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AI art "お産の日" featuring #Breasts, #Pregnant, #Big Boobs and #zetaCollab

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お産の日

赤ちゃんが生まれてくるのを心待ちにしている妊婦さん。 …足が変だけどね…？正座かな…？笑

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Breasts #Pregnant #Big Boobs

Published on Nov 3, 2026

Taro

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1girl, solo, pregnant, full-term pregnancy, huge breasts, black hair, bob cut, maternity dress, large clear eyes, softly lowered eyebrows, flushed cheeks, half-closed eyes, slightly open mouth, happy smile, sitting, bed, hospital bed, raised backrest, reclining against backrest, hands on own belly, both hands cradling belly, talking, looking down at belly, window, sunlight, sunbeam, bright room, maternity ward, calm, from side, cowboy shot, profile, bare ears, no earrings, bare neck, nothing at the throat A near-profile view from the side, the camera lowered to bed height and placed at the foot-side corner of the bed so it looks along the mattress toward the window; the woman sits in a three-quarter-to-profile turn facing the window at frame left, her body angled away from the lens with only a sliver of her back pressed flat into the raised backrest. The backrest is cranked steeply up, the mattress humped beneath it, and she is settled back into that incline: spine against the upholstered panel, hips slid slightly forward on the sheet, both knees drawn up under a light blanket that tents over them, one bare foot poking free at the bottom edge, toes just touching the cold side rail. Her head tips forward and down, chin toward her own belly, so the black bob swings off the nape and a straight fringe of it slides past her temple, one lock curving forward over her cheek; the soft downturned brows stay drawn up in the middle, the flushed cheeks carry a warm rose patch that the window light brightens almost to pink, the narrowed eyes crease at the outer corners with two shallow laugh lines, and the slightly open mouth shows the tips of her upper teeth around a bright, easy smile. Both hands come forward and down, palms spread and fingers splayed wide around the enormous full-term belly, thumbs meeting near its crown, forearms cradled under its weight so the dress fabric gathers and pulls taut in radial creases from each fingertip; her lips are parted mid-word, the small chin-lift of someone speaking warmly into the bump, and her gaze is aimed at the belly itself, off the lens entirely. The pale pink maternity dress drapes softly from her huge breasts, straining a little across the bust before falling slack over the bump, short sleeves pushed up. The private maternity room is bright and immediately domestic: a pale wood nightstand at frame right holding a water glass filmed with condensation and a folded towel, a small knitted bootee set on the sill, a curtain pulled back and bunched at the window frame at frame left, one soft visitor's chair half in shadow in the background. A single light source -- the window -- rakes in low and warm from frame left, laying a bright parallelogram of sun across the blanket, striping the belly's left flank and the edge of her jaw, and throwing her shadow softly to the right along the mattress; a thin cell of window mullion shadow cuts across the dress at her shoulder, and the room beyond the sun patch stays a gentle, evenly lit cream, no harsh darkness anywhere. The sheet is dimpled where her heels push, and the scattered dust in the beam hangs visible only where the light cuts it. Palette of warm cream, sunlit gold, pale rose pink, and the deep blue-black of the bob, nothing cold admitted except the one flash of white on the metal rail. effortlessly tender, quietly radiant

お産の日

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