Her torso stays upright and square, shoulders low, chin level. Her left arm sweeps forward at chest height, elbow softly bent, the hand open with fingers spread and palm turned out in a pushing palm; her right hand is drawn back against her hip, fingers curled into a half fist, knuckles towards the ground. The black long coat hangs open from her shoulders, its hem swinging out behind her right leg as the coat's fabric lags a beat behind the stance, and its lapels fall wide to either side. Beneath it the formal suit jacket is buttoned at the waist, a crisp white shirt collar stands open around her bare throat with nothing tied there and the top button undone, the bare skin of the neck and the notch of the collarbone catching the light. The tight skirt is black, narrow and hemmed high on the thigh, and it stretches taut across her front thigh with the stance, a horizontal crease pulling at the hip. Black pantyhose sheathes both legs in one continuous matte-dark tone from waist to toe, the fabric going faintly sheer and lighter over the kneecaps and the front of the shins where the legs bend. Black high heels with a slim stiletto heel and a pointed toe; the left shoe's toe box creases where the foot flexes. Her face carries no expression at all: lips closed and level, no smile, no frown, brows flat, the eyes open and calm, looking straight ahead past the camera rather than at it, focused on an unseen opponent at her own eye level. Her long grey hair sweeps sideways and streams out behind her shoulder, several strands lifted and floating free of the mass, and the fringe is pushed back off her brow by the same air. The ground is a seamless dark studio floor, unmarked and reflective enough that a soft, dim, blurred mirror of her shoes and the skirt hem sits under her feet, darker and softer than the figure itself. A single hard key light comes from the upper left, striking the left side of her face, the left lapel, the forward palm and the front of the left thigh, and dropping the right side of her body into deep shadow; a thin rim of cool light traces the outer edge of her right arm and the floating strands of hair. Beyond the pool of light the background is absolute black. The palette is narrow: black coat, black skirt, black hose and black heels, the white shirt collar and cuffs, grey hair, and a cool blue-white cast over the skin. Quiet, tense, and severe.
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