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Show more8k, (detailed hands:1.2), 1girl, solo, purple punk, walking to the side, side braids with pink streaks, color-matched linework, painterly edges, subtle edge definition, atie1225 style, drawing style, looking away, skyscraper, dry street, crosswalk, city, blue sky, under shot, from ground, ((detailed background:1.5)), atie1225 style, drawing style, panorama, wide background shot, wide shot
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1girl, solo, pink hair, twin tails, glossy hair, star hair ornament, hair clips, oversized pink hoodie, hood down, denim shorts, headphones around neck, black and silver headphones, from behind, looking back, over shoulder, glancing back at viewer, smirk, confident smirk, closed mouth, one eyebrow raised, half-closed eyes, three-quarter length, cowboy shot, from below, slightly low angle, night, city street, urban, neon signs, wet asphalt, reflections, puddle reflections, bokeh, depth of field, blurry background, rim light, magenta light, cyan light, backlighting, vibrant lighting, cinematic, cool colors, high contrast, dark background,
From a slightly low angle in a three-quarter length shot, one girl stands in the foreground of a night city street with her back turned three-quarters away from the lens, and she glances back over her shoulder directly at the camera. Her head swivels so her chin rides her right shoulder; the smirk pulls one corner of her mouth up while her half-lidded eyes hold the lens under a lifted brow. Her glossy pink twin tails fall behind her shoulders, each tied high and each pinned at the base with a small yellow star-shaped hair clip, the twin tail on the near side swinging slightly forward across the hoodie's shoulder seam. Broad black and silver headphones hang loose around her neck, their cups resting on her collarbones, the headband arcing behind her nape above the hood's furled collar. The oversized pastel pink fleece hoodie swallows her frame; its too-long sleeves bunch at her wrists, gripping and pulling the cuff of the free hand at her hip while the other arm hangs low. Frayed dark blue denim shorts show beneath the hoodie's hem at the very bottom of the crop. The whole figure is thrown cool at the shoulders and hairline by magenta and cyan rim light: magenta along the near side of one tail, the hoodie's shoulder and the headphone cup, cyan along the far cheek, her jaw and the opposite sleeve, while her front torso and the underside of her chin drop into deep shadow. Behind her, neon signs line the buildings โ vertical signs of magenta, cyan and faint violet โ their glow bouncing off wet asphalt as stretched vertical smears and broken puddles, each reflected sign darker and softer than the tube that casts it. Beyond her shoulder the street dissolves into detailed urban bokeh: circular out-of-focus neon orbs in magenta, cyan and pale gold scattered across a near-black background, layered from the sharp curb and her feet's reflection at midground to the far, blurred storefronts and the vanishing street lights. Everything stays in a cool register โ pink and magenta the only warm-warm accents against cyan, deep blue, and wet black. Cinematic anime illustration: crisp cel linework on the girl against painterly blurred city, high contrast, clean highlights. Moody and effortlessly cool.
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character: la+_darknesss, copyright: hololive
1girl, solo, la+ darknesss, multicolored hair, streaked hair, long hair, purple hair, grey hair, very long hair, ahoge, braid, braided bangs, yellow eyes, dress, jacket, long sleeves, sleeves past wrists, sleeves past fingers, shirt, streetwear, from below, cowboy shot, dutch angle, leaning forward, looking down at viewer, head tilt, one eye closed, smug, :d, hand up, sleeve-covered hands, pointing at viewer, night city street, neon signage, depth of field, cinematic lighting
Shot from below at a slight dutch tilt, low near the pavement and angled up, so her long frame leans over the camera and the night sky and the tops of the buildings sit behind her shoulders. She is caught mid-lean, weight settled onto her back right leg while her left foot is planted forward, torso pitched down toward the lens, one shoulder dipped lower than the other; her right hand is raised with the long sleeve pulled down over the fingers, the cuff bunched at her knuckles, pointing loosely back at the viewer, her left arm hanging relaxed with the sleeve swallowing her whole hand. Her head tips toward her raised shoulder, chin tucked so she looks down the line of her nose at the lens: one eye squeezed shut, the other half-lidded and bright yellow, and a lopsided open grin with the tip of her tongue just showing at the corner, a smugness that is entirely deliberate.
Her very long streaked hair, purple shading into pale grey in long ribbons, falls forward past her shoulders with gravity the lean exaggerates, and the thick braid of her bangs hangs down across her forehead beside the single ahoge that springs up and refuses to fall. The braid at her side swings forward over the opening of her jacket. She wears a loose streetwear jacket with sleeves dropping past her wrists, hanging open over a shirt and a short dress, and the sleeve cuffs are rumpled and pushed back only at the pointing hand.
The street behind her is a narrow night block: dark building fronts in the background, a midground of shopfronts with tightly cropped signs whose lettering stays an illegible smear of light, and in the foreground only the wet dark asphalt she stands on. Colour is held to a tight discipline -- purple and silver-grey in her hair, the black and muted charcoal of the jacket and dress, warm yellow in her eyes, and a single wash of neon magenta and cyan reflected off the wet ground, admitted nowhere else. The light comes from the shop signs behind and above her, rimming the crown of her head and the outside edge of her sleeves, throwing her face into soft shadow from the front while her eyes catch two small yellow sparks; below, the wet asphalt doubles the neon in smeared vertical streaks that stretch and break toward the camera. Quiet, effortless swagger.
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Uisun Park
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