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ルルハワ塚本
Show Parameters
- Original Prompt
- 柄の中心に太陽の紋章を宿した真紅の宝玉がはめ込まれた黄金の幅広の長い刀身を持つ聖剣の全体像。背景は無地。人間はいない。
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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1 object, weapon focus, holy sword, single sword, full view, entire sword visible, full length, wide long blade, golden blade, metallic gold, broad blade, crimson gemstone, red jewel, gem set in hilt, sun emblem, sun crest at hilt center, ornate crossguard, decorative hilt, wrapped grip, pommel, no humans, nobody, plain background, solid background, seamless backdrop, object study, vertical composition, slight three-quarter angle, floating, still life, product lighting
The whole sword is shown in one piece, floating vertically at a gentle three-quarter turn in a completely empty backdrop, its point toward the bottom of the frame and its pommel near the top, the entire length from pommel to tip inside the image with air on every side. The long broad blade is solid gold, wide across its flat and heavy, its faces catching a cool specular sheen along the left bevel and a warm amber one along the right; a single shallow fuller runs up the centre and dies out before the point, and the edges carry a fine bright line where the bevel meets the flat. Below the blade the crossguard spreads wide and flat in the same gold, its surface worked with shallow relief, and at the exact centre of the hilt a sun emblem is cut in rays around a round crimson gem, the stone deep and glassy, holding one hard pinpoint highlight and a darker core below it; the gold rim of the setting closes over the stone's edge. The grip is bound and slightly darker gold, the pommel a plain flared cap; nothing else is set on the weapon. The plain background is a seamless off-white sweep with no horizon line, no floor seam and no props; a soft contact shadow does not exist because the sword floats free, and only a faint graded falloff darkens the corners. Key light comes from the upper left, filling the gold with warm reflections of its own and throwing no shadow onto the empty field; the crimson gem is the one saturated note in a palette of golds, warm off-white and that single deep red, and the metal reads as dense and polished, its reflections stretched vertically along the blade's length. Serene, ceremonial.
ルルハワ塚本
1 object, weapon focus, holy sword, single sword, full view, entire sword visible, full length, wide long blade, golden blade, metallic gold, broad blade, crimson gemstone, red jewel, gem set in hilt, sun emblem, sun crest at hilt center, ornate crossguard, decorative hilt, wrapped grip, pommel, no humans, nobody, plain background, solid background, seamless backdrop, object study, vertical composition, slight three-quarter angle, floating, still life, product lighting
The whole sword is shown in one piece, floating vertically at a gentle three-quarter turn in a completely empty backdrop, its point toward the bottom of the frame and its pommel near the top, the entire length from pommel to tip inside the image with air on every side. The long broad blade is solid gold, wide across its flat and heavy, its faces catching a cool specular sheen along the left bevel and a warm amber one along the right; a single shallow fuller runs up the centre and dies out before the point, and the edges carry a fine bright line where the bevel meets the flat. Below the blade the crossguard spreads wide and flat in the same gold, its surface worked with shallow relief, and at the exact centre of the hilt a sun emblem is cut in rays around a round crimson gem, the stone deep and glassy, holding one hard pinpoint highlight and a darker core below it; the gold rim of the setting closes over the stone's edge. The grip is bound and slightly darker gold, the pommel a plain flared cap; nothing else is set on the weapon. The plain background is a seamless off-white sweep with no horizon line, no floor seam and no props; a soft contact shadow does not exist because the sword floats free, and only a faint graded falloff darkens the corners. Key light comes from the upper left, filling the gold with warm reflections of its own and throwing no shadow onto the empty field; the crimson gem is the one saturated note in a palette of golds, warm off-white and that single deep red, and the metal reads as dense and polished, its reflections stretched vertically along the blade's length. Serene, ceremonial.
ルルハワ塚本
1 object, weapon focus, holy sword, single sword, full view, entire sword visible, full length, wide long blade, golden blade, metallic gold, broad blade, crimson gemstone, red jewel, gem set in hilt, sun emblem, sun crest at hilt center, ornate crossguard, decorative hilt, wrapped grip, pommel, no humans, nobody, plain background, solid background, seamless backdrop, object study, vertical composition, slight three-quarter angle, floating, still life, product lighting
The whole sword is shown in one piece, floating vertically at a gentle three-quarter turn in a completely empty backdrop, its point toward the bottom of the frame and its pommel near the top, the entire length from pommel to tip inside the image with air on every side. The long broad blade is solid gold, wide across its flat and heavy, its faces catching a cool specular sheen along the left bevel and a warm amber one along the right; a single shallow fuller runs up the centre and dies out before the point, and the edges carry a fine bright line where the bevel meets the flat. Below the blade the crossguard spreads wide and flat in the same gold, its surface worked with shallow relief, and at the exact centre of the hilt a sun emblem is cut in rays around a round crimson gem, the stone deep and glassy, holding one hard pinpoint highlight and a darker core below it; the gold rim of the setting closes over the stone's edge. The grip is bound and slightly darker gold, the pommel a plain flared cap; nothing else is set on the weapon. The plain background is a seamless off-white sweep with no horizon line, no floor seam and no props; a soft contact shadow does not exist because the sword floats free, and only a faint graded falloff darkens the corners. Key light comes from the upper left, filling the gold with warm reflections of its own and throwing no shadow onto the empty field; the crimson gem is the one saturated note in a palette of golds, warm off-white and that single deep red, and the metal reads as dense and polished, its reflections stretched vertically along the blade's length. Serene, ceremonial.
ルルハワ塚本
object focus, solo, no humans, holy sword, full view of entire sword, wide long pure white blade, crimson gem set in the sword, golden hilt, sun emblem at center of the hilt, plain background, empty seamless background, vertical composition, slight three-quarter angle, from side, floating, still life, polished metal, rim light, high contrast shading, gold, white, crimson, cold blue-white, dark grey
A single holy sword floats alone against a completely empty seamless field of flat dark cool grey, nothing else in the frame, no floor line, no cast surface, no people, no hands, no creatures. The whole weapon hangs vertically in a slight three-quarter turn, its broad blade angled just enough to catch the light across its flat, its long axis running from lower third to the crown of the frame with the tip pointing down and the pommel near the upper edge, so the entire length fits inside the image with a clean margin at both ends. The blade is a wide, long, pure white slab of polished steel-white metal, its two edges running parallel and unbroken down its length, a crisp central ridge dividing two broad planes; down the upper half of the blade sits the fine engraved linework of a groove, and the white surface answers the light with a hard bright highlight along the left plane and a cool blue-grey shadow along the right. Above it the golden hilt: a swept crossguard of warm gold, its quillons curving outward and slightly up toward the blade, the metal worked with small repeated ornament and worn to a soft matte sheen at the tips. At the exact center of the hilt, where guard, grip and blade meet, a roundel of golden rays spreads outward in a carved sun emblem, its points radiating evenly, each ray beveled so its edge glints. Set into the heart of that sun, framed by the gold, is a single cabochon crimson gem, deep blood-red and glassy, its domed face carrying one small sharp specular spark and a faint inner glow that darkens toward its rim. The grip rises above the roundel, wrapped in gold-toned bands over a darker core, and ends in a simple heavy gold pommel. The light comes from one high cold source at the upper left: it strikes the sword's left face, lays a thin white rim along the leading edge, and drops the right side into cool shadow, so the blade throws a soft narrow reflection into the empty grey and a faint dark halo of occlusion sits where the gold meets the steel; beyond the sword the darkness is even and absolute. Palette is held to pure white, warm gold, crimson and the cold grey field. Clean linework, crisp cel shading with hard-edged shadow shapes, smooth metal rendering, no grain, no texture on the background. Regal, still.
ルルハワ塚本
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