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AI artwork featuring #PixAI Halloween 2026
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Gerald chan

Contest Entry
PixAI โ€œHalloween Oddities Clubโ€ Special Contest - A Night at Higan Inn#PixAI Halloween 2026
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tohsaka rin, fate (series), fate/stay night, 1girl, solo, long hair, breasts, smile, blue eyes, black hair, dress, hat, jewelry, medium breasts, twintails, earrings, parted bangs, hands up, clothing cutout, blue dress, chinese clothes, cleavage cutout, frilled sleeves, china dress, pelvic curtain, blue hat, ofuda, jiangshi, qingdai guanmao, ofuda on head, jiangshi costume
Show Parameters
Original Prompt
tohsaka rin, fate (series), fate/stay night, 1girl, solo, long hair, breasts, smile, blue eyes, black hair, dress, hat, jewelry, medium breasts, twintails, earrings, parted bangs, hands up, clothing cutout, blue dress, chinese clothes, cleavage cutout, frilled sleeves, china dress, pelvic curtain, blue hat, ofuda, jiangshi, qingdai guanmao, ofuda on head, jiangshi costume
Size
1024 x 576
Sampling Steps
40
Sampling Method
Euler a
CFG Scale
7
Negative
score_1, score_2, score_3, score_4, source_furry, bad, low res, lowres, worst quality, low quality, normal quality, poor quality, jpeg artifacts, low resolution, out of focus, ugly, error, bokeh, lower, signature, watermark, username, blurry, bad anatomy, bad hands, bad hand, broken hand, mutated hands, deformed mutated, extra_arms, disconnected_limbs, exposed inaccurate limbchest, extra_fingers, extra_legs, missing_limb, floating_limbs, missing fingers, extra digit, fewer digits, cropped, crowd, bag, handbag, far, too far, bad face, deformed, text, logo, name

Model & LoRA used

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AI artwork
c
character: kisaki_(blue_archive), copyright: blue_archive photorealistic, 1girl, solo, east asian chinese girl, cowboy shot, sitting, crossed legs, holding tuanshan, round silk hand fan held at chest, parted lips, light smile, black hair, long hair, fine hair, double braided hair bun, twintails, shuangyaji, hair ornament, butterfly hair ornament, grey eyes, round eyes, eyeliner, red lips, ((small face, pretty thin face)), very smooth glossy pale skin, very large breasts, chinese clothes, hanfu beizi, qixiong ruqun, black and blue two-tone gradient dress, floral stem print, black see-through wide long sleeves, fine fabric emphasis, yupei jade pendant tassel on clothes, necklace, jewelry, pendant, grey seamless background, balanced daylight studio, gentle shadows, 85mm lens, f/1.8, depth of field, DSLR, sharp and clear photo, realistic physical, realistic hair, plain unadorned space above her hair, no halo, looking at viewer, head tilt, A photorealistic studio photograph at cowboy shot framing โ€” cropped from mid-thigh to just above the crown of her head โ€” taken from a straight-on, very slightly raised camera so the lens sits at her collarbone height and looks gently down across her lap. She sits on an unseen low stool whose top is entirely hidden behind her thighs, knees folded one over the other with her left leg crossed high across the right, the right calf hanging free and her toes out of frame; her weight settles onto her right hip, which pushes that shoulder a touch lower than the left. Her torso is turned about twenty degrees to her left while her head comes back toward the lens, chin tipped a fraction down, giving a slight over-the-shoulder read without ever turning her back. Both hands come together low in front of her chest: her right hand grips the short lacquered handle of a completely round silk tuanshan, the pale silk disc tilted so its upper edge rests just under her parted lower lip, hiding nothing of her mouth; her left fingertips lie flat along the disc's rim, thumb cradling the lacquer. The fan's silk is sheer enough that the faint dark blur of her collar shows through it. Above her, the grey seamless studio sweep is completely empty: a plain unadorned span of flat grey from her hairline to the top edge of the frame, with no ring, disc, glow, or object of any kind hovering over her head. The same seamless grey continues behind her shoulders and down past the cowboy-shot crop, unbroken and without a horizon line. Her hair is fine-stranded and glossy black, center-parted and drawn into two long twin tails that fall forward over both shoulders to her waist, each bound at the root and again mid-length with braided cord, and above each temple a braided bun coils tight against the scalp; a butterfly-shaped hair ornament of blue enamel and silver wire sits at the right bun, its wings angled back. Her face is small and narrow with a fine tapering jaw, framed closely by the parted fall of her hair; her eyes are round and open, grey irises catching two small square studio highlights, upper lash line drawn in a soft dark eyeliner flick, the lower lids slightly crinkled by a light closed-then-parting smile that lifts the outer corners of her red-lacquered lips and shows a sliver of teeth. She looks directly into the lens. She wears a qixiong ruqun: a black-to-deep-blue ruqun skirt whose waistband is bound high, just under the bust, and whose fabric grades downward from matte black at the waist into a deep blue at the hem, scattered with a fine printed stem-and-leaf floral pattern in pale grey-blue. Over it a black beizi jacket with wide, hanging sleeves of sheer black gauze โ€” the weave's grid visible where the cloth falls open at her forearms, the solid black cuff and the pale inner silk showing through the transparency, the wide sleeve mouths pooling softly against her crossed thigh. At her throat a fine chain carries a small jade pendant, and from the high waistband a yupei jade disc hangs on a blue knotted cord with a long silk tassel that drapes across the black skirt and lies over her crossed knee, its strands slightly splayed where they rest. The lighting is balanced daylight from a large soft source high and to the front-left, wrapping her face evenly and leaving only a gentle shadow gradient down the right side of her throat, under the fan's rim, and beneath the crossing thigh; a soft short shadow of her own body falls on the grey sweep behind her right hip. The 85mm at f/1.8 holds her lashes, lips, the jade disc and the gauze weave tack-sharp while the grey sweep melts into a smooth even field a metre behind her. Her skin keeps a smooth glossy sheen with a narrow specular line along the cheekbone and the bridge of her nose. Composed, quietly poised.
Celly

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