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kita34

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1girl, solo, looking at viewer, short hair, simple background, white background, red eyes, bare shoulders, standing, full body, grey hair, weapon, leotard, colored skin, gun, covered navel, headphones, white skin, science fiction, android, cannon, mecha musume, missile, exhaust, torn clothes, anime, flat color, large metallic silver gun held in front of her, futuristic outfit, determined expression, feet out of frame, legs cut off before the ankles, mechanical exhaust plume, blue thruster glow, from below, cowboy shot, holding weapon with both hands, headset over ears, blank white field, Shot from a low angle in a cowboy-shot crop: the girl stands alone on a completely empty pure-white field, and the framing cuts her legs off cleanly before the ankles so her feet never enter the picture. She faces the camera squarely, weight settled on her back leg with the hip cocked, spine straight, chin slightly lowered so she looks straight down the lens with narrowed red eyes and a flat, set mouth -- no smile, jaw tight, one brow faintly drawn in. Her short grey hair is cropped close at the jaw and blown slightly to one side by the thrust of the gun. Both arms are bent in front of her torso, both gloved hands clamped around the receiver of an enormous metallic silver cannon that spans the width of the frame in front of her chest and hips; the barrel rises past her shoulder on the left, and the hard specular line of the polished silver runs the length of it. The cannon's breach is a mass of mechanical detail: a stack of two slim white missiles clamped in a side rail, vented exhaust ports along the underside of the barrel, and a pair of compact thrusters at its rear shoulder mounting. From those thrusters a visible cyan exhaust plume streams backward and out of frame to the right, faint at the root and thinning into a directional trail -- the only colour in the air. She wears a futuristic white leotard, high-cut and sleeveless with a raised armored collar, the shoulders completely bare and white-skinned, the navel sealed behind a solid white panel; the leotard's fabric is torn along the right hip and the lower hem, ragged edges lifting away from the body, and a strip of bare skin shows through the rip. A dark grey headset arcs over her ears with a thin boom mic at her cheek and a small red status light on the earcup. Flat cel colour throughout, hard clean edges, no gradients on her skin, on the leotard or on the metal; the silver is read as flat planes of white, mid-grey and a single sharp highlight along the barrel. The gun is the only thing casting a shadow, a hard grey shape falling on the white ground beneath her hips and out of the bottom of the frame. Cool, precise, quietly dangerous.
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Original Prompt
The image shows an animated girl wearing a headset and holding a large gun. She is wearing a futuristic-looking outfit and has a determined expression on her face. The gun she is holding is a metallic silver color and is positioned in front of her. 1girl, solo, looking at viewer, short hair, simple background, white background, red eyes, bare shoulders, standing, full body, grey hair, weapon, leotard, colored skin, gun, covered navel, headphones, white skin, science fiction, android, cannon, mecha musume, no feet, missile, exhaust, {best quality}, {very esthetic}, {ultra-detailed}, {best illustration}, Torn, {Beautiful details eyes,}, anime, flat color,
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1632 x 1232
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of kita34
1girl, solo, looking at viewer, short hair, simple background, white background, red eyes, bare shoulders, standing, full body, grey hair, weapon, leotard, colored skin, gun, covered navel, headphones, white skin, science fiction, android, cannon, mecha musume, missile, exhaust, torn clothes, anime, flat color, large metallic silver gun held in front of her, futuristic outfit, determined expression, feet out of frame, legs cut off before the ankles, mechanical exhaust plume, blue thruster glow, from below, cowboy shot, holding weapon with both hands, headset over ears, blank white field, Shot from a low angle in a cowboy-shot crop: the girl stands alone on a completely empty pure-white field, and the framing cuts her legs off cleanly before the ankles so her feet never enter the picture. She faces the camera squarely, weight settled on her back leg with the hip cocked, spine straight, chin slightly lowered so she looks straight down the lens with narrowed red eyes and a flat, set mouth -- no smile, jaw tight, one brow faintly drawn in. Her short grey hair is cropped close at the jaw and blown slightly to one side by the thrust of the gun. Both arms are bent in front of her torso, both gloved hands clamped around the receiver of an enormous metallic silver cannon that spans the width of the frame in front of her chest and hips; the barrel rises past her shoulder on the left, and the hard specular line of the polished silver runs the length of it. The cannon's breach is a mass of mechanical detail: a stack of two slim white missiles clamped in a side rail, vented exhaust ports along the underside of the barrel, and a pair of compact thrusters at its rear shoulder mounting. From those thrusters a visible cyan exhaust plume streams backward and out of frame to the right, faint at the root and thinning into a directional trail -- the only colour in the air. She wears a futuristic white leotard, high-cut and sleeveless with a raised armored collar, the shoulders completely bare and white-skinned, the navel sealed behind a solid white panel; the leotard's fabric is torn along the right hip and the lower hem, ragged edges lifting away from the body, and a strip of bare skin shows through the rip. A dark grey headset arcs over her ears with a thin boom mic at her cheek and a small red status light on the earcup. Flat cel colour throughout, hard clean edges, no gradients on her skin, on the leotard or on the metal; the silver is read as flat planes of white, mid-grey and a single sharp highlight along the barrel. The gun is the only thing casting a shadow, a hard grey shape falling on the white ground beneath her hips and out of the bottom of the frame. Cool, precise, quietly dangerous.
kita34
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Avatar image of kita34
1girl, solo, mecha musume, female combat android, full body shot, eye-level camera, standing, looking at viewer, determined expression, confident expression, short grey hair, vivid red eyes, beautiful detailed eyes, pale-white synthetic skin, glossy skin, sleek futuristic leotard, bare shoulders, covered navel, torn fabric accents, communications headset over ears like headphones, holding massive metallic-silver cannon with both hands in front of her, mechanical panel lines, glowing energy vents, mechanical legs, thruster units instead of feet, visible exhaust nozzles, missile pods on thighs, hovering, faint thruster glow, glowing exhaust, soft shadow beneath her, plain white background, clean bright studio lighting, crisp digital anime art, ultra-detailed mechanical detail, A single female combat android stands centered against a completely plain, seamless white studio field that reaches every edge of the full-body frame; the camera sits at her eye level, dead horizontal, spaced far enough back that the crown of her head, the whole length of both mechanical legs and the space beneath her thruster units all sit inside the frame. Her short grey hair falls in blunt uneven strands to just under her jaw, one side tucked behind the headset cup and the other sweeping across the temple so the silhouette breaks asymmetrically. Both vivid red eyes look straight into the lens, lids narrowed, brows drawn down and inward, jaw set, mouth a flat closed line held firm — determined and confident, never smiling. Her pale-white synthetic skin catches the bright studio key as a fine even gloss across her forehead, the tops of her bare shoulders and her forearms, smooth as polished resin. Both first fingers rest inside the trigger guard and under the barrel shroud of a massive metallic-silver cannon held directly in front of her chest; the butt of the weapon is braced against her right hip while the long barrelled mass angles slightly left and up, so the gun crosses her torso rather than squaring it off. Both hands are visible, thumbs laid along the panel lines, the weapon's brushed silver plating detailed with recessed mechanical seams and bolted plates, and along its flanks two rows of vertical energy vents glow a hard cyan-white, light spilling onto the undersides of her bare arms. The cannon's weight tips her pelvis back a fraction and lifts her chin. Her leotard is a sleek matte near-black bodysuit with high-cut hips, a closed high neckline, and bare shoulders left open; the navel is covered by an unbroken armored panel, and the only breaks in the fabric are small frayed tears at the left hip and along one shoulder strap's edge, threads curling. The headset clamps over both ears like closed headphones, one thin boom mic reaching toward her jaw, a small indicator light burning on the left cup. Below the hips her legs are entirely mechanical — segmented silver-grey plating, exposed actuator rods at the knee, dark hydraulic lines running down the shins — and each leg terminates in a thruster unit in place of a foot, the casing flaring outward and ending in clearly visible exhaust nozzles with dark concentric rings set into their mouths. Small missile pods clamp along the outside of both thighs, ribbed cylinders with sealed hatches. She hovers a hand's width above the invisible floor, legs straight but one knee relaxed slightly inward, one ankle-limb angled a touch behind the other; a faint blue-white glow bleeds downward from the nozzles and washes the white beneath her. The studio key is a single broad soft light from the upper front-left, bright and even, throwing gentle highlights down the barrel's top edge and a soft, diffuse oval shadow directly under the thrusters on the white ground; the glow from the vents and nozzles is the only other light, cooling her jawline and the underside of the cannon. The palette is white, silver, near-black, pale skin-white and cyan, with two small vivid red accents in her irises. Everything left of the frame is empty white negative space. Crisp, confident, cleanly engineered.
kita34

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