Nov 2, 2026

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AI art "ナリタブライアン" featuring #Wedding dress, #Bride, #Uma Musume Pretty Derby and #Narita Brian

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ナリタブライアン

ナリタブライアンにマーメイドタイプのウェディングドレスを着せてみた。ウェディングなのか疑問

#Wedding dress #Bride #Uma Musume Pretty Derby #Narita Brian

Published on Nov 3, 2026

ta2bon

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character: narita_brian_(umamusume), copyright: umamusume 1girl, solo, narita_brian_(umamusume), horse_ears, black_hair, long_hair, ponytail, hair_between_eyes, yellow_eyes, horse_tail, tail, wedding, mermaid_silhouette_wedding_dress, purple_base_bridal_gown, white_and_gold_trim, gold_embroidery, sleeveless_bodice, bare_shoulders, sheer_veil, bridal_veil, holding_bouquet, flower_bouquet, both_hands_on_bouquet, bridal_gloves_not_present, bare_hands, two_hands, from_below, cowboy_shot, dutch_angle, looking_at_viewer, faint_smile, closed_mouth, raised_eyebrow, blush, head_tilt, standing, weight_on_one_leg, contralto_victory_composure, The camera sits low and canted a few degrees off level, looking up the length of her as she stands in the doorway light: a tall athletic young woman with long black hair gathered into a high ponytail, one long strand falling between her eyes, a pair of horse ears rising alert from the crown of her head, and warm yellow eyes with dark lash lines. The dress owns the frame: a mermaid-silhouette bridal gown whose deep royal-purple crepe bodice is cut close and sleeveless, its color the base that everything else answers to, cinched at the waist by a narrow band of antique gold cord. Below the knee the skirt breaks into a flared trumpet hem of pale white satin, each seam edged in thin gold piping that catches the light; the white reads at the shoulders and hem, the gold only in piping, cord and scattered beadwork stitched in small rosettes along the hip and the train. From her crown a long sheer veil of cream tulle falls in soft folds past her shoulder blades and pools a hand's width down the train, its edge trimmed in a fine double line of gold thread; the veil is translucent enough that her ponytail shows through it, darker where the hair presses up against the mesh. Both hands, bare and gloved in nothing but their own skin, cradle a round bouquet low at the waist: deep purple lisianthus and white roses packed tight with gold-ribbon binding at the stems, gold-dusted sprigs poking up among the blossoms. Her weight is on her right leg, left toe turned slightly out and heel lifted, hip cocked, one shoulder dropped, one brow lifted a degree above the other; her chin is tipped down but her eyes look up into the lens from under the veil, and a faint closed-mouth smile is barely holding in a proud, unimpressed composure. Behind her a double-height hall is out of focus: pale stone columns, a tall arched window at the back throwing a single shaft of warm late light that rakes across the top of the veil and lights the purple satin on the left side of her hip, while the right side of her body falls into soft neutral shade; the bouquet casts a small soft shadow onto the skirt, and the train drags along the polished floor in a long smear of white. Palette held to purple, white, gold and the warm skin and hair tones; the veil's translucency grays the gold trim of the far shoulder as it passes behind the tulle. Cinematic, regal, quietly triumphant.

ナリタブライアン

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