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AI art "sakuma mayu/佐久間まゆ" featuring #The Idolmaster, #The Idolmaster Cinderella Girls and #Mayu Sakuma

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sakuma mayu/佐久間まゆ

#The Idolmaster #The Idolmaster Cinderella Girls #Mayu Sakuma

Published on Nov 3, 2026

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character: sakuma_mayu, copyright: idolmaster 1girl, solo, sakuma mayu, blue eyes, small breasts, slender body, dark brown hair, medium hair, red hairband, bow, ruffled dress, deep vibrant red dress, frills, white above-the-knee socks, standing by window, gazing outward, pensive, from below, frontal view, from outside window, cowboy shot, framed by window frame, window glass between viewer and subject, autumnal atmosphere, aristocratic mansion interior, blurred cityscape, faint silhouette, looking to the side, closed mouth, light smile, hand on own arm, autumn leaves The camera sits low outside the mansion, looking up and in through a tall multi-paned sash window, so the frame is a frontal, slightly upward view of one girl through the glass, cropped cowboy-style at mid-thigh — the window's lower ledge crosses the bottom of the frame in front of her socks, and the window's central mullion runs vertically beside her right shoulder. She stands just inside the glass with her weight settled on her left leg, right hip slightly dropped, right knee eased forward so the red skirt falls in an uneven cascade of ruffles; her left hand rests flat on the window's inner sill, fingers spread and taking her weight, her right arm folds across her midriff with the palm pressed to her left elbow. Her torso is turned a few degrees toward the panes but her head is angled away, chin lifted, so her face is a soft three-quarter profile with only one blue eye clearly visible; that eye looks out past the camera and off to the far left, mild and inward, lids relaxed, mouth closed in a faint flat line that turns very slightly down at the corner — pensive, not sad. Her dark brown medium-length hair falls to just below her shoulders, the ends sweeping toward the glass with the air current, and the red hairband with its small bow sits high across the crown, its knot just catching the window light. The deep red ruffled dress is the loudest thing in the frame: layered frills at the shoulders and cuffs, a full gathered skirt, the fabric's deep vibrant red going almost black in the folds nearest her body; the slender build reads in the narrow shoulders and the flat plane of her chest beneath the gathered bodice, the small breasts only a gentle swell under the frills. Below the skirt, the white above-the-knee socks are crisp and slightly loose at the cuff, the left band catching a thin edge of light where it presses the thigh. Light comes from behind the camera and low — late autumn afternoon raking up from below the frame — so it strikes the outside face of the glass, the undersides of her jaw, chin and the frill hems, and the sill under her hand, while the room behind her stays in warm brown shadow. The glass does the rest: an extra faint reflection of her own dress and hairband ghosts across the pane offset an inch or two from the real edge, her silhouette reading thin and pale where the outside light washes it, her shape half-dissolved into the smeared amber-and-grey city beyond — rooftops, a water tower, chimneys all defocused into soft blocks of ochre, rust and smoky blue. Inside the mansion the visible slice of interior is dim and autumnal: a dark walnut window casing with carved beading, heavy maroon drapery bunched at the right edge of the frame, a branch of drying copper-red leaves silhouetted in a hallway vase just far enough back to blur, and the corner of a parquet floor under the sill. A few fallen leaves lie pressed flat against the outside of the lower pane, their edges lifted by the wind. Palette held to deep vibrant red, warm walnut brown, white socks, off-white sill and the muted ochre-and-blue smear of the city. Quiet, autumnal melancholy.

sakuma mayu/佐久間まゆ

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