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PhantomMoth

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PhantomMoth

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1girl, solo, petite, skinny, slim, short, pale skin, long hair, red hair, curly hair, brown eyes, private school uniform, navy blazer, white shirt, striped navy tie, navy pleated skirt, standing, looking at viewer, shy, timid, meek, insecure, from below, close-up, hallway, arms down, hands clasped in front, head slightly down, blush, half-closed eyes, looking up, From a low angle just above her waist, tilting up so the corridor's ceiling line converges behind her head, the girl stands alone in the middle of a school hallway and looks directly down into the lens. Her small frame occupies the center of the frame, fragile against the corridor's height: narrow shoulders hunched slightly forward, thin wrists, a slim waist under the blazer, knees pressed together. Someone pushed the camera in — a close-up from mid-thigh to just above her hair, so the hallway recedes behind her rather than around her. Her hands are clasped low in front of her skirt, fingers laced and twisting at each other, knuckles pale and pressed; her weight rests on her back right foot, the left toe turned inward and barely touching the floor, the navy pleated skirt hanging still with one pleat caught inside the other. Her chin is tilted down a fraction, so she looks up through her lashes at the viewer: brown eyes wide and uncertain, lids lowered, a faint pink flush across both cheeks, lips pressed closed and pulled slightly inward, one corner tugged down. Long curly red hair falls in loose ringlets past her shoulders, a few strands spilling forward over the collar of the white shirt and one curl resting on the navy lapel; the tie, navy with narrow diagonal stripes, hangs straight and slightly too long, its knot pulled a little crooked. The blazer is buttoned once at the waist, sleeves a touch long, cuffs swallowing the backs of her hands. Around her: pale cream walls with a wood dado rail running away in perspective to a tall window at the far end, a row of navy-grey lockers on the left, scuffed linoleum underfoot with a long weak shine, a pinboard on the right with blurred illegible notices. Light comes only from the window at the end of the corridor, cool and diffuse, striking the right side of her face and hair and leaving the left side of her features and the near lockers in a soft shadow that creeps down the wall behind her; her own shadow lies small and short on the floor at her feet. Palette restricted to navy, cream, warm brown wood and the red of her hair, nothing else admitted. Quiet, tender shyness.
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Original Prompt
A deeply shy and insecure girl, timid, meek. Skinny and frail frame, petite, short, slim, pale. Long red hair, curly hair. Brown eyes. Wearing a private school uniform, navy blazer, striped navy tie, navy skirt. Standing in a hallway, looking directly towards viewer (Detail, good anatomy)
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1girl, solo, petite, short, slim, skinny, frail, pale skin, long hair, curly hair, red hair, brown eyes, private school uniform, navy blazer, striped navy tie, navy pleated skirt, white shirt, timid, meek, shy, insecure, shoulders drawn in, head lowered, looking down, sidelong glance, blush, half-closed eyes, downturned mouth, hands clasped together, fidgeting, standing, weight on one leg, knees together, from above, close-up, upper body, diagonal composition, school corridor, lockers, window light, muted palette, soft atmosphere, Shot from above and slightly to the side, looking down at the girl from a high angle so the corridor floor recedes behind her compressed shoulders. She stands pulled in on herself against a run of pale green lockers, weight sunk onto her left leg with the right knee bent inward and both feet close together, the toes of her shoes turned toward each other. Her hands are clasped low in front of her skirt, fingers laced and knuckles whitened, thumbs pressing and rubbing over one another. Her chin is tucked down so the crown of her head tips toward the camera; her curly red hair falls in loose, frizzy ringlets past her shoulders, one heavy coil swinging forward over her blazer lapel while the rest bunches behind her neck. Brown eyes lift only partway from under her brows, sliding a sideways glance off to the lower left, not meeting the lens; a faint flush sits across her cheeks and the bridge of her nose, her lips pressed thin and pulled down at one corner. The navy blazer hangs loose on her narrow, bony shoulders, sleeves slightly long so the cuffs swallow her wrists half up; the white shirt collar sits a little crooked under the striped navy tie, which is knotted short and slightly askew; the navy pleated skirt drops to just above her knobbly knees. Cold daylight comes in from a tall window at frame left and strikes the left side of her face, the flat of her cheek and the edge of her jaw, leaving the right side of her face and the hollow of her throat in soft grey shadow; the window's reflection stretches in a long pale band across the polished floor behind her, and her shadow falls short and compressed toward the camera's feet. Palette stays muted: the navy of the uniform, the warm rust-red of her hair, and the pale skin as the only bright note against the drab corridor green, all of it quiet and subdued. Her skirt hem and one loose curl are caught mid-sway, the only things in the frame that are moving. Timid, tender.
PhantomMoth
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1girl, solo, petite, skinny, frail, slim, short, pale skin, long hair, curly red hair, brown eyes, private school uniform, navy blazer, striped navy tie, navy skirt, shy, timid, meek, insecure, from above, close-up, cowboy shot, head tilt, looking down, looking away, clutching bag, hands together, blush, half-closed eyes, worried, standing, school hallway, lockers, window light, muted palette, From above and slightly in front, the camera looks down at her at a close cowboy-shot distance, her small frame filling the lower two-thirds of the frame while the top of the shot carries the cool corridor behind her. She stands drawn in on herself, weight sunk onto her left leg with the right knee bent inward, toes turned toward each other; her shoulders are rolled forward and her chin is tucked down so the crown of her head and the top of her red curls take the light. Her long curly red hair falls in loose spirals past her shoulders, one curl swinging across her cheek where she has tilted her head; the ringlets catch the light on their upper faces and go dark maroon in the shadowed underside. Her brown eyes are lowered, lashes half down, glancing off to the left of frame at nothing, and a faint blush sits high on her pale cheeks; her lips are pressed together, the lower one drawn slightly in, brows faintly knit in a worried pinch. Both hands are gathered in front of her chest, fingers laced and knuckles pale where they grip the strap of a plain dark satchel hanging at her hip, the bag's weight pulling the strap taut against her blazer. She wears the private school uniform: a navy blazer slightly too big across her narrow shoulders, its cuffs reaching past her wrists, a white shirt collar, a striped navy tie knotted small and a little crooked, and a navy pleated skirt hanging straight from her slim hips. Light comes from a tall window at the left, cool and diffuse, laying a soft sheen along her left cheek, the shoulder of the blazer and the upper curve of her hair, while her right side falls into gentle shadow and a long thin shadow of her legs stretches across the floor tiles to the right; beyond her a row of pale green lockers recedes into soft grey dimness, and the polished floor reflects the window as a paler, softer rectangle than the glass itself. Palette of navy, worn grey-green, pale skin and the warm red of her hair as the only warm note; the corridor behind her stays quiet and desaturated to keep her small figure the only focus. Quietly anxious, achingly timid.
PhantomMoth
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1girl, solo, petite, short, slim, skinny, frail, pale skin, long hair, curly hair, red hair, brown eyes, private school uniform, navy blazer, white collared shirt, striped navy tie, navy pleated skirt, shy, timid, meek, insecure, nervous, blush, half-closed eyes, looking down, looking to the side, head down, hunched shoulders, arms pressed to chest, hands clasped together, fidgeting, from above, upper body, close-up, dutch angle, adult, school hallway, lockers, soft window light, muted navy and dusty rose palette, quiet anxious mood A high, slightly tilted three-quarter view down onto a small, slight teenage-look adult girl — petite and short, her narrow shoulders drawn in and her whole frame curled smaller than it needs to be, collarbones and thin wrists reading as frail against the stiff navy of her blazer. Her long red hair falls in tight, heavy curls past her shoulders, a few coils escaping forward over her cheek and one loose curl swinging in front of her right eye; a faint shadow of curls falls across the pale skin of her forehead. She is caught mid-fidget: weight sunk onto her left hip with her right knee turned inward, both hands clasped together and pressed low against her sternum at the lapels of the navy blazer, thumbs worrying at each other, the striped navy tie pushed slightly askew beneath them. Her chin is tucked almost to her collar and she glances up from under her lashes and the curtain of red curls — brown eyes flicking sidelong toward the corridor beyond the frame, not at the viewer — lips pressed into a thin closed line, cheeks flushed a soft pink, one brow lifted in a small anxious pinch. Behind and above her the school hallway recedes in cool shadow: a rank of pale steel lockers on the left, a strip of corridor running off to the right, the far end dim and empty. Daylight comes only from a tall window off-frame to the upper left, so the light rakes across the left side of her face and the top curls of her hair while the right side of her jaw, the underside of the blazer collar and the folds of the navy pleated skirt sink into soft grey shadow; her shadow lies thin and small on the floor tiles and her reflection barely registers on the lacquered locker door, darker and softer than she is. Palette holds to navy, white, steel grey and the warm red of her hair, with only the muted rose of her blush and the flat brown of her eyes breaking it. Detail is spent on her face, hands and the curl-curl contact and crumpled blazer at her clasped fingers; the corridor behind simplifies into shapes. Quiet, aching shyness.
PhantomMoth

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